1 00:01:24,952 --> 00:01:26,687 WELL, I KNOW I DON'T HAVE TO ASK YOU 2 00:01:26,754 --> 00:01:28,589 HOW IT FEELS TO BE A FREE WOMAN AGAIN, MRS. BRENT. 3 00:01:28,656 --> 00:01:30,591 YES, SIR. THE BONDS OF MATRIMONY 4 00:01:30,658 --> 00:01:32,693 CAN WEIGH HEAVILY ON ONE'S SOUL. 5 00:01:32,760 --> 00:01:34,262 I REALIZE THAT. 6 00:01:34,328 --> 00:01:35,996 OH, NOT FROM MY OWN EXPERIENCE, MIND YOU. 7 00:01:36,063 --> 00:01:37,064 THE LITTLE WOMAN AND I 8 00:01:37,131 --> 00:01:38,566 HAVE BEEN MARRIED 15 YEARS NOW. 9 00:01:38,632 --> 00:01:41,068 WITH NARY A CROSS WORD, I'LL WAGER. 10 00:01:41,135 --> 00:01:42,670 THAT'S RIGHT. NARY A ONE. 11 00:01:42,736 --> 00:01:44,972 THEN YOUR WIFE'S A VERY FORTUNATE WOMAN. 12 00:01:45,038 --> 00:01:46,140 OH, I OFTEN TELL HER THAT. 13 00:01:46,207 --> 00:01:47,975 YES, I'M CERTAIN YOU DO. WELL, GOOD-BYE 14 00:01:48,041 --> 00:01:48,909 AND THANK YOU FOR EVERYTHING. 15 00:01:48,976 --> 00:01:50,311 GOOD-BYE. 16 00:01:53,080 --> 00:01:56,217 Boy: GANG WAY! GANG WAY! 17 00:01:56,284 --> 00:01:59,887 [BOYS LAUGH] 18 00:01:59,953 --> 00:02:01,255 [WOMEN LAUGHING] 19 00:02:01,322 --> 00:02:02,890 Woman: LAURY, LAURY, 20 00:02:02,956 --> 00:02:04,825 WHAT A ONE YOU ARE, WHAT A ONE. 21 00:02:04,892 --> 00:02:06,260 HA HA HA. 22 00:02:06,327 --> 00:02:07,861 SHH. WE'D BETTER BE QUIET. 23 00:02:07,928 --> 00:02:08,929 THEY'LL HEAR US UPSTAIRS. 24 00:02:08,996 --> 00:02:10,364 WHO CARES? 25 00:02:10,431 --> 00:02:12,900 I'LL LAUGH AS LOUD AS I WANT IN MY OWN HOUSE. 26 00:02:12,966 --> 00:02:14,402 I'LL MAKE AS MUCH NOISE AS I WANT. 27 00:02:14,468 --> 00:02:16,204 IF MY ROOMERS WANT TO MOVE OUT, LET THEM. 28 00:02:16,270 --> 00:02:17,938 WHO CARES. HA HA HA. 29 00:02:18,005 --> 00:02:19,139 [DOG BARKS] 30 00:02:19,207 --> 00:02:21,809 ROMEO! DOWN, ROMEO. 31 00:02:21,875 --> 00:02:23,244 GET DOWN. 32 00:02:23,311 --> 00:02:24,845 AW, HE DIDN'T GET YOU DIRTY, DID HE? 33 00:02:24,912 --> 00:02:26,079 NO, IT'S ALL RIGHT. 34 00:02:26,146 --> 00:02:28,582 HE LOVES EVERYBODY-- JUST LIKE LAURY HERE. 35 00:02:28,649 --> 00:02:30,518 OH, LISTEN NOW. 36 00:02:30,584 --> 00:02:32,253 MRS. KRAFT, I'D LIKE TO PAY MY BILL. 37 00:02:32,320 --> 00:02:33,921 I'M LEAVING THE FIRST THING IN THE MORNING. 38 00:02:33,987 --> 00:02:34,988 OH, THAT'S RIGHT. 39 00:02:35,055 --> 00:02:36,957 THIS WAS THE BIG DAY, WASN'T IT? 40 00:02:37,024 --> 00:02:38,025 HAVE SOME BEER. 41 00:02:38,091 --> 00:02:39,059 I DON'T THINK SO. 42 00:02:39,126 --> 00:02:40,494 OOH, WHY NOT? 43 00:02:40,561 --> 00:02:42,129 IF YOU'RE GLAD ABOUT THE DIVORCE, 44 00:02:42,196 --> 00:02:43,431 YOU OUGHT TO CELEBRATE. 45 00:02:43,497 --> 00:02:45,132 AND IF YOU'RE SAD AND WANT TO FORGET ABOUT IT, 46 00:02:45,199 --> 00:02:46,434 YOU OUGHT TO CELEBRATE. 47 00:02:46,500 --> 00:02:48,168 SO EITHER WAY, YOU OUGHT TO CELEBRATE. 48 00:02:48,236 --> 00:02:49,437 WHY, HERE'S YOUR BILL. 49 00:02:49,503 --> 00:02:50,938 OH, THANK YOU. MAY I USE YOUR PEN? 50 00:02:51,004 --> 00:02:51,705 I'LL GIVE YOU A CHECK. 51 00:02:51,772 --> 00:02:52,606 HOP TO IT. 52 00:02:52,673 --> 00:02:55,476 [SHOUTING] SALLY! SOME MORE BEER! 53 00:02:55,543 --> 00:02:57,077 STAY FOR SUPPER, HUH, LAURY? 54 00:02:57,144 --> 00:02:58,212 AW, CAN'T. I GOT A DATE. 55 00:02:58,279 --> 00:02:59,913 WHO WITH? DANNY JADEN. 56 00:02:59,980 --> 00:03:01,114 THAT YOUNG SQUIRT? 57 00:03:01,181 --> 00:03:02,182 THOUGHT YOU HAD A NEW ONE. 58 00:03:02,250 --> 00:03:04,252 I HAVE. WAIT TILL YOU SEE HIM. 59 00:03:04,318 --> 00:03:06,387 TELL ABOUT HIM, LAURY. WHAT'S HE LIKE? 60 00:03:06,454 --> 00:03:09,623 WELL, THIS BIG ACROSS THE SHOULDERS. 61 00:03:09,690 --> 00:03:10,958 HE MOVED MY TRUNK AROUND THE OTHER DAY 62 00:03:11,024 --> 00:03:12,059 LIKE IT WAS A CRACKER BOX. 63 00:03:12,125 --> 00:03:14,795 HE'S THE QUIET SORT, 64 00:03:14,862 --> 00:03:16,630 AND YET YOU GET THE FEELING IF YOU STEPPED OUT OF LINE, 65 00:03:16,697 --> 00:03:18,232 HE'D KICK YOUR TEETH DOWN YOUR THROAT. 66 00:03:18,299 --> 00:03:20,768 WHY, AIN'T THAT WONDERFUL? 67 00:03:20,834 --> 00:03:22,536 SURE IS. 68 00:03:22,603 --> 00:03:24,438 I NEVER KNEW A MAN LIKE THAT. 69 00:03:24,505 --> 00:03:26,574 MY TWO HUSBANDS WAS JUST TURNIPS. 70 00:03:26,640 --> 00:03:27,708 MOST MEN ARE. 71 00:03:27,775 --> 00:03:29,243 ISN'T THAT THE TRUTH? 72 00:03:29,310 --> 00:03:30,578 IF YOU GOT A MAN LIKE THAT, LAURY, 73 00:03:30,644 --> 00:03:32,045 WHY YOU GOING OUT WITH DANNY? 74 00:03:32,112 --> 00:03:35,115 I'M DOING IT TO NEEDLE THE NEW ONE. 75 00:03:35,182 --> 00:03:36,884 HE KNOWS I'M CRAZY ABOUT HIM. 76 00:03:36,950 --> 00:03:39,186 HE KNOWS HE'S GOT ME ALL WRAPPED UP. 77 00:03:39,253 --> 00:03:41,355 SO I'VE GOT TO START HIM WORRYING. 78 00:03:41,422 --> 00:03:44,091 IT'S A BORE, BUT THAT'S THE WAY YOU HAVE TO HANDLE MEN. 79 00:03:44,157 --> 00:03:46,827 AIN'T SHE COLD-BLOODED, THOUGH. 80 00:03:46,894 --> 00:03:47,761 I WOULDN'T SAY SO. 81 00:03:47,828 --> 00:03:49,397 I'D SAY SHE WAS JUST BEING PRACTICAL. 82 00:03:49,463 --> 00:03:51,131 WE'RE FRESH OUT OF BEER. 83 00:03:51,198 --> 00:03:52,165 HOW MANY TIMES HAVE I TOLD YOU-- 84 00:03:52,232 --> 00:03:53,267 OH, I'VE GOT PLENTY. 85 00:03:53,334 --> 00:03:54,368 I'LL RUN OVER AND GET SOME. 86 00:03:54,435 --> 00:03:55,803 NO, NO. PLEASE, DON'T BOTHER. 87 00:03:55,869 --> 00:03:56,804 ARE YOU SURE? 88 00:03:56,870 --> 00:03:57,838 I LIVE RIGHT NEXT DOOR. 89 00:03:57,905 --> 00:03:58,639 IT'LL ONLY TAKE A MINUTE. 90 00:03:58,706 --> 00:04:00,441 NO. THANK YOU JUST THE SAME. 91 00:04:00,508 --> 00:04:01,575 I PROBABLY WON'T SEE YOU AGAIN 92 00:04:01,642 --> 00:04:04,044 BEFORE I LEAVE, SO GOOD-BYE. 93 00:04:04,111 --> 00:04:05,012 GOOD-BYE. 94 00:04:05,078 --> 00:04:06,213 GOOD-BYE, MRS. BRENT. 95 00:04:06,280 --> 00:04:08,516 BYE. OH, AND GOOD LUCK WITH THE NEW ONE. 96 00:04:08,582 --> 00:04:09,950 THANKS. 97 00:04:12,119 --> 00:04:13,186 YOU KNOW, 98 00:04:13,253 --> 00:04:14,655 YOU OUGHT TO PUT ON SOME MEAT, LAURY. 99 00:04:14,722 --> 00:04:15,589 YOU'RE SO SKINNY 100 00:04:15,656 --> 00:04:17,858 HE CAN'T GRAB A HOLD OF YOU ANYWHERE. 101 00:04:17,925 --> 00:04:20,294 I HAVEN'T NOTICED ANYBODY HAVING ANY TROUBLE. 102 00:04:23,263 --> 00:04:24,765 YOU'RE A ONE, LAURY PALMER. 103 00:04:24,832 --> 00:04:26,099 YOU SURE ARE A ONE. 104 00:04:26,166 --> 00:04:27,868 HA HA HA. 105 00:04:34,842 --> 00:04:36,109 Man: YOU'RE ALL GOOD PLAYERS TONIGHT. 106 00:04:36,176 --> 00:04:37,478 GET YOUR BETS DOWN EARLY, FOLKS. 107 00:04:37,545 --> 00:04:39,313 I GOT A HUNCH YOU'LL BET A BUNCH. 108 00:04:39,380 --> 00:04:40,848 NO TIME TO BACK UP NOW-- 109 00:04:40,914 --> 00:04:43,016 IT'S TIME TO STACK UP. 110 00:04:43,083 --> 00:04:44,217 THAT'S 31 IN THE BLACK. 111 00:04:44,284 --> 00:04:46,987 WE PAY 31, AND WE PAY THE BLACK. 112 00:04:47,054 --> 00:04:47,988 LET'S GO, FOLKS. 113 00:04:48,055 --> 00:04:49,590 KEEP UP THAT FINE PLAY NOW. 114 00:04:49,657 --> 00:04:50,691 LEAVE A LITTLE, TAKE A LITTLE. 115 00:04:50,758 --> 00:04:53,394 COME ON, DICE. BE GOOD TO ME, BOYS. 116 00:04:53,461 --> 00:04:56,063 Craps dealer: 7 ODD. SHE LOST. NEXT SHOOTER. 117 00:04:56,129 --> 00:04:57,965 5 DOLLARS. 118 00:04:58,031 --> 00:04:59,166 Man: THANK YOU. 119 00:04:59,232 --> 00:05:00,167 Craps dealer: COMING OUT, HERE IT COMES. 120 00:05:00,233 --> 00:05:01,268 THE SHOOTER AND A GOOD ONE. 121 00:05:01,335 --> 00:05:02,903 WHAT WILL HE DO? WIN OR LOSE. 122 00:05:02,970 --> 00:05:03,737 MAKE YOUR BETS. 123 00:05:03,804 --> 00:05:05,906 YOU BET DICE DO OR DON'T PASS. 124 00:05:05,973 --> 00:05:06,807 COMING OUT AGAIN. 125 00:05:06,874 --> 00:05:07,841 HERE IT COMES, COMING OUT. 126 00:05:07,908 --> 00:05:09,343 MAKE YOUR BETS. 127 00:05:11,244 --> 00:05:12,613 BET DICE WIN OR LOSE. 128 00:05:12,680 --> 00:05:14,348 HERE THEY COME, COMING OUT. 129 00:05:16,950 --> 00:05:18,919 8 IS YOUR POINT. MAKE 8. 8 WILL WIN. 130 00:05:18,986 --> 00:05:22,289 WHAT WILL COME? FEEL A BIG 6 OR BIG 8? 131 00:05:22,356 --> 00:05:24,191 8 THE WINNER. PAY THE LINE. 132 00:05:24,257 --> 00:05:25,526 MAKE YOUR BETS. 133 00:05:25,593 --> 00:05:27,761 BET DICE, DO OR DON'T PASS. 134 00:05:27,828 --> 00:05:29,296 COMING OUT AGAIN, SAME SHOOTER. 135 00:05:29,363 --> 00:05:31,999 HERE IT COMES, WIN OR LOSE. 136 00:05:32,065 --> 00:05:33,434 HERE THEY COME, COMING OUT. 137 00:05:33,501 --> 00:05:36,236 YOU BET DICE DO OR DON'T PASS. 138 00:05:36,303 --> 00:05:37,838 COMING OUT AGAIN SAME GOOD SHOOTER. 139 00:05:37,905 --> 00:05:38,972 HERE IT COMES, COMING OUT. 140 00:05:39,039 --> 00:05:40,908 YOU BET DICE WIN OR LOSE. 141 00:05:45,879 --> 00:05:47,781 WHAT WILL IT COME? 6, 8, FEEL IT COME. 142 00:05:47,848 --> 00:05:50,117 COMING OUT, HERE THEY COME. 143 00:05:50,183 --> 00:05:51,885 4 IS YOUR POINT, MAKE 4. 144 00:05:51,952 --> 00:05:54,154 4 WILL WIN. WILL IT COME, WILL IT FAIL? 145 00:05:54,221 --> 00:05:56,023 MAKE 4. 146 00:05:57,591 --> 00:05:59,359 4 THE WINNER. PAY THE LINE. 147 00:06:02,496 --> 00:06:03,631 COMING OUT AGAIN, 148 00:06:03,697 --> 00:06:04,932 THE SAME SHOOTER AND A GOOD ONE. 149 00:06:04,998 --> 00:06:06,567 HERE IT COMES, COMING OUT. 150 00:06:06,634 --> 00:06:07,901 Laury: HI, MRS. BRENT. 151 00:06:07,968 --> 00:06:08,969 GOOD EVENING. 152 00:06:09,036 --> 00:06:09,903 CLEANING THEM OUT? 153 00:06:09,970 --> 00:06:10,838 NOT EXACTLY. 154 00:06:10,904 --> 00:06:12,640 DANNY AND I LOST OUR SHIRT. 155 00:06:12,706 --> 00:06:14,174 OH, THIS IS DANNY JADEN, MRS. BRENT. 156 00:06:14,241 --> 00:06:14,975 HOW DO YOU DO? 157 00:06:15,042 --> 00:06:16,309 OH, HI. 158 00:06:16,376 --> 00:06:17,511 WELL, DANNY, SHALL WE RUN ALONG 159 00:06:17,578 --> 00:06:19,179 AND TRY OUR LUCK SOMEPLACE ELSE? 160 00:06:19,246 --> 00:06:20,848 SURE, BABY. THE NIGHT'S YOUNG. 161 00:06:20,914 --> 00:06:22,115 HEY, GLAD I MET YOU, MRS. BRENT. 162 00:06:22,182 --> 00:06:22,950 THANK YOU. 163 00:06:23,016 --> 00:06:24,017 GOOD-BYE, MRS. BRENT. 164 00:06:24,084 --> 00:06:25,385 BYE. 165 00:06:27,488 --> 00:06:28,422 Craps dealer: COMING OUT AGAIN, 166 00:06:28,489 --> 00:06:29,590 SAME SHOOTER AND A GOOD ONE. 167 00:06:29,657 --> 00:06:31,492 WHAT WILL HE DO? WIN OR LOSE. 168 00:06:31,559 --> 00:06:33,761 8 IS YOUR POINT, MAKE 8. 8 WILL WIN... 169 00:06:48,208 --> 00:06:50,077 COME ON IN. 170 00:06:50,143 --> 00:06:51,512 LET'S HAVE A NIGHTCAP. 171 00:06:51,579 --> 00:06:53,847 BABY, YOU GOT YOURSELF A BOY. 172 00:06:59,987 --> 00:07:01,855 [ROMEO BARKING] 173 00:07:06,827 --> 00:07:08,696 [BARKING] 174 00:07:10,864 --> 00:07:13,767 HELLO, ROMEO. HELLO, SWEETS. 175 00:07:13,834 --> 00:07:15,235 YOU KNOW WHERE EVERYTHING IS, DANNY. 176 00:07:15,302 --> 00:07:16,537 GO AHEAD AND FIX THE DRINKS. 177 00:07:16,604 --> 00:07:17,337 I'LL BE WITH YOU IN A MINUTE. 178 00:07:17,404 --> 00:07:18,739 OK, BABY. 179 00:07:23,577 --> 00:07:25,445 [SWING MUSIC PLAYING] 180 00:07:28,448 --> 00:07:30,518 [DANNY WHISTLING MELODY] 181 00:07:46,567 --> 00:07:48,936 OH, HELLO. 182 00:07:49,002 --> 00:07:50,403 GET OUT. 183 00:07:50,470 --> 00:07:51,739 AW, COME ON, NOW, MAC. 184 00:07:51,805 --> 00:07:53,040 LOOK, LET'S TALK THIS OUT 185 00:07:53,106 --> 00:07:55,008 OVER A COUPLE OF DRINKS. WHAT DO YOU SAY? 186 00:07:55,075 --> 00:07:57,410 I SAY GET OUT. 187 00:07:57,477 --> 00:07:59,346 KIND OF ABRUPT, AIN'T YOU? 188 00:07:59,412 --> 00:08:00,347 I CAME IN FOR A DRINK, 189 00:08:00,413 --> 00:08:01,549 AND I'M GOING TO HAVE IT. 190 00:08:01,615 --> 00:08:02,382 YOU HEARD ME, DIDN'T YOU? 191 00:08:02,449 --> 00:08:03,717 LOOK, MAC, I'M HERE. 192 00:08:03,784 --> 00:08:05,252 NOW, YOU CAN COME BACK SOME OTHER TIME. 193 00:08:05,318 --> 00:08:06,253 BESIDES, WHAT ARE YOU 194 00:08:06,319 --> 00:08:07,487 GETTING SO STAND UP ABOUT? 195 00:08:07,555 --> 00:08:08,589 SHE AIN'T NO QUEEN OF SHEBA. 196 00:08:08,656 --> 00:08:09,957 SHEBA OR NO SHEBA, 197 00:08:10,023 --> 00:08:11,458 THERE'S NO MAN BIG ENOUGH TO CUT ME OUT. 198 00:08:11,525 --> 00:08:13,927 MAYBE SO. 199 00:08:13,994 --> 00:08:15,896 AND MAYBE NOT. 200 00:08:42,656 --> 00:08:44,725 [DANNY GROANS] 201 00:08:47,227 --> 00:08:50,731 Laury: MY HEAVENS, WHAT ARE YOU DOING, DANNY? 202 00:08:50,798 --> 00:08:53,567 SOUNDS LIKE YOU'RE TEARING THE HOUSE APART. 203 00:08:53,634 --> 00:08:55,836 THE RACKET YOU'RE MAKING, YOU'RE... 204 00:09:01,374 --> 00:09:02,943 DANNY. 205 00:09:07,214 --> 00:09:08,215 DANNY. 206 00:09:23,263 --> 00:09:25,265 OH, SAM. 207 00:09:25,332 --> 00:09:27,234 [SCREAMS] 208 00:09:27,300 --> 00:09:29,637 [ROMEO BARKING] 209 00:09:29,703 --> 00:09:31,772 [BLOWS BEING STRUCK] 210 00:09:35,743 --> 00:09:37,811 [BARKING STOPS] 211 00:10:09,409 --> 00:10:10,543 [BARKING] 212 00:10:10,610 --> 00:10:12,412 WELL, DOWN, DOWN, DOWN. 213 00:10:12,479 --> 00:10:13,814 NO. WELL, 214 00:10:13,881 --> 00:10:17,785 AREN'T YOU OUT LATE TONIGHT, ROMEO? YEAH. 215 00:10:17,851 --> 00:10:20,253 YOU OUGHT TO BE HOME, YOU LITTLE TRAMP. 216 00:10:20,320 --> 00:10:21,388 COME ON. 217 00:10:37,905 --> 00:10:39,539 [ROMEO WHINES] 218 00:10:39,606 --> 00:10:42,109 OH, NO. YOU'LL GET RIGHT OUT AGAIN. 219 00:10:42,175 --> 00:10:44,277 INSIDE'S FOR YOU. 220 00:10:47,881 --> 00:10:49,950 [ROMEO WHINING] 221 00:11:59,820 --> 00:12:00,988 HELLO, INFORMATION. 222 00:12:01,054 --> 00:12:04,491 WHAT'S THE NUMBER OF THE RAILROAD STATION? 223 00:12:04,557 --> 00:12:06,126 THANK YOU. 224 00:12:28,215 --> 00:12:29,783 WHERE YOU BEEN? 225 00:12:32,452 --> 00:12:33,954 OUT. 226 00:12:34,021 --> 00:12:35,823 NO. 227 00:12:37,090 --> 00:12:38,826 WHO WITH? THE PALMER DAME? 228 00:12:43,864 --> 00:12:45,899 IF WE'RE GOING TO CARRY ON A CONVERSATION, 229 00:12:45,966 --> 00:12:48,701 IT'D HELP FOR YOU TO TALK. 230 00:12:48,768 --> 00:12:50,838 THE PALMER DAME'S DEAD. 231 00:12:54,641 --> 00:12:57,644 WHY DID YOU DO IT, SAM? 232 00:12:57,710 --> 00:12:59,379 I HAD TO. SHE CAUGHT ME WITH HIM. 233 00:12:59,446 --> 00:13:01,214 HIM? 234 00:13:01,281 --> 00:13:02,883 THAT KID... 235 00:13:02,950 --> 00:13:05,118 FOR MAKING A MONKEY OUT OF ME. 236 00:13:05,185 --> 00:13:07,154 WELL, I WOULDN'T HAVE KILLED HER, TOO, I GUESS, 237 00:13:07,220 --> 00:13:09,756 BUT SHE WALKED IN AND SAW THE KID LYING THERE. 238 00:13:09,823 --> 00:13:10,858 I'VE BEEN SCARED 239 00:13:10,924 --> 00:13:11,892 SOMETHING LIKE THIS WOULD HAPPEN, 240 00:13:11,959 --> 00:13:13,726 THE WAY YOU GO OFF YOUR HEAD. 241 00:13:13,793 --> 00:13:15,028 AND IT'S BEEN WORSE LATELY, 242 00:13:15,095 --> 00:13:18,198 EVER SINCE THAT NERVOUS CRACK-UP LAST SUMMER. 243 00:13:18,265 --> 00:13:20,033 HONEST, SAM. 244 00:13:20,100 --> 00:13:21,835 YOU GO NUTS ABOUT NOTHING. 245 00:13:21,902 --> 00:13:23,370 NOTHING AT ALL. 246 00:13:23,436 --> 00:13:24,437 YOU GOT TO WATCH THAT. 247 00:13:24,504 --> 00:13:26,006 YOU JUST CAN'T GO AROUND KILLING PEOPLE 248 00:13:26,073 --> 00:13:26,874 WHENEVER THE NOTION STRIKES YOU. 249 00:13:26,940 --> 00:13:28,108 IT'S NOT FEASIBLE. 250 00:13:28,175 --> 00:13:29,542 WHY ISN'T IT? ALL RIGHT, SAM. 251 00:13:29,609 --> 00:13:31,344 ALL RIGHT, IT IS. 252 00:13:31,411 --> 00:13:32,512 HE WAS CUTTING IN ON ME. 253 00:13:32,579 --> 00:13:33,580 WITH HER? 254 00:13:33,646 --> 00:13:35,248 THAT WAS A BIG WORRY, I'LL BET. 255 00:13:35,315 --> 00:13:37,317 IT'S NOT THAT. 256 00:13:37,384 --> 00:13:38,451 IT'S JUST THAT I NEVER LET ANYBODY 257 00:13:38,518 --> 00:13:40,253 CUT IN ON ME ON ANYTHING. 258 00:13:40,320 --> 00:13:41,454 I CAN HAVE ANYTHING I WANT, MART, 259 00:13:41,521 --> 00:13:42,990 ANYTHING AT ALL IF I PUT MY MIND TO IT. 260 00:13:43,056 --> 00:13:45,125 SURE, SAM, SURE. 261 00:13:45,192 --> 00:13:47,560 AND WHEN I WANT IT, I TAKE IT, AND NOBODY CUTS IN. 262 00:13:47,627 --> 00:13:49,229 OF COURSE, SAM. 263 00:13:49,296 --> 00:13:50,430 WHY, HE MUST HAVE BEEN CRAZY 264 00:13:50,497 --> 00:13:52,199 THINKING HE STOOD A CHANCE WITH A DAME 265 00:13:52,265 --> 00:13:54,401 AFTER SHE GOT A LOAD OF YOU. 266 00:13:57,704 --> 00:13:59,472 ANYONE SPOT YOU THERE? 267 00:13:59,539 --> 00:14:00,974 NOT THAT I KNOW OF. 268 00:14:01,041 --> 00:14:02,675 ANYONE EVER SEE YOU WITH HER? 269 00:14:02,742 --> 00:14:04,277 HOW DO I KNOW? I DON'T WATCH EVERYBODY THAT LOOKS AT ME. 270 00:14:04,344 --> 00:14:05,378 TAKE IT EASY, WILL YOU, SAM. 271 00:14:05,445 --> 00:14:08,949 I'M TRYING TO HELP YOU, THAT'S ALL. 272 00:14:09,016 --> 00:14:10,617 THERE'S A TRAIN OUT OF HERE IN AN HOUR 273 00:14:10,683 --> 00:14:11,851 FOR SAN FRANCISCO. 274 00:14:11,919 --> 00:14:12,920 YOU'LL BE ON IT. 275 00:14:12,986 --> 00:14:14,121 ARE YOU COMING? 276 00:14:14,187 --> 00:14:17,090 NO. I'LL STICK HERE TILL THIS DIES DOWN. 277 00:14:17,157 --> 00:14:18,425 I'LL CHECK WHAT LEADS THEY'VE GOT, 278 00:14:18,491 --> 00:14:20,860 SEE IF ANYBODY SAW YOU AND WHO THEY ARE. 279 00:14:20,928 --> 00:14:22,695 YOU GET OUT. CALL ME WHEN YOU'RE SET. 280 00:14:22,762 --> 00:14:23,696 NEED ANY DOUGH? 281 00:14:23,763 --> 00:14:25,165 NO. 282 00:14:25,232 --> 00:14:26,833 BUY YOUR TICKET AFTER YOU GET ON THE TRAIN, 283 00:14:26,900 --> 00:14:27,834 NOT IN THE STATION. 284 00:14:27,901 --> 00:14:30,537 AND SAM, IN THE MEANTIME, 285 00:14:30,603 --> 00:14:32,005 NO DAMES, UNDERSTAND? 286 00:14:32,072 --> 00:14:36,143 I'VE GOT A DAME ON MY MIND, AND SHE'S DEAD. 287 00:14:36,209 --> 00:14:37,978 AND THAT'S PLENTY FOR ME. 288 00:14:47,520 --> 00:14:49,122 [TRAIN APPROACHING] 289 00:14:54,727 --> 00:14:56,596 [TRAIN STOPS] 290 00:15:07,207 --> 00:15:09,009 I'LL TAKE THOSE FOR YOU. 291 00:15:11,778 --> 00:15:14,714 OH. WELL, THAT'S VERY KIND OF YOU. 292 00:15:14,781 --> 00:15:16,016 WHAT'S THE NUMBER OF YOUR PULLMAN? 293 00:15:16,083 --> 00:15:17,884 I HAVEN'T ONE. THEY WERE ALL SOLD OUT. 294 00:15:17,951 --> 00:15:19,252 OH, THAT'S TOO BAD. 295 00:15:19,319 --> 00:15:20,253 HAVE YOU GOT A TICKET? 296 00:15:20,320 --> 00:15:21,321 YES. 297 00:15:21,388 --> 00:15:22,922 WELL, GOOD. LET'S GO. 298 00:15:37,404 --> 00:15:38,071 WHAT CAR, SIR? 299 00:15:38,138 --> 00:15:39,339 THIS IS IT. 300 00:15:39,406 --> 00:15:40,340 WELL, THERE MUST BE SOME MISTAKE. 301 00:15:40,407 --> 00:15:41,341 THERE'S NO ROOM IN THIS ONE. 302 00:15:41,408 --> 00:15:42,309 WELL, DON'T WORRY ABOUT IT. 303 00:15:42,375 --> 00:15:43,510 WHICH WAY'S THE CLUB CAR? 304 00:15:43,576 --> 00:15:45,878 IT'S THE NEXT CAR, BUT IT'S CLOSED, SIR. 305 00:15:45,945 --> 00:15:48,115 WELL, RIGHT NOW IT'S OPENING AGAIN. 306 00:15:59,926 --> 00:16:01,828 WELL, NOW AT LEAST WE WON'T GET THROWN OFF 307 00:16:01,894 --> 00:16:02,929 TILL THE NEXT STOP. 308 00:16:02,996 --> 00:16:03,963 OH, DON'T WORRY. 309 00:16:04,031 --> 00:16:05,698 NOBODY'S GOING TO THROW US OFF. 310 00:16:05,765 --> 00:16:08,435 WHAT AN ASSURED MAN. 311 00:16:08,501 --> 00:16:09,736 YOU GOT TO KNOW WHAT YOU WANT IN LIFE, 312 00:16:09,802 --> 00:16:10,537 BE SURE YOU'RE GOING TO GET IT, 313 00:16:10,603 --> 00:16:11,671 AND YOU CAN'T MISS. 314 00:16:11,738 --> 00:16:13,940 I FOUND THAT OUT EARLY. 315 00:16:14,007 --> 00:16:15,242 MOST PEOPLE DON'T KNOW 316 00:16:15,308 --> 00:16:17,777 WHAT THEY WANT OUT OF LIFE IN THE FIRST PLACE. 317 00:16:17,844 --> 00:16:19,979 I'D BET YOU DO. 318 00:16:20,047 --> 00:16:21,248 DO I? 319 00:16:21,314 --> 00:16:22,582 YES. 320 00:16:24,751 --> 00:16:26,286 YES, I DO. 321 00:16:26,353 --> 00:16:27,620 EXACTLY. 322 00:16:27,687 --> 00:16:29,456 DON'T YOU? 323 00:16:29,522 --> 00:16:31,758 I KNOW WHAT I WANT WHEN I SEE IT. 324 00:16:34,294 --> 00:16:35,928 SMOKE? NO, THANK YOU. 325 00:16:35,995 --> 00:16:37,830 I SAW YOU ONCE BEFORE THIS EVENING. 326 00:16:37,897 --> 00:16:38,798 REMEMBER? 327 00:16:38,865 --> 00:16:40,200 YES. 328 00:16:41,668 --> 00:16:43,570 YOU DIDN'T PLAY LONG. 329 00:16:43,636 --> 00:16:44,804 NO. 330 00:16:44,871 --> 00:16:46,439 I DON'T LIKE GAMBLING VERY MUCH. 331 00:16:46,506 --> 00:16:47,440 I DON'T LIKE BEING AT THE MERCY 332 00:16:47,507 --> 00:16:48,841 OF THOSE LITTLE WHITE SQUARES 333 00:16:48,908 --> 00:16:51,811 THAT ROLL AROUND ON THE SIDE WHETHER YOU WIN OR LOSE. 334 00:16:51,878 --> 00:16:53,913 I LIKE TO HAVE THE SAY SO MYSELF. 335 00:16:53,980 --> 00:16:56,883 YOU'RE NOT A TURNIP, ARE YOU? 336 00:16:56,949 --> 00:16:57,684 A TURNIP? 337 00:16:57,750 --> 00:16:58,851 YES, WE WERE SAYING 338 00:16:58,918 --> 00:17:00,120 THE OTHER DAY IN MRS. KRAFT'S, 339 00:17:00,187 --> 00:17:01,521 WHERE I ROOMED, AND LAURY PALMER, 340 00:17:01,588 --> 00:17:04,257 A FRIEND OF HERS, SAID, "MOST MEN ARE TURNIPS." 341 00:17:04,324 --> 00:17:05,825 OH. 342 00:17:05,892 --> 00:17:07,194 YOU MAY HAVE NOTICED MS. PALMER. 343 00:17:07,260 --> 00:17:08,395 SHE WAS THE WOMAN WHO SPOKE TO ME 344 00:17:08,461 --> 00:17:10,897 AT THE DICE TABLE THIS EVENING. 345 00:17:10,963 --> 00:17:14,234 YES, I BELIEVE I DID NOTICE HER. 346 00:17:14,301 --> 00:17:16,603 ANYHOW, YOU'RE NOT. 347 00:17:16,669 --> 00:17:17,770 NOT WHAT? 348 00:17:17,837 --> 00:17:19,439 A TURNIP. 349 00:17:19,506 --> 00:17:21,241 OH. 350 00:17:21,308 --> 00:17:22,542 DO YOU LIKE THAT? 351 00:17:22,609 --> 00:17:24,077 YES. 352 00:17:24,144 --> 00:17:25,812 I LIKE THAT VERY MUCH. 353 00:17:25,878 --> 00:17:27,380 DO YOU LIVE IN SAN FRANCISCO? 354 00:17:27,447 --> 00:17:28,381 YES. 355 00:17:28,448 --> 00:17:30,450 GOOD. 356 00:17:30,517 --> 00:17:32,219 WHY GOOD? 357 00:17:32,285 --> 00:17:35,122 BECAUSE THAT'S WHERE I'M GOING TO BE FOR SOME TIME. 358 00:17:39,126 --> 00:17:41,128 [FOGHORN BLOWING] 359 00:17:53,740 --> 00:17:56,543 WELL, WHEN AM I GOING TO SEE YOU AGAIN? 360 00:17:56,609 --> 00:17:57,844 UH, LET ME CALL YOU 361 00:17:57,910 --> 00:17:59,612 WHEN I GET STRAIGHTENED AROUND. 362 00:17:59,679 --> 00:18:01,248 I DON'T KNOW WHERE I'M GOING TO BE. 363 00:18:01,314 --> 00:18:03,150 BETTER GIVE ME YOUR NUMBER. 364 00:18:03,216 --> 00:18:05,918 WELL, YOU'LL BE STAYING AT A HOTEL, WON'T YOU? 365 00:18:05,985 --> 00:18:08,988 LOOK, IF YOU DON'T WANT TO SEE ME AGAIN, JUST SAY SO. 366 00:18:09,055 --> 00:18:12,692 IF I DIDN'T WANT TO, I'D TELL YOU. 367 00:18:12,759 --> 00:18:15,462 THAT'S WHAT I THOUGHT. 368 00:18:15,528 --> 00:18:17,297 WHY DON'T YOU STAY AT THE TERRACE HOTEL? 369 00:18:17,364 --> 00:18:18,831 I'M SURE YOU CAN GET A ROOM THERE, 370 00:18:18,898 --> 00:18:20,900 AND IT'S A NICE, QUIET PLACE. 371 00:18:20,967 --> 00:18:22,135 YOU LIKE IT? 372 00:18:24,471 --> 00:18:26,306 YES. 373 00:18:26,373 --> 00:18:27,807 THEN IT'S THE TERRACE. 374 00:18:30,343 --> 00:18:32,612 SOMEBODY MEETING YOU WHEN WE GET OFF THE FERRY? 375 00:18:32,679 --> 00:18:34,481 NO. I'M GOING TO PICK UP A CAB. 376 00:18:34,547 --> 00:18:36,183 OH, SWELL. WE'LL SHARE ONE. 377 00:18:36,249 --> 00:18:37,884 I'M AFRAID NOT. 378 00:18:37,950 --> 00:18:40,220 WE GO IN DIFFERENT DIRECTIONS. 379 00:18:40,287 --> 00:18:42,355 THAT'S WHERE YOU'RE WRONG. 380 00:18:42,422 --> 00:18:45,292 WE'RE GOING IN THE SAME DIRECTION, YOU AND I. 381 00:18:54,701 --> 00:18:56,169 Man: HERE'S YOUR LAUNDRY, MRS. PERTH. 382 00:18:56,236 --> 00:18:57,570 OK. 383 00:18:59,439 --> 00:19:01,441 MY, THAT COFFEE SMELLS GOOD. 384 00:19:01,508 --> 00:19:03,976 AIN'T IT FUNNY COFFEE NEVER TASTES AS GOOD AS IT SMELLS? 385 00:19:04,043 --> 00:19:05,044 AS YOU GROW OLDER, 386 00:19:05,111 --> 00:19:06,045 YOU'LL DISCOVER THAT LIFE 387 00:19:06,112 --> 00:19:08,080 IS VERY MUCH LIKE COFFEE. 388 00:19:08,147 --> 00:19:09,716 THE AROMA IS ALWAYS BETTER 389 00:19:09,782 --> 00:19:11,484 THAN THE ACTUALITY. 390 00:19:11,551 --> 00:19:13,686 MAY THAT BE YOUR THOUGHT FOR THE DAY. 391 00:19:13,753 --> 00:19:15,054 YEAH, SURE. 392 00:19:15,121 --> 00:19:15,822 [TELEPHONE RINGING] 393 00:19:15,888 --> 00:19:17,257 TELEPHONE. 394 00:19:22,028 --> 00:19:23,796 HELLO? 395 00:19:23,863 --> 00:19:25,298 MR. ARNETT. 396 00:19:26,799 --> 00:19:28,134 WHO'S CALLING? 397 00:19:28,201 --> 00:19:30,270 NO, HE'S NOT HERE. 398 00:19:30,337 --> 00:19:32,472 I DON'T KNOW WHEN HE'LL BE BACK. 399 00:19:32,539 --> 00:19:33,139 [HANGS UP] 400 00:19:33,206 --> 00:19:34,941 A DEBTOR, I TAKE IT. 401 00:19:35,007 --> 00:19:37,344 YEP, AND SPEAKING OF DEBTS, 402 00:19:37,410 --> 00:19:38,878 YOU AIN'T PAID YOUR SHARE OF THE PHONE 403 00:19:38,945 --> 00:19:41,314 FOR 3 MONTHS, ARNETT. 404 00:19:41,381 --> 00:19:43,149 ET TU, BRUTUS? 405 00:19:43,216 --> 00:19:44,884 I AIN'T TALKING ABOUT WHAT YOU 'ET. 406 00:19:44,951 --> 00:19:46,453 THAT'S ON THE HOUSE. 407 00:19:46,519 --> 00:19:50,490 BUT I WANT $8.55 FOR THE PHONE. 408 00:19:50,557 --> 00:19:52,959 I FIND THAT WOULD LEAVE ME EMBARRASSINGLY SHORT. 409 00:19:53,025 --> 00:19:54,861 NOW LOOK-- BUT... 410 00:19:54,927 --> 00:19:57,096 I HAVE A PROSPECTIVE CLIENT, 411 00:19:57,163 --> 00:19:59,566 THE ONE THAT CALLED HERE ON TUESDAY. 412 00:19:59,632 --> 00:20:03,202 I'M MEETING HER IN EXACTLY 3 MINUTES, 413 00:20:03,270 --> 00:20:05,238 AND I SHALL EXACT A SIZEABLE RETAINER. 414 00:20:05,305 --> 00:20:06,939 HAVE NO FEAR. 415 00:20:07,006 --> 00:20:08,174 WHAT DOES THIS ONE WANT? 416 00:20:08,241 --> 00:20:09,175 IS HER HUSBAND 417 00:20:09,242 --> 00:20:11,177 STEPPING OUT ON HER OR WHAT? 418 00:20:11,244 --> 00:20:12,845 MURDER. 419 00:20:23,256 --> 00:20:24,691 MRS. KRAFT? 420 00:20:24,757 --> 00:20:26,259 OBVIOUSLY. WHO DID YOU EXPECT? 421 00:20:26,326 --> 00:20:27,627 HA HA. QUITE SO. 422 00:20:27,694 --> 00:20:28,428 IT DISTRESSES ME 423 00:20:28,495 --> 00:20:30,029 THAT WE MUST MEET HERE, 424 00:20:30,096 --> 00:20:31,631 BUT THEY ARE REDECORATING MY SUITE, 425 00:20:31,698 --> 00:20:32,865 AND I SIMPLY CANNOT TOLERATE 426 00:20:32,932 --> 00:20:33,933 THE SMELL OF PAINT. 427 00:20:34,000 --> 00:20:35,735 WELL, ALL I HOPE IS YOU'RE A GOOD DETECTIVE. 428 00:20:35,802 --> 00:20:37,470 WELL, DIDN'T SOMEONE REFER YOU TO ME? 429 00:20:37,537 --> 00:20:40,139 NO. YOUR NAME JUST CAME FIRST IN THE CLASSIFIED PHONE BOOK. 430 00:20:40,206 --> 00:20:42,141 OH. HA. 431 00:20:42,208 --> 00:20:43,943 WELL, I'VE BEEN IN THIS BUSINESS 432 00:20:44,010 --> 00:20:45,545 SOME 20 YEARS. 433 00:20:45,612 --> 00:20:48,014 BEING STILL ALIVE, THE DEDUCTION IS 434 00:20:48,080 --> 00:20:51,217 I'VE NOT STARVED AT MY TRADE. 435 00:20:51,284 --> 00:20:52,452 THAT BEER. 436 00:20:52,519 --> 00:20:54,153 DOES IT EVERY TIME. 437 00:20:54,220 --> 00:20:56,889 WELL, MRS. KRAFT, HOW CAN I SERVE YOU? 438 00:20:56,956 --> 00:21:00,427 YOU CAN SERVE ME BY FINDING THE RAT WHO KILLED POOR LAURY. 439 00:21:00,493 --> 00:21:02,429 SHE HAD THE BEST TIME OF ANYBODY I EVER KNEW, 440 00:21:02,495 --> 00:21:04,196 THAT LAURY PALMER. 441 00:21:04,263 --> 00:21:05,665 WHY, JUST HEARING HER TELL ABOUT HER DOINGS 442 00:21:05,732 --> 00:21:07,934 WAS ALL THE FUN I HAD LEFT IN LIFE. 443 00:21:08,000 --> 00:21:11,037 SO NOW WHOEVER DID HER IN IS GOING TO GET HIS. 444 00:21:11,103 --> 00:21:12,739 I'LL SEE TO THAT. 445 00:21:12,805 --> 00:21:14,374 YOU REALIZE OF COURSE, MRS. KRAFT, 446 00:21:14,441 --> 00:21:15,642 THAT THIS WILL BE 447 00:21:15,708 --> 00:21:17,477 A PARTICULARLY DIFFICULT CASE. 448 00:21:17,544 --> 00:21:19,178 I WILL HAVE HAD NO OPPORTUNITY 449 00:21:19,245 --> 00:21:20,279 TO INSPECT THE SCENE OF THE CRIME 450 00:21:20,347 --> 00:21:21,414 OR THE EVIDENCE. 451 00:21:21,481 --> 00:21:23,215 I HAVE NONE OF THE ADVANTAGES 452 00:21:23,282 --> 00:21:24,116 ENJOYED BY THE POLICE. 453 00:21:24,183 --> 00:21:25,117 I KNOW ALL THAT. 454 00:21:25,184 --> 00:21:26,853 SO UNDER THESE CIRCUMSTANCES, 455 00:21:26,919 --> 00:21:30,222 I CANNOT PROMISE YOU ANYTHING BUT EFFORT. 456 00:21:30,289 --> 00:21:31,724 THAT IS, IF I'M RETAINED. 457 00:21:31,791 --> 00:21:33,292 YOU'RE RETAINED. SO HOP TO IT. 458 00:21:33,360 --> 00:21:35,695 UH...FIRST, 459 00:21:35,762 --> 00:21:37,997 THERE IS A SLIGHT MONETARY TRANSACTION. 460 00:21:38,064 --> 00:21:39,632 HOW MUCH? 461 00:21:39,699 --> 00:21:42,101 $500 SHOULD RETAIN ME VERY NICELY. 462 00:21:42,168 --> 00:21:43,235 $500. 463 00:21:43,302 --> 00:21:45,004 YOU THINK I'M A MILLIONAIRE? 464 00:21:45,071 --> 00:21:47,073 LAURY PALMER LEFT YOU HER HOUSE 465 00:21:47,139 --> 00:21:49,442 AND QUITE A NICE BIT OF MONEY. 466 00:21:49,509 --> 00:21:52,278 HOW DO YOU KNOW? 467 00:21:52,345 --> 00:21:54,614 I'M A DETECTIVE, REMEMBER. 468 00:22:04,491 --> 00:22:05,825 [DOOR BELL RINGS] 469 00:22:05,892 --> 00:22:06,926 Man: WELL, THEN, WHAT DO YOU SAY ABOUT THE 52 CLUB? 470 00:22:06,993 --> 00:22:07,960 Brent: YOU REMEMBER 471 00:22:08,027 --> 00:22:08,995 THE NEW YEAR'S EVE WE SPENT THERE? 472 00:22:09,061 --> 00:22:10,262 I CERTAINLY DO. 473 00:22:10,329 --> 00:22:12,565 YOU HAD ORDER AFTER ORDER OF CREPE SUZETTE. 474 00:22:12,632 --> 00:22:13,700 THAT WAS MY NEW YEAR'S RESOLUTION. 475 00:22:13,766 --> 00:22:15,334 I WAS GOING TO HAVE MY FILL FOR ONCE 476 00:22:15,402 --> 00:22:16,168 OF CREPE SUZETTE. 477 00:22:16,235 --> 00:22:17,504 THE POOR LITTLE NANNY 478 00:22:17,570 --> 00:22:20,373 ALMOST BURNED THE BOTTOM OUT OF THE CHAFING DISH. 479 00:22:20,440 --> 00:22:22,274 [LAUGHTER] 480 00:22:22,341 --> 00:22:24,176 A GENTLEMAN TO SEE YOU, MRS. BRENT. 481 00:22:24,243 --> 00:22:26,613 A MR. WILD. 482 00:22:26,679 --> 00:22:28,748 OH, ASK HIM TO COME IN, PLEASE. 483 00:22:36,723 --> 00:22:37,323 HELLO. 484 00:22:37,390 --> 00:22:38,958 HELLO THERE. 485 00:22:39,025 --> 00:22:40,527 I, UH, DIDN'T EXPECT YOU. 486 00:22:40,593 --> 00:22:43,496 OH, I WAS AT LOOSE ENDS. THOUGHT I'D DROP BY. 487 00:22:43,563 --> 00:22:45,765 HOW VERY NICE. 488 00:22:45,832 --> 00:22:47,434 THIS IS MY SISTER, GEORGIA STAPLES. 489 00:22:47,500 --> 00:22:48,167 SAM WILD. 490 00:22:48,234 --> 00:22:48,935 HOW DO YOU DO? 491 00:22:49,001 --> 00:22:49,802 HOW DO YOU DO? 492 00:22:49,869 --> 00:22:51,938 AND FRED GROVER, MY FIANCÉ. 493 00:22:52,004 --> 00:22:53,005 Fred: HELLO. 494 00:22:53,072 --> 00:22:54,541 HI. 495 00:22:54,607 --> 00:22:55,842 MR. WILD AND I 496 00:22:55,908 --> 00:22:59,011 CAME DOWN FROM RENO ON THE SAME TRAIN. 497 00:22:59,078 --> 00:22:59,979 WON'T YOU SIT DOWN? 498 00:23:00,046 --> 00:23:01,013 WELL, NO, THANKS. 499 00:23:01,080 --> 00:23:02,048 I SEE YOU'RE GOING OUT. 500 00:23:02,114 --> 00:23:03,483 THERE'S NO HURRY. 501 00:23:03,550 --> 00:23:06,519 EXCEPT THAT I'M SO HUNGRY I CAN HARDLY STAGGER AROUND. 502 00:23:06,586 --> 00:23:09,456 NO MATTER WHAT'S GOING ON, FRED HAS TO EAT. 503 00:23:09,522 --> 00:23:10,823 YOU NOW, I THINK THAT INDICATES 504 00:23:10,890 --> 00:23:12,892 THE DETERIORATION OF THE MORAL FIBER OR SOMETHING. 505 00:23:12,959 --> 00:23:14,627 PERHAPS IT'S A COMPENSATORY THING. 506 00:23:14,694 --> 00:23:17,597 YOU KNOW, LACK OF EMOTIONAL SATISFACTION. 507 00:23:19,566 --> 00:23:20,467 WELL, I GUESS I'LL BE RUNNING ALONG. 508 00:23:20,533 --> 00:23:21,534 NICE TO HAVE MET YOU. 509 00:23:21,601 --> 00:23:23,202 WELL, WHY DON'T YOU ASK MR. WILD 510 00:23:23,269 --> 00:23:23,936 TO COME WITH US, HELEN. 511 00:23:24,003 --> 00:23:24,871 WELL, THANKS. 512 00:23:24,937 --> 00:23:26,439 I DON'T WANT TO BARGE IN ON A PARTY. 513 00:23:26,506 --> 00:23:28,174 OH, IT'S NO PARTY. IT'S JUST THE 3 OF US. 514 00:23:28,240 --> 00:23:29,341 AS A MATTER OF FACT, 515 00:23:29,408 --> 00:23:32,078 I'M THE, QUOTE, EXTRA WOMAN, UNQUOTE, 516 00:23:32,144 --> 00:23:34,213 AND YOU'D BE SAVING ME FROM THAT HIDEOUS FATE. 517 00:23:34,280 --> 00:23:35,448 MR. WILD UNDOUBTEDLY 518 00:23:35,515 --> 00:23:37,283 HAS OTHER THINGS TO DO, GEORGIA. 519 00:23:37,349 --> 00:23:38,918 WHY, NO. 520 00:23:38,985 --> 00:23:40,620 STRANGELY ENOUGH, I HAVEN'T. 521 00:23:40,687 --> 00:23:43,189 Fred: WELL, THEN, LET'S GO. GET YOUR PARAPHERNALIA, GIRLS. 522 00:23:45,725 --> 00:23:49,462 WELL, HELEN, YOU JUST MISSED A THING IN RENO. 523 00:23:49,529 --> 00:23:51,831 QUITE A HORRIBLE MURDER. 524 00:23:51,898 --> 00:23:53,500 Fred: THAT MUST HAVE BEEN CLOSE TO WHERE YOU WERE STAYING. 525 00:23:53,566 --> 00:23:55,034 HAVE THEY ANY IDEA WHO DID IT? 526 00:23:55,101 --> 00:23:56,102 Georgia: NO. NO, NOT YET. 527 00:23:56,168 --> 00:23:57,804 OHH, IT'S A GRUESOME PICTURE. 528 00:23:57,870 --> 00:23:59,438 THAT'S WHAT SELLS PAPERS, GEORGIA. 529 00:23:59,506 --> 00:24:00,873 NOW, GO ON AND GET YOUR THINGS 530 00:24:00,940 --> 00:24:02,341 AND YOU CAN LAP UP THE JUICY DETAILS 531 00:24:02,408 --> 00:24:03,843 WHEN YOU GET HOME. 532 00:24:06,112 --> 00:24:08,347 I WONDER WHY WOMEN ARE SO FASCINATED BY MURDER? 533 00:24:08,414 --> 00:24:09,448 MUCH MORE SO THAN MEN. 534 00:24:09,516 --> 00:24:11,250 YOU EVER NOTICE? 535 00:24:11,317 --> 00:24:12,485 NO, I HAVEN'T. 536 00:24:16,656 --> 00:24:18,124 THAT MURDER JUST HAPPENED 537 00:24:18,190 --> 00:24:19,291 THE NIGHT BEFORE YOU LEFT. 538 00:24:19,358 --> 00:24:20,927 DIDN'T YOU HEAR ANYTHING ABOUT IT? 539 00:24:20,993 --> 00:24:23,663 NO. I LEFT EARLY THE NEXT MORNING. 540 00:24:23,730 --> 00:24:24,997 WERE BOTH THEIR PICTURES IN THE PAPER? 541 00:24:25,064 --> 00:24:28,234 YES. SHE WAS QUITE A GOOD-LOOKING-- 542 00:24:28,300 --> 00:24:30,603 HOW DID YOU KNOW THERE WERE TWO PEOPLE MURDERED? 543 00:24:30,670 --> 00:24:32,404 NOBODY SAID SO AND YOU DIDN'T EVEN LOOK AT THE PAPER. 544 00:24:32,471 --> 00:24:35,608 I, UH, WELL, I... 545 00:24:35,675 --> 00:24:37,176 GEORGIA, AS A MATTER OF FACT, 546 00:24:37,243 --> 00:24:38,244 I DISCOVERED THE BODIES. 547 00:24:38,310 --> 00:24:39,411 YOU WHAT? 548 00:24:39,478 --> 00:24:40,680 AND I'D RATHER YOU WOULDN'T MENTION IT. 549 00:24:40,747 --> 00:24:42,014 BUT HOW DID YOU-- DIDN'T YOU SCREAM? 550 00:24:42,081 --> 00:24:43,516 WH-WHY DIDN'T YOU CALL THE POLICE? 551 00:24:43,583 --> 00:24:44,951 NAMELY ON ACCOUNT OF FRED. 552 00:24:45,017 --> 00:24:46,519 YOU KNOW HOW HE LOATHES ANYTHING 553 00:24:46,586 --> 00:24:48,420 BORDERING ON SENSATIONALISM 554 00:24:48,487 --> 00:24:49,689 AND GETTING INVOLVED WITH A THING LIKE THAT 555 00:24:49,756 --> 00:24:51,090 IS SURE TO BE MESSY. 556 00:24:51,157 --> 00:24:52,625 BESIDES, IT'S A LOT OF BOTHER-- 557 00:24:52,692 --> 00:24:55,494 CORONER'S INQUEST AND ALL THAT SORT OF STUFF. 558 00:24:55,562 --> 00:24:57,429 WELL, THAT SEEMS A RATHER SELF-CENTERED WAY 559 00:24:57,496 --> 00:24:59,431 OF LOOKING AT IT SOMEHOW. 560 00:24:59,498 --> 00:25:00,399 I DON'T THINK SO. 561 00:25:00,466 --> 00:25:01,233 IF I HAD ANY INFORMATION, 562 00:25:01,300 --> 00:25:02,501 IT WOULD BE DIFFERENT, 563 00:25:02,569 --> 00:25:05,137 BUT I COULDN'T TELL THEM ANYTHING, COULD I? 564 00:25:05,204 --> 00:25:06,438 WELL, MAYBE YOU'RE RIGHT. 565 00:25:06,505 --> 00:25:07,574 OF COURSE I'M RIGHT. 566 00:25:07,640 --> 00:25:10,042 [ORCHESTRA PLAYING] 567 00:25:12,945 --> 00:25:13,980 Fred: WILL YOU TAKE CARE OF THIS? 568 00:25:14,046 --> 00:25:15,181 CERTAINLY, MR. GROVER. RIGHT AWAY. 569 00:25:15,247 --> 00:25:16,248 THANK YOU, PIERRE. 570 00:25:24,090 --> 00:25:25,692 I ORDERED SOMETHING SPECIAL FOR YOU 571 00:25:25,758 --> 00:25:27,093 TO CELEBRATE YOUR RETURN. 572 00:25:27,159 --> 00:25:28,460 WONDERFUL. 573 00:25:28,527 --> 00:25:30,563 Georgia: OH, THIS IS MY VERY FAVORITE PIECE. 574 00:25:30,630 --> 00:25:32,398 COME ON, FRED. LET'S DANCE. 575 00:25:32,464 --> 00:25:33,532 YOU DON'T MIND, DO YOU, HELEN? 576 00:25:33,600 --> 00:25:35,134 I CERTAINLY DO. 577 00:25:35,201 --> 00:25:36,502 BUT GO AHEAD. 578 00:25:36,569 --> 00:25:37,970 THANK YOU, MY SWEET. 579 00:25:46,512 --> 00:25:48,681 WHY HIM? 580 00:25:48,748 --> 00:25:50,950 WELL, THAT'S A WEIRD QUESTION. 581 00:25:51,017 --> 00:25:53,953 I WANT TO KNOW. I DON'T GET IT. 582 00:25:54,020 --> 00:25:57,089 DOESN'T IT OCCUR TO YOU THAT I MIGHT BE IN LOVE WITH FRED? 583 00:25:57,156 --> 00:25:59,592 HE'S NO GUY YOU'D BE IN LOVE WITH. 584 00:25:59,659 --> 00:26:02,228 HAVE IT YOUR WAY. 585 00:26:02,294 --> 00:26:04,530 LIKE TO DANCE? 586 00:26:04,597 --> 00:26:06,599 NO, THANKS. 587 00:26:06,666 --> 00:26:08,234 AFRAID? 588 00:26:08,300 --> 00:26:09,836 AFRAID? OF WHAT? 589 00:26:09,902 --> 00:26:11,170 OH, THAT YOU MIGHT CHANGE YOUR MIND 590 00:26:11,237 --> 00:26:13,740 ABOUT MARRYING HIM. 591 00:26:13,806 --> 00:26:15,441 NOTHING IN THE WORLD COULD INDUCE ME 592 00:26:15,507 --> 00:26:17,343 TO CHANGE MY MIND ABOUT MARRYING FRED. 593 00:26:17,409 --> 00:26:18,344 OH, THEN WHY DON'T YOU DO IT? 594 00:26:18,410 --> 00:26:19,278 WHAT ARE YOU WAITING FOR? 595 00:26:19,345 --> 00:26:20,813 FRED'S MOTHER DIED RECENTLY. 596 00:26:20,880 --> 00:26:24,016 NATURALLY, HE WANTS TO WAIT A FEW MONTHS. 597 00:26:24,083 --> 00:26:24,951 I THINK I COULD CHANGE YOUR MIND 598 00:26:25,017 --> 00:26:26,118 ABOUT THIS MARRIAGE DEAL 599 00:26:26,185 --> 00:26:28,688 IF I DECIDED TO. 600 00:26:28,755 --> 00:26:29,956 OH, WHAT'S SO FUNNY? 601 00:26:30,022 --> 00:26:33,259 YOU WANTED TO SEE ME AGAIN. 602 00:26:33,325 --> 00:26:35,061 LET'S NOT CONFUSE THE ISSUE. 603 00:26:35,127 --> 00:26:36,262 SEEING YOU AGAIN 604 00:26:36,328 --> 00:26:40,132 HAD NOTHING WHATSOEVER TO DO WITH FRED AND ME. 605 00:26:40,199 --> 00:26:42,001 OH, I SEE. 606 00:26:42,068 --> 00:26:44,070 YOU'LL CROSS THE TRACKS ON TUESDAYS AND MAY DAY 607 00:26:44,136 --> 00:26:47,239 WITH A BASKET OF GOODIES FOR THE POOR SLUM KID. 608 00:26:47,306 --> 00:26:48,540 BUT BACK YOU SCOOT AND FAST 609 00:26:48,607 --> 00:26:49,676 TO YOUR OWN HIGH-TONED 610 00:26:49,742 --> 00:26:50,677 NECK OF THE WOODS, DON'T YOU? 611 00:26:50,743 --> 00:26:52,278 I WOULDN'T SAY THAT. 612 00:26:52,344 --> 00:26:53,279 NO, YOU WOULDN'T SAY IT, 613 00:26:53,345 --> 00:26:54,847 BUT THAT'S THE WAY IT IS. 614 00:26:54,914 --> 00:26:56,615 Fred: TOO MUCH OF A CROWD FOR ME. 615 00:26:56,683 --> 00:26:58,751 WELL, FRED, OLD BOY. WHEN I'M YOUR AGE, 616 00:26:58,818 --> 00:27:01,553 I DON'T SUPPOSE I'LL BE ABLE TO TAKE IT EITHER. 617 00:27:01,620 --> 00:27:03,122 HELEN, MAY I BORROW YOUR MIRROR FOR A MINUTE? 618 00:27:03,189 --> 00:27:04,824 YES, HELP YOURSELF. 619 00:27:04,891 --> 00:27:06,625 HERE'S YOUR WEDDING RING. 620 00:27:06,693 --> 00:27:07,593 AREN'T YOU ALWAYS SUPPOSED 621 00:27:07,660 --> 00:27:08,828 TO THROW IT OVER THE FENCE 622 00:27:08,895 --> 00:27:10,029 OR DOWN A DRAIN OR SOMETHING 623 00:27:10,096 --> 00:27:11,197 AS SOON AS YOU GET YOUR DIVORCE? 624 00:27:11,263 --> 00:27:13,165 WELL, I WOULD IF I WERE YOU, DARLING. 625 00:27:13,232 --> 00:27:14,633 BUT ME, I'VE GOT TO THINK OF THE DIAMONDS. 626 00:27:14,701 --> 00:27:15,768 I CAN ALWAYS HOCK THEM. 627 00:27:15,835 --> 00:27:17,303 OH, HELEN. THAT'S SILLY. 628 00:27:17,369 --> 00:27:18,771 I'VE TOLD YOU BEFORE 629 00:27:18,838 --> 00:27:21,073 THAT I DON'T EVEN WANT YOU TO THINK ABOUT MONEY. 630 00:27:21,140 --> 00:27:23,442 ISN'T IT MARVELOUS TO BE A POOR RELATION 631 00:27:23,509 --> 00:27:24,744 AND HAVE PEOPLE INSIST UPON PRESSING 632 00:27:24,811 --> 00:27:27,379 GREAT WADS OF GOLD INTO YOUR HOT, LITTLE FISTS? 633 00:27:27,446 --> 00:27:28,848 SAY, AREN'T YOU TWO SISTERS? 634 00:27:28,915 --> 00:27:29,782 YES. 635 00:27:29,849 --> 00:27:31,784 YOU MEAN WHY AM I THE POOR RELATION? 636 00:27:31,851 --> 00:27:33,720 SEE, WE'RE REALLY FOSTER SISTERS. 637 00:27:33,786 --> 00:27:36,255 ALL RIGHT, IF YOU MUST SPLIT HAIRS ABOUT IT. 638 00:27:36,322 --> 00:27:37,656 BUT WE ARE, DARLING. 639 00:27:37,724 --> 00:27:40,059 GEORGIA'S FATHER WAS THE TYCOON. 640 00:27:40,126 --> 00:27:42,528 HE FOUNDED THE TOWN'S BIGGEST NEWSPAPER. 641 00:27:42,594 --> 00:27:45,631 NATURALLY, WHEN HE DIED, HE LEFT EVERYTHING TO GEORGIA. 642 00:27:45,698 --> 00:27:47,499 YOU'VE NO IDEA HOW THIS BOTHER ABOUT 643 00:27:47,566 --> 00:27:48,567 "MONEY, MONEY, MONEY, 644 00:27:48,634 --> 00:27:51,103 WHO'S GOT THE MONEY?" BORES ME. 645 00:27:51,170 --> 00:27:53,806 WILL YOU DANCE WITH ME, SAM? 646 00:27:53,873 --> 00:27:55,107 WHY, CERTAINLY. 647 00:28:03,515 --> 00:28:04,717 CIGARETTE, DARLING? 648 00:28:04,784 --> 00:28:06,252 OH, YES. THANK YOU. 649 00:28:16,228 --> 00:28:17,830 THIS GUY YOUR SISTER'S MARRYING, 650 00:28:17,897 --> 00:28:20,299 THIS GROVER, HE'S RICH, ISN'T HE? 651 00:28:20,366 --> 00:28:21,267 VERY. 652 00:28:21,333 --> 00:28:24,303 HE'S THE GROVER STEEL COMPANY. WHY? 653 00:28:24,370 --> 00:28:25,637 OH, JUST CURIOUS. 654 00:28:25,704 --> 00:28:26,672 I THINK THAT'S THE WAY IT OUGHT TO BE. 655 00:28:26,739 --> 00:28:27,840 SOMEBODY WITH MONEY 656 00:28:27,907 --> 00:28:29,842 MARRYING SOMEBODY WHO HASN'T GOT ANY. 657 00:28:29,909 --> 00:28:32,511 SORT OF EVENS THINGS UP. 658 00:28:32,578 --> 00:28:34,046 YOU'VE NEVER BEEN MARRIED, HAVE YOU? 659 00:28:34,113 --> 00:28:35,047 NO. 660 00:28:35,114 --> 00:28:36,382 WHY NOT? 661 00:28:36,448 --> 00:28:38,484 WELL, I DON'T KNOW, I... 662 00:28:38,550 --> 00:28:40,119 YOU'VE HAD PLENTY OF OFFERS. 663 00:28:40,186 --> 00:28:42,354 WELL, I... 664 00:28:42,421 --> 00:28:44,690 WHAT MAKES YOU THINK I'VE BEEN BESIEGED WITH OFFERS. 665 00:28:44,757 --> 00:28:45,958 OH, THAT'S SIMPLE. 666 00:28:46,025 --> 00:28:46,926 YOU'VE GOT JUST ABOUT EVERYTHING 667 00:28:46,993 --> 00:28:48,427 A MAN WOULD WANT IN A WIFE. 668 00:28:48,494 --> 00:28:51,998 YOU'RE YOUNG, WARM, PRETTY. 669 00:28:52,064 --> 00:28:54,767 YOU COULD REALLY LOVE A MAN. 670 00:28:54,834 --> 00:28:55,768 I, UH...SORRY. 671 00:28:55,835 --> 00:28:56,936 WHY ARE YOU SO NERVOUS? 672 00:28:57,003 --> 00:28:58,004 YOU'VE HEARD ALL THIS BEFORE. 673 00:28:58,070 --> 00:29:00,472 WHY, I'M NOT NERVOUS. 674 00:29:00,539 --> 00:29:02,608 WELL, AS A MATTER OF FACT, 675 00:29:02,674 --> 00:29:04,676 IT'S--IT'S A LITTLE BIT DISCONCERTING 676 00:29:04,743 --> 00:29:05,945 TO HAVE SOMEONE YOU SCARCELY KNOW BE-- 677 00:29:06,012 --> 00:29:08,514 WELL, BE QUITE SO FRANK. 678 00:29:08,580 --> 00:29:09,648 WHY? IS IT WRONG 679 00:29:09,715 --> 00:29:11,483 TO COME OUT WITH WHAT'S IN YOUR HEAD? 680 00:29:11,550 --> 00:29:13,953 NO. NO, IT'S NOT WRONG. IT'S... 681 00:29:14,020 --> 00:29:16,188 IT'S JUST THAT I'M NOT USED TO IT, THAT'S ALL. 682 00:29:16,255 --> 00:29:18,190 OH, WE'LL HAVE TO CHANGE ALL THAT 683 00:29:18,257 --> 00:29:19,325 'CAUSE THERE'S A LOT MORE IN MY HEAD 684 00:29:19,391 --> 00:29:21,460 I WANT TO TELL YOU. 685 00:29:33,439 --> 00:29:35,007 HI. 686 00:29:48,654 --> 00:29:50,322 WOULD YOU CALL MY FACE PRETTY? 687 00:29:52,524 --> 00:29:54,126 DID HE? 688 00:29:54,193 --> 00:29:55,794 WHO? 689 00:29:55,862 --> 00:29:57,629 DON'T BE COY. 690 00:29:57,696 --> 00:29:59,966 HE'S A VERY ATTRACTIVE GUY, ISN'T HE? 691 00:30:00,032 --> 00:30:01,968 AND DIFFERENT, TOO. 692 00:30:02,034 --> 00:30:06,672 YOU KNOW, I--I'VE NEVER MET ANYONE LIKE HIM BEFORE. 693 00:30:06,738 --> 00:30:07,974 WHEN ARE YOU SEEING HIM AGAIN? 694 00:30:08,040 --> 00:30:10,609 LUNCH TOMORROW. 695 00:30:10,676 --> 00:30:13,545 WHAT DOES HE DO? DO YOU KNOW? 696 00:30:13,612 --> 00:30:14,680 NO. 697 00:30:14,746 --> 00:30:15,814 WELL, WHAT DID YOU TALK ABOUT 698 00:30:15,882 --> 00:30:17,917 ALL THE WAY DOWN ON THE TRAIN? 699 00:30:17,984 --> 00:30:20,686 OH, MY DIVORCE, RENO. 700 00:30:20,752 --> 00:30:23,990 HELEN, WAS IT AWFUL THOSE 6 WEEKS? 701 00:30:24,056 --> 00:30:24,924 NOTHING WHAT YOU'D CALL 702 00:30:24,991 --> 00:30:26,492 AN ENRICHING EXPERIENCE. 703 00:30:26,558 --> 00:30:30,096 WELL, AT LEAST IT WAS SOME KIND OF AN EXPERIENCE. 704 00:30:30,162 --> 00:30:33,165 I NEVER SEEM TO HAVE ANY KIND. 705 00:30:33,232 --> 00:30:36,568 I THINK, DARLING, YOU'RE JUST ABOUT TO HAVE ONE. 706 00:30:43,509 --> 00:30:45,111 [TELEPHONE RINGS] 707 00:30:49,248 --> 00:30:50,216 HELLO. 708 00:30:52,451 --> 00:30:55,187 YEAH, GO AHEAD. 709 00:30:55,254 --> 00:30:55,754 Mart: HELLO. 710 00:30:55,821 --> 00:30:57,356 HELLO, MART. SAM. 711 00:30:57,423 --> 00:30:58,390 WHAT'S DOING? 712 00:30:58,457 --> 00:30:59,691 IT'S QUIETED DOWN. 713 00:30:59,758 --> 00:31:00,859 GOOD. 714 00:31:00,927 --> 00:31:02,861 THE WORST IS OVER. 715 00:31:02,929 --> 00:31:04,730 SURE, I KNEW IT WOULD BE OK. I WASN'T WORRIED. 716 00:31:04,796 --> 00:31:05,731 WHERE ARE YOU AT? 717 00:31:05,797 --> 00:31:06,999 TERRACE HOTEL. 718 00:31:07,066 --> 00:31:08,034 EVERYTHING ALL RIGHT? 719 00:31:08,100 --> 00:31:11,503 YEAH. I GOT NEWS FOR YOU, MART. 720 00:31:11,570 --> 00:31:13,039 I'M GETTING MARRIED. 721 00:31:13,105 --> 00:31:14,640 HEY, SAM, QUIT KIDDING. 722 00:31:14,706 --> 00:31:16,775 I'M NOT KIDDING. I MEAN IT. 723 00:31:16,842 --> 00:31:17,776 WHEN YOU GOING TO DO IT? 724 00:31:17,843 --> 00:31:19,378 I DON'T KNOW WHEN. 725 00:31:19,445 --> 00:31:20,346 I JUST DECIDED. 726 00:31:20,412 --> 00:31:21,747 WHO'S THE GAL? 727 00:31:21,813 --> 00:31:24,883 GEORGIA STAPLES. SHE'S AN ORPHAN. 728 00:31:24,951 --> 00:31:25,985 HER OLD MAN DIED AND LEFT HER 729 00:31:26,052 --> 00:31:27,886 SAN FRANCISCO'S BIGGEST NEWSPAPER. 730 00:31:27,954 --> 00:31:29,221 SOUNDS LIKE THE BIG LEAGUE. 731 00:31:29,288 --> 00:31:30,689 SURE IT'S THE BIG LEAGUE. 732 00:31:30,756 --> 00:31:34,560 ISN'T IT ABOUT TIME I WAS UP THERE? 733 00:31:34,626 --> 00:31:37,263 YEAH. WE'LL NOT ONLY BE ROLLING IN DOUGH, 734 00:31:37,329 --> 00:31:41,800 BUT MARRYING INTO THIS CROWD WILL FIX IT SO I CAN-- 735 00:31:41,867 --> 00:31:44,236 SO I CAN SPIT IN ANYBODY'S EYE. 736 00:31:44,303 --> 00:31:45,771 NOW, HURRY IT UP AND GET DOWN HERE 737 00:31:45,837 --> 00:31:48,374 BECAUSE I DON'T KNOW HOW LONG I'LL BE ABLE TO HOLD HER OFF. 738 00:31:48,440 --> 00:31:49,775 I'LL BE THERE IN A COUPLE OF DAYS. 739 00:31:49,841 --> 00:31:52,211 OK, BOY. I'LL BE SEEING YOU. 740 00:32:08,927 --> 00:32:10,997 HEY, TAXI. 741 00:32:13,832 --> 00:32:16,402 TAKE ME TO 4106 CALVERT STREET. 742 00:32:16,468 --> 00:32:17,970 YES, SIR. 743 00:32:20,172 --> 00:32:22,241 [ENGINE STARTS] 744 00:32:52,338 --> 00:32:53,372 HELLO. 745 00:32:53,439 --> 00:32:54,440 HI. 746 00:32:54,506 --> 00:32:56,608 MAY I ASK WHAT'S GOING ON HERE? 747 00:32:56,675 --> 00:32:57,709 SOME SORT OF CELEBRATION? 748 00:32:57,776 --> 00:33:00,412 A WEDDING. GEORGIA STAPLES IS GETTING MARRIED. 749 00:33:00,479 --> 00:33:01,613 IS THAT RIGHT? 750 00:33:01,680 --> 00:33:03,782 WHO'S SHE MARRYING? 751 00:33:03,849 --> 00:33:05,417 I DON'T KNOW. 752 00:33:05,484 --> 00:33:06,452 SOME LUCKY STIFF. 753 00:33:06,518 --> 00:33:07,919 HA HA. 754 00:33:07,986 --> 00:33:09,221 YEP. 755 00:33:13,525 --> 00:33:15,394 [THE WEDDING MARCH PLAYING] 756 00:33:26,638 --> 00:33:27,539 HOW DO YOU DO, MADAME? 757 00:33:27,606 --> 00:33:29,075 I THOUGHT PERHAPS YOU'D HAVE SOME USE 758 00:33:29,141 --> 00:33:30,576 FOR AN ACCOMPLISHED DISHWASHER 759 00:33:30,642 --> 00:33:31,743 OR A PEERLESS DISH-DRYER. 760 00:33:31,810 --> 00:33:32,778 NO. 761 00:33:32,844 --> 00:33:34,946 OR A GARBAGE DISPOSER, PERHAPS. 762 00:33:35,013 --> 00:33:36,848 YOU SEE, MADAM, I MAY NOT SHOW IT, 763 00:33:36,915 --> 00:33:38,184 BUT FOOD AND I HAVE BEEN STRANGERS 764 00:33:38,250 --> 00:33:40,986 SINCE THE DAY BEFORE YESTERDAY. 765 00:33:41,053 --> 00:33:44,290 WELL, COME IN. CAN'T TURN A HUNGRY MAN AWAY 766 00:33:44,356 --> 00:33:45,591 FROM A WEDDING FEAST. 767 00:33:45,657 --> 00:33:46,558 THANK YOU. 768 00:33:46,625 --> 00:33:48,160 THIS STUFF'S NO GOOD FOR A HUNGRY MAN. 769 00:33:48,227 --> 00:33:49,395 HOW ABOUT A TURKEY LEG? 770 00:33:49,461 --> 00:33:51,463 OH, ANYTHING WILL DO, ANYTHING. 771 00:33:51,530 --> 00:33:53,599 THANK YOU SO MUCH. 772 00:33:53,665 --> 00:33:55,767 ISN'T THAT MR. WILD THE CUTEST THING? 773 00:33:55,834 --> 00:33:57,703 MM-HMM. HIS EYES GET ME. 774 00:33:57,769 --> 00:33:59,471 THEY RUN UP AND DOWN YOU LIKE A SEARCHLIGHT. 775 00:33:59,538 --> 00:34:01,773 YEAH. 776 00:34:01,840 --> 00:34:04,110 Clergyman: "THOSE WHOM GOD HAS JOINED TOGETHER, 777 00:34:04,176 --> 00:34:06,678 "LET NO MAN PUT ASUNDER. 778 00:34:06,745 --> 00:34:09,081 "FOR AS MUCH AS SAMUEL AND GEORGIA 779 00:34:09,148 --> 00:34:11,483 "HAVE CONSENTED TOGETHER IN HOLY WEDLOCK 780 00:34:11,550 --> 00:34:15,187 "AND HAVE WITNESSED THE SAME BEFORE GOD AND THIS COMPANY, 781 00:34:15,254 --> 00:34:17,189 "AND THERETO HAVE GIVEN AND PLEDGED THEIR TROTH 782 00:34:17,256 --> 00:34:19,525 "EACH TO THE OTHER AND HAVE DECLARED THE SAME 783 00:34:19,591 --> 00:34:21,860 "BY GIVING AND RECEIVING A RING 784 00:34:21,927 --> 00:34:23,329 "AND BY JOINING HANDS, 785 00:34:23,395 --> 00:34:27,866 I PRONOUNCE THAT THEY ARE MAN AND WIFE." 786 00:34:27,933 --> 00:34:29,268 I HOPE YOU BOTH WILL BE VERY, VERY HAPPY. 787 00:34:29,335 --> 00:34:30,369 THANK YOU, FATHER. 788 00:34:30,436 --> 00:34:31,403 THANK YOU. 789 00:34:39,878 --> 00:34:41,580 Fred: CONGRATULATIONS, SAM. 790 00:34:41,647 --> 00:34:42,448 Helen: GEORGIA. 791 00:34:42,514 --> 00:34:43,582 I HOPE YOU'LL BE VERY HAPPY. 792 00:34:43,649 --> 00:34:44,683 THANK YOU, DARLING. 793 00:34:44,750 --> 00:34:45,851 MRS. WILD. 794 00:34:45,917 --> 00:34:46,918 CONGRATULATIONS. 795 00:34:46,985 --> 00:34:49,054 THANKS A LOT. 796 00:34:49,121 --> 00:34:50,422 HELLO, SISTER. 797 00:34:51,690 --> 00:34:52,791 CONGRATULATIONS, SAM. 798 00:34:52,858 --> 00:34:53,759 Man: WHAT A LUCKY GUY. 799 00:34:53,825 --> 00:34:54,593 THANKS. 800 00:34:54,660 --> 00:34:55,927 CONGRATULATIONS, SAM. 801 00:34:55,994 --> 00:34:56,695 Man: CONGRATULATIONS. 802 00:34:56,762 --> 00:34:57,729 Sam: THANKS, MART. 803 00:35:27,025 --> 00:35:28,194 Fred: TIRED? 804 00:35:31,029 --> 00:35:32,298 YES. 805 00:35:40,005 --> 00:35:41,207 HELEN. 806 00:35:50,048 --> 00:35:51,417 YOU DIDN'T SEEM TO LIKE IT VERY MUCH. 807 00:35:51,483 --> 00:35:53,084 WHAT? 808 00:35:53,151 --> 00:35:55,187 THEIR GETTING MARRIED. 809 00:35:55,254 --> 00:35:58,257 NO, NATURALLY. 810 00:35:58,324 --> 00:35:59,425 DID IT SHOW? 811 00:35:59,491 --> 00:36:00,926 TO ME. 812 00:36:02,261 --> 00:36:04,930 SAM'S NOT IN GEORGIA'S CLASS, YOU KNOW THAT. 813 00:36:04,996 --> 00:36:06,898 IT WAS CONCERN FOR GEORGIA? 814 00:36:06,965 --> 00:36:08,334 WELL, CERTAINLY. 815 00:36:08,400 --> 00:36:09,535 THEN WHY DID YOU LET THE WEDDING GO THROUGH? 816 00:36:09,601 --> 00:36:10,902 YOU COULD HAVE STOPPED IT WEEKS AGO. 817 00:36:10,969 --> 00:36:14,039 HOW COULD ANYONE STOP A WOMAN FROM MARRYING SAM? 818 00:36:14,105 --> 00:36:18,277 IS HE ACTUALLY SO ATTRACTIVE TO WOMEN? 819 00:36:18,344 --> 00:36:19,044 IS HE, HELEN? 820 00:36:19,110 --> 00:36:20,346 OH, REALLY, FRED. 821 00:36:20,412 --> 00:36:21,880 YOU PICK THE MOST HIDEOUS TIMES TO BADGER ME. 822 00:36:21,947 --> 00:36:23,048 I--I'M TIRED. 823 00:36:23,114 --> 00:36:24,149 I'VE HAD TO HANDLE THIS WHOLE THING, 824 00:36:24,216 --> 00:36:26,652 AND I'M UPSET ABOUT GEORGIA. 825 00:36:26,718 --> 00:36:28,287 I'M SORRY, MY SWEET. 826 00:36:32,824 --> 00:36:36,295 I DIDN'T REALIZE I WAS BADGERING YOU. 827 00:36:53,178 --> 00:36:54,546 WELL, I'VE COME TO SAY GOOD-BYE. 828 00:36:54,613 --> 00:36:55,447 NICE OF YOU. 829 00:36:55,514 --> 00:36:58,116 SO SAD GOOD-BYES, DON'T YOU THINK? 830 00:36:58,183 --> 00:36:59,485 SAYING GOOD-BYE TO YOU IS. 831 00:36:59,551 --> 00:37:02,488 SMOOTH. SIMPLY SMOOTH. 832 00:37:02,554 --> 00:37:04,055 YOU DON'T BELIEVE I MEAN THAT, DO YOU? 833 00:37:04,122 --> 00:37:05,691 WITH BELLS ON. 834 00:37:05,757 --> 00:37:07,526 DO YOU MIND? 835 00:37:07,593 --> 00:37:09,728 NO, GO AHEAD. I DON'T DRINK MUCH. 836 00:37:09,795 --> 00:37:10,529 I DON'T NEED IT. 837 00:37:10,596 --> 00:37:12,063 THAT'S WHERE WE'RE DIFFERENT. 838 00:37:12,130 --> 00:37:13,332 EVERYBODY'S DIFFERENT 839 00:37:13,399 --> 00:37:14,766 FROM EVERYBODY ELSE IN SOME WAYS. 840 00:37:14,833 --> 00:37:17,303 HAH. YOU FANCY YOURSELF 841 00:37:17,369 --> 00:37:18,504 AN INTELLIGENT MAN, DON'T YOU? 842 00:37:18,570 --> 00:37:20,138 I DON'T LIKE THAT REMARK. 843 00:37:20,205 --> 00:37:21,340 OF COURSE, IF YOU DON'T LIKE IT, 844 00:37:21,407 --> 00:37:24,443 I MUSTN'T SAY IT. 845 00:37:24,510 --> 00:37:27,012 I THINK YOU'VE HAD TOO MUCH TO DRINK. 846 00:37:27,078 --> 00:37:28,314 YOU KNOW WHAT I THINK? 847 00:37:28,380 --> 00:37:29,415 I THINK YOU'VE GOT 848 00:37:29,481 --> 00:37:31,249 A SECRET OF SOME KIND, HAVEN'T YOU? 849 00:37:31,317 --> 00:37:33,151 WELL, HAVEN'T YOU? 850 00:37:33,218 --> 00:37:34,286 WHY DOES YOUR FACE GO TIGHT 851 00:37:34,353 --> 00:37:36,054 ALL OF THE SUDDEN SOMETIMES? 852 00:37:36,121 --> 00:37:37,222 AND WHAT ABOUT THIS FRIEND OF YOURS, 853 00:37:37,289 --> 00:37:38,557 THIS--THIS PUG UGLY 854 00:37:38,624 --> 00:37:40,191 YOU'VE BROUGHT TO THE HOUSE? 855 00:37:40,258 --> 00:37:41,660 ANYTHING ELSE YOU'D LIKE TO KNOW? 856 00:37:47,032 --> 00:37:48,534 YES. 857 00:37:48,600 --> 00:37:51,503 WHY DO YOU STAY AWAY FROM ME? 858 00:37:51,570 --> 00:37:53,138 YOU HAVEN'T SAID TWO WORDS TO ME 859 00:37:53,204 --> 00:37:54,806 SINCE YOU FIRST CAME HERE. 860 00:37:56,608 --> 00:37:58,710 "VANITY OF VANITIES. ALL IS VANITY." 861 00:37:58,777 --> 00:38:00,512 STOP THAT PHONY INTELLECTUAL PATTER, 862 00:38:00,579 --> 00:38:02,648 YOU CLIMBING FAKER. 863 00:38:03,782 --> 00:38:05,216 SORRY. THAT WAS A ROTTEN THING TO SAY. 864 00:38:05,283 --> 00:38:06,418 NO, YOU'RE RIGHT. 865 00:38:06,485 --> 00:38:08,320 I'M NOBODY MUCH. 866 00:38:09,821 --> 00:38:12,991 BUT I'LL MAKE MYSELF A LOT MORE THAN I AM. 867 00:38:13,058 --> 00:38:15,361 I CAN DO IT, TOO. 868 00:38:15,427 --> 00:38:17,729 YOU DON'T THINK I CAN, DO YOU? 869 00:38:17,796 --> 00:38:20,932 I HAVEN'T GIVEN IT A THOUGHT. 870 00:38:20,999 --> 00:38:24,570 YOU KNOW, SAM, THE WAY YOU KISSED GEORGIA 871 00:38:24,636 --> 00:38:27,706 AFTER THE CEREMONY WAS VERY CONVINCING. 872 00:38:27,773 --> 00:38:29,274 YOU WERE THE PERFECT PICTURE 873 00:38:29,341 --> 00:38:30,809 OF THE ARDENT, YOUNG HUSBAND 874 00:38:30,876 --> 00:38:32,911 FAITHFUL UNTO DEATH. 875 00:38:32,978 --> 00:38:34,513 WHY SHOULDN'T I BE? 876 00:38:34,580 --> 00:38:37,416 DON'T YOU REALIZE MY WIFE'S VERY ATTRACTIVE. 877 00:38:37,483 --> 00:38:39,751 I KNOW YOU REALIZE YOU'RE VERY ATTRACTIVE. 878 00:38:39,818 --> 00:38:41,687 OH, NOW, THAT WAS A FINE THING TO SAY. 879 00:38:41,753 --> 00:38:43,489 I BET YOU CAN'T EVEN REMEMBER ALL THE WOMEN 880 00:38:43,555 --> 00:38:45,256 WHO HAVE BEEN MAD ABOUT YOU, CAN YOU? 881 00:38:45,323 --> 00:38:47,258 CAN YOU REMEMBER ALL YOUR MEN? 882 00:38:47,325 --> 00:38:48,827 LEAVE ME OUT OF THIS. 883 00:38:48,894 --> 00:38:50,396 OK. 884 00:38:51,129 --> 00:38:53,231 JUST ONE MORE THING. 885 00:38:53,298 --> 00:38:54,232 GEORGIA'S MY SISTER, 886 00:38:54,299 --> 00:38:56,468 AND I LOVE HER VERY MUCH. 887 00:38:56,535 --> 00:38:58,003 AFTER ALL SHE'S DONE FOR YOU, 888 00:38:58,069 --> 00:38:59,871 YOU'D BE CRAZY IF YOU DIDN'T. 889 00:38:59,938 --> 00:39:01,740 YOU DON'T KNOW ANYTHING, DO YOU? 890 00:39:01,807 --> 00:39:03,642 YOU'RE TALKING ABOUT HER MONEY, 891 00:39:03,709 --> 00:39:05,677 AND I HATE HER FOR HER MONEY. 892 00:39:05,744 --> 00:39:07,879 EVERY TIME SHE PAYS A BILL, 893 00:39:07,946 --> 00:39:10,015 EVERY TIME I SEE SOMETHING I DON'T OWN 894 00:39:10,081 --> 00:39:11,082 I'M ONLY BORROWING, 895 00:39:11,149 --> 00:39:13,852 I HATE HER FOR HER MONEY. 896 00:39:13,919 --> 00:39:15,353 THAT'S NICE OF ME, ISN'T IT, 897 00:39:15,421 --> 00:39:18,223 AFTER ALL SHE'S GIVEN ME WITHOUT EVEN THINKING. 898 00:39:18,289 --> 00:39:20,759 I KNOW HOW YOU FEEL. 899 00:39:20,826 --> 00:39:22,661 THERE'S MORE TO IT THAN THAT. 900 00:39:22,728 --> 00:39:24,162 HER MONEY HAS MADE HER SOMETHING 901 00:39:24,229 --> 00:39:26,297 THAT I'LL NEVER BE. 902 00:39:26,364 --> 00:39:28,199 SHE'S COMPLETELY INNOCENT. 903 00:39:28,266 --> 00:39:29,601 SHE HAS A PERFECT FAITH 904 00:39:29,668 --> 00:39:30,869 THAT IF SHE ASKED SOMEONE A QUESTION 905 00:39:30,936 --> 00:39:33,772 THEY'LL--THEY'LL GIVE HER THE RIGHT ANSWER. 906 00:39:37,976 --> 00:39:40,045 ANYHOW, I LOVE GEORGIA. AND IF YOU DO ANYTHING 907 00:39:40,111 --> 00:39:42,213 TO HURT HER, I'M YOUR ENEMY. 908 00:39:42,280 --> 00:39:44,816 AND I MAKE A VERY BAD ENEMY, TOO. 909 00:39:51,022 --> 00:39:52,357 GOOD-BYE... 910 00:39:52,424 --> 00:39:53,892 SISTER. 911 00:39:58,396 --> 00:39:59,731 Woman: MRS. BRENT. 912 00:39:59,798 --> 00:40:01,132 YES, GRACE, WHAT IS IT? 913 00:40:01,199 --> 00:40:02,468 THERE'S A MAN IN THE KITCHEN 914 00:40:02,534 --> 00:40:05,136 ASKING AN AWFUL LOT OF QUESTIONS ABOUT MR. WILD. 915 00:40:05,203 --> 00:40:07,305 I THOUGHT YOU'D BETTER SEE HIM. 916 00:40:07,372 --> 00:40:08,640 THANK YOU. 917 00:40:10,709 --> 00:40:13,479 ABOUT HOW LONG HAS MR. WILD BEEN COURTING MISS STAPLES? 918 00:40:13,545 --> 00:40:15,681 I DON'T KNOW. A FEW WEEKS. 919 00:40:15,747 --> 00:40:19,084 MY, HOW QUICKLY LOVE FLOWERS IN THE HEARTS OF THE YOUNG. 920 00:40:19,150 --> 00:40:20,986 Woman: WELL, THEY'RE GETTING READY TO LEAVE. 921 00:40:21,052 --> 00:40:22,320 HONEST, THAT MR. WILD, 922 00:40:22,387 --> 00:40:24,422 HE JUST MAKES ME WATER AT THE KNEECAPS. 923 00:40:24,490 --> 00:40:25,691 WELL, OBVIOUSLY, 924 00:40:25,757 --> 00:40:27,859 MR. WILD IS A GENTLEMEN THE LADIES TAKE TO. 925 00:40:27,926 --> 00:40:28,860 YEAH. 926 00:40:28,927 --> 00:40:30,361 I WON'T WASTE YOUR TIME OR MINE 927 00:40:30,428 --> 00:40:32,030 BY LETTING YOU LIE ABOUT WHO YOU ARE. 928 00:40:32,097 --> 00:40:35,901 WOULD YOU GIVE ME YOUR WALLET, PLEASE? 929 00:40:35,967 --> 00:40:37,736 PERHAPS THIS MIGHT BE ALL LESS PAINFUL 930 00:40:37,803 --> 00:40:40,205 IF WE DISCUSS IT IN PRIVATE. 931 00:40:40,271 --> 00:40:41,372 GRACE, WOULD YOU MIND 932 00:40:41,439 --> 00:40:42,440 WAITING IN THE PANTRY WITH THE OTHERS? 933 00:40:42,508 --> 00:40:43,842 IT'LL ONLY TAKE A FEW MINUTES. 934 00:40:43,909 --> 00:40:45,977 Cook: HE SAID HE WAS HUNGRY. 935 00:40:48,446 --> 00:40:50,516 A DETECTIVE. 936 00:40:50,582 --> 00:40:53,384 OR OPERATIVE, AS WE EUPHEMISTICALLY CALL IT. 937 00:40:53,451 --> 00:40:54,686 I'M NOT INTERESTED 938 00:40:54,753 --> 00:40:57,255 IN YOUR PROFESSIONAL DROLLERIES, MR. ARNETT. 939 00:40:57,322 --> 00:40:58,590 I WANT TO KNOW WHY YOU'RE HERE 940 00:40:58,657 --> 00:41:00,391 ASKING QUESTIONS ABOUT MR. WILD 941 00:41:00,458 --> 00:41:03,094 AND WHO YOUR CLIENT IS. 942 00:41:03,161 --> 00:41:05,797 NATURALLY, I CANNOT REVEAL THE NAME OF MY CLIENT. 943 00:41:05,864 --> 00:41:08,099 YOUR ETHICS TOUCH ME DEEPLY. 944 00:41:08,166 --> 00:41:10,401 NOBLESSE OBLIGE. 945 00:41:10,468 --> 00:41:11,503 I SEE THAT I SHALL HAVE TO CALL THE POLICE. 946 00:41:11,570 --> 00:41:14,873 THAT WOULD BE EXTREMELY UNWISE. 947 00:41:14,940 --> 00:41:18,243 IT MIGHT INVOLVE MR. WILD EVEN MORE SERIOUSLY 948 00:41:18,309 --> 00:41:20,946 IN AN ALREADY VERY SERIOUS MATTER. 949 00:41:21,012 --> 00:41:21,980 GOOD DAY. 950 00:41:24,149 --> 00:41:25,450 I HOPE MR. AND MRS. WILD 951 00:41:25,517 --> 00:41:27,886 WILL HAVE A MOST ENJOYABLE HONEYMOON. 952 00:41:32,290 --> 00:41:34,560 GRACE. 953 00:41:34,626 --> 00:41:37,195 SHOW THIS MAN OUT AT ONCE, PLEASE. 954 00:41:37,262 --> 00:41:38,463 OH, AND GRACE, 955 00:41:38,530 --> 00:41:39,531 YOU DIDN'T TELL HIM ANYTHING 956 00:41:39,598 --> 00:41:42,568 ABOUT MR. WILD JUST BY ACCIDENT? 957 00:41:42,634 --> 00:41:43,802 FOR INSTANCE, YOU DIDN'T TELL HIM 958 00:41:43,869 --> 00:41:45,971 ABOUT THE VISITORS MR. WILD'S HAD? 959 00:41:46,037 --> 00:41:48,006 Grace: BUT MR. WILD HASN'T HAD ANY VISITORS 960 00:41:48,073 --> 00:41:51,076 EXCEPT THE GENTLEMAN WHO ARRIVED FOR THE WEDDING TODAY. 961 00:42:05,523 --> 00:42:07,726 Georgia: HELEN, WE'VE BEEN LOOKING FOR YOU. 962 00:42:07,793 --> 00:42:10,629 MAGGIE MACY JUST TOLD ME THAT YOU'RE MOVING IN WITH HER. 963 00:42:10,696 --> 00:42:12,864 WHAT IN THE NAME OF HEAVEN MADE YOU DREAM THAT UP? 964 00:42:12,931 --> 00:42:13,865 WELL, I THOUGHT YOU SHOULD HAVE 965 00:42:13,932 --> 00:42:14,866 YOUR HOUSE TO YOURSELF. 966 00:42:14,933 --> 00:42:17,235 OH, DARLING, THAT'S SILLY. 967 00:42:17,302 --> 00:42:18,336 YOU'LL BE LEAVING ANYWAY 968 00:42:18,403 --> 00:42:19,504 AS SOON AS YOU AND FRED GET MARRIED 969 00:42:19,571 --> 00:42:20,939 AND THAT WON'T BE LONG. 970 00:42:21,006 --> 00:42:22,273 MAYBE SHE DOESN'T LIKE ME. 971 00:42:22,340 --> 00:42:24,342 WHY, SAM, I ADORE YOU. 972 00:42:24,409 --> 00:42:25,577 OF COURSE I'LL STAY. 973 00:42:25,644 --> 00:42:27,478 HAVE A WONDERFUL TRIP, GEORGIE. 974 00:42:27,545 --> 00:42:28,580 THANK YOU, DARLING. 975 00:42:28,647 --> 00:42:29,848 Woman: GEORGIA DEAR. 976 00:42:29,915 --> 00:42:30,949 YES. 977 00:42:32,050 --> 00:42:34,720 IT WAS A SILLY IDEA MOVING OUT. 978 00:42:38,590 --> 00:42:40,592 GOOD-BYE, BROTHER. 979 00:42:42,293 --> 00:42:43,561 GOOD-BYE. 980 00:42:45,130 --> 00:42:46,765 COME ON, DARLING. 981 00:42:46,832 --> 00:42:47,866 Woman: BETTER HURRY, YOU TWO. 982 00:42:47,933 --> 00:42:49,100 Man: YEAH, YOU'LL MISS YOUR TRAIN. 983 00:42:49,167 --> 00:42:50,435 COME ON, EVERYONE. THEY'RE LEAVING. 984 00:42:50,501 --> 00:42:52,604 HE'S GONE NOW, THAT MAN. 985 00:42:52,671 --> 00:42:54,673 I HOPE HIS COMING DIDN'T UPSET YOU, MRS. BRENT. 986 00:42:54,740 --> 00:42:57,008 UPSET ME? WHY, NO. 987 00:42:57,075 --> 00:42:59,510 HIS COMING HERE MADE ME FEEL WONDERFUL, 988 00:42:59,577 --> 00:43:00,578 WITH THE KEYS TO THE CITY 989 00:43:00,646 --> 00:43:02,648 RIGHT IN MY HAND. 990 00:43:02,714 --> 00:43:05,516 Second man: GOOD-BYE. DROP US A LINE, WILL YOU? 991 00:43:05,583 --> 00:43:07,118 WE'LL BE THINKING OF YOU. 992 00:43:11,122 --> 00:43:12,991 [PIANO PLAYING] 993 00:43:18,196 --> 00:43:19,765 WHY DID YOU CALL ME? 994 00:43:19,831 --> 00:43:21,299 I WAS DOWNTOWN SHOPPING, 995 00:43:21,366 --> 00:43:22,300 AND I THOUGHT IT'D BE NICE 996 00:43:22,367 --> 00:43:23,769 TO HAVE A COCKTAIL WITH YOU. 997 00:43:23,835 --> 00:43:26,104 WHEN SAM INTRODUCED US, YOU MADE IT VERY CLEAR 998 00:43:26,171 --> 00:43:28,874 THAT MY BEING IN YOUR HOUSE WAS STRICTLY SAM'S IDEA 999 00:43:28,940 --> 00:43:30,241 AND STRICTLY A BAD ONE. 1000 00:43:30,308 --> 00:43:32,778 I KNOW. I WAS RUDE. 1001 00:43:32,844 --> 00:43:33,712 I WAS WONDERING IF YOU'D FORGIVE ME 1002 00:43:33,779 --> 00:43:36,481 AND FORGET ABOUT IT. 1003 00:43:36,547 --> 00:43:38,884 IT'S ALL RIGHT. FORGET IT. 1004 00:43:38,950 --> 00:43:40,018 I THOUGHT WE'D HAVE A LINE 1005 00:43:40,085 --> 00:43:43,421 FROM GEORGIA AND SAM BY NOW, BUT NO. 1006 00:43:43,488 --> 00:43:46,524 I DON'T KNOW ABOUT GEORGIA, BUT SAM'S NO LETTER WRITER. 1007 00:43:46,591 --> 00:43:47,625 YOU'VE KNOWN HIM A LONG TIME, HAVEN'T YOU? 1008 00:43:47,693 --> 00:43:48,960 YEAH. 1009 00:43:49,027 --> 00:43:52,731 YEAH, SAM AND I LIVED TOGETHER FOR 5 YEARS NOW. 1010 00:43:52,798 --> 00:43:53,732 HOW DID IT HAPPEN YOU DIDN'T COME 1011 00:43:53,799 --> 00:43:55,633 TO SAN FRANCISCO AND SAM DID? 1012 00:43:55,701 --> 00:43:58,704 I HAD SOME BUSINESS TO TAKE CARE OF-- 1013 00:43:58,770 --> 00:44:00,238 WAIT A MINUTE. 1014 00:44:00,305 --> 00:44:03,174 SEEMS TO ME WE'RE DOING A LOT OF QUESTION AND ANSWER STUFF. 1015 00:44:03,241 --> 00:44:06,277 OH, I'M SORRY. I DIDN'T MEAN TO PRY. 1016 00:44:06,344 --> 00:44:07,779 REALLY NOT. 1017 00:44:07,846 --> 00:44:09,547 DRINK UP. LET'S HAVE ANOTHER SHOT. 1018 00:44:09,614 --> 00:44:11,216 GOOD. I MUST WARN YOU, THOUGH, 1019 00:44:11,282 --> 00:44:12,550 LIQUOR MAKES ME NOSY. 1020 00:44:12,617 --> 00:44:13,785 I'VE BEEN KNOWN TO ASK 1021 00:44:13,852 --> 00:44:15,253 ALL SORTS OF PERSONAL QUESTIONS 1022 00:44:15,320 --> 00:44:16,487 AFTER 4 COCKTAILS. 1023 00:44:16,554 --> 00:44:18,089 IT'S ALL RIGHT. 1024 00:44:18,156 --> 00:44:20,525 I'VE BEEN KNOWN TO TELL PEOPLE TO MIND THEIR OWN BUSINESS. 1025 00:44:20,591 --> 00:44:22,193 COLD SOBER, TOO. 1026 00:44:31,036 --> 00:44:31,803 GRACE. 1027 00:44:31,870 --> 00:44:33,739 [DOOR OPENING] 1028 00:44:35,907 --> 00:44:37,843 HELLO, FRED. HELLO. 1029 00:44:37,909 --> 00:44:38,944 I DIDN'T EXPECT YOU TONIGHT. 1030 00:44:39,010 --> 00:44:39,978 WHAT IS ALL THIS, HELEN? 1031 00:44:40,045 --> 00:44:40,946 ALL WHAT? 1032 00:44:41,012 --> 00:44:42,613 ABOUT MART WATERMAN MOVING IN. 1033 00:44:42,680 --> 00:44:43,849 WHEN I CALLED, GRACE SAID 1034 00:44:43,915 --> 00:44:45,083 THAT YOU'D JUST PHONED FROM DOWNTOWN 1035 00:44:45,150 --> 00:44:46,617 AND ASKED HER TO GET A ROOM READY FOR HIM. 1036 00:44:46,684 --> 00:44:49,020 YES. I'VE INVITED MART TO STAY HERE. 1037 00:44:49,087 --> 00:44:50,088 WHAT ON EARTH MADE YOU DO THAT? 1038 00:44:50,155 --> 00:44:51,723 WELL, HE'S SAM'S CLOSEST FRIEND, 1039 00:44:51,790 --> 00:44:53,124 AND I THOUGHT IT WAS SILLY FOR HIM 1040 00:44:53,191 --> 00:44:54,059 TO STAY AT A HOTEL 1041 00:44:54,125 --> 00:44:55,393 WHEN WE HAVE SO MANY EMPTY ROOMS. 1042 00:44:55,460 --> 00:44:56,461 I DON'T KNOW WHY 1043 00:44:56,527 --> 00:44:58,096 IT DIDN'T OCCUR TO ME DAYS AGO. 1044 00:44:58,163 --> 00:45:00,331 I DON'T LIKE THE IDEA AT ALL, HELEN. 1045 00:45:00,398 --> 00:45:01,933 HAVING THIS MAN IN THE HOUSE WITH YOU-- 1046 00:45:02,000 --> 00:45:04,502 BUT, FRED, GRACE IS HERE. 1047 00:45:04,569 --> 00:45:05,603 THAT'S NOT THE POINT. 1048 00:45:05,670 --> 00:45:06,938 OH, DON'T BE STUFFY, DARLING. 1049 00:45:07,005 --> 00:45:09,007 AT THE RISK OF SEEMING COMPLETELY MID-VICTORIAN, 1050 00:45:09,074 --> 00:45:10,776 I WANT YOU TO ASK HIM NOT TO COME. 1051 00:45:10,842 --> 00:45:12,143 BUT HOW CAN I DO THAT NOW? 1052 00:45:12,210 --> 00:45:14,412 INVENT SOME EXCUSE OR OTHER. IT'S NOT DIFFICULT. 1053 00:45:14,479 --> 00:45:15,513 BUT IT IS, DARLING. 1054 00:45:15,580 --> 00:45:18,416 I JUST CAN'T DO THINGS LIKE THAT. 1055 00:45:18,483 --> 00:45:19,885 YOU MEAN YOU WON'T. 1056 00:45:19,951 --> 00:45:21,019 OH, FRED, REALLY, 1057 00:45:21,086 --> 00:45:22,754 I DON'T SEE WHY YOU SHOULD... 1058 00:45:22,821 --> 00:45:25,456 [INDISTINCT VOICES] 1059 00:45:25,523 --> 00:45:27,092 THAT SOUNDS LIKE GEORGIA AND SAM. 1060 00:45:27,158 --> 00:45:28,593 SO SOON? 1061 00:45:28,659 --> 00:45:29,427 THEY WEREN'T COMING BACK 1062 00:45:29,494 --> 00:45:31,830 FOR ANOTHER WEEK. 1063 00:45:31,897 --> 00:45:34,065 GOING TO WORK IS FINE, BUT WHAT YOU WANT TO DO IS-- 1064 00:45:34,132 --> 00:45:35,033 ALL RIGHT, LET'S SKIP IT THEN. 1065 00:45:35,100 --> 00:45:36,167 SAM, IT'S SUCH A SILLY-- 1066 00:45:36,234 --> 00:45:38,870 I SAID SKIP IT, AND I MEANT SKIP IT. 1067 00:45:38,937 --> 00:45:40,906 HELLO, SAM. HELLO, DARLING. 1068 00:45:40,972 --> 00:45:42,540 HAVE A GOOD TRIP? 1069 00:45:42,607 --> 00:45:43,775 YES. WONDERFUL. 1070 00:45:43,842 --> 00:45:44,943 YES, UNTIL I SPOILED IT 1071 00:45:45,010 --> 00:45:47,012 WITH MY CRAZY NOTION. 1072 00:45:49,047 --> 00:45:52,517 SAM WANTS TO RUN THE PAPER. 1073 00:45:52,583 --> 00:45:53,684 DARLING, IF YOU'D HAD 1074 00:45:53,751 --> 00:45:55,386 ANY BUSINESS EXPERIENCE AT ALL, 1075 00:45:55,453 --> 00:45:56,554 BUT YOU'VE BEEN A FIGHTER 1076 00:45:56,621 --> 00:45:58,756 AND MANAGED A CATTLE RANCH OR TWO. 1077 00:45:58,824 --> 00:46:00,091 HOW COULD YOU KNOW ANYTHING 1078 00:46:00,158 --> 00:46:01,993 ABOUT RUNNING A NEWSPAPER? 1079 00:46:04,062 --> 00:46:06,464 I TOLD SAM THAT IF HE'D ONLY TAKE A JOB 1080 00:46:06,531 --> 00:46:07,866 IN THE OFFICE TO START WITH 1081 00:46:07,933 --> 00:46:10,802 UNTIL HE LEARNED THE BUSINESS. 1082 00:46:10,869 --> 00:46:12,037 LOOK AT IT THIS WAY, SAM, 1083 00:46:12,103 --> 00:46:13,538 YOU WOULDN'T SUDDENLY-- 1084 00:46:13,604 --> 00:46:15,206 I THINK THIS IS SOMETHING GEORGIA AND I CAN SETTLE 1085 00:46:15,273 --> 00:46:16,808 WITHOUT ANYBODY ELSE BUTTING IN. 1086 00:46:16,875 --> 00:46:19,710 SAM, FRED'S PART OF THE FAMILY. 1087 00:46:19,777 --> 00:46:21,612 HE HAS A RIGHT TO "BUTT IN," AS YOU CALL IT. 1088 00:46:21,679 --> 00:46:23,048 ALL RIGHT, SO HE DOESN'T LIKE IT. 1089 00:46:23,114 --> 00:46:25,516 ONLY BECAUSE IT DOESN'T MAKE SENSE, SAM. 1090 00:46:25,583 --> 00:46:27,886 DOES IT TO YOU, HELEN? 1091 00:46:30,255 --> 00:46:31,857 NO, IT DOESN'T. 1092 00:46:40,165 --> 00:46:41,666 I'M SORRY I MADE A SCENE. 1093 00:46:41,732 --> 00:46:42,934 OH, NOW. 1094 00:46:43,001 --> 00:46:45,170 IT'S JUST THAT I... 1095 00:46:45,236 --> 00:46:46,938 I CAN'T STAND FIGHTING WITH SAM. 1096 00:46:47,005 --> 00:46:48,339 EASY DOES IT, GEORGIA. 1097 00:46:48,406 --> 00:46:51,109 IT WON'T SEEM NEARLY SO TRAGIC IN THE MORNING, DEAR. 1098 00:46:53,244 --> 00:46:55,914 I KNOW. I-- I SUPPOSE IT WON'T. 1099 00:46:55,981 --> 00:46:56,781 GOOD NIGHT. 1100 00:46:56,848 --> 00:46:57,715 'NIGHT 1101 00:46:57,782 --> 00:46:58,984 'NIGHT. 1102 00:47:01,319 --> 00:47:02,787 WELL, I'LL CALL YOU TOMORROW. 1103 00:47:02,854 --> 00:47:04,355 FRED. 1104 00:47:04,422 --> 00:47:05,790 YOU'RE ANGRY WITH ME. 1105 00:47:05,857 --> 00:47:06,724 NO. 1106 00:47:06,791 --> 00:47:07,725 SURE NOT? 1107 00:47:07,792 --> 00:47:09,327 YES. 1108 00:47:09,394 --> 00:47:11,529 YOU DO SEE THAT I CAN'T CANCEL THAT INVITATION, 1109 00:47:11,596 --> 00:47:13,131 DON'T YOU, DARLING? 1110 00:47:13,198 --> 00:47:14,933 YES. 1111 00:47:15,000 --> 00:47:17,969 WELL, AREN'T YOU GOING TO KISS ME GOOD NIGHT? 1112 00:47:19,670 --> 00:47:20,872 GOOD NIGHT, HELEN. 1113 00:47:52,437 --> 00:47:54,005 [WHISPERING] Helen? 1114 00:47:56,274 --> 00:47:57,642 Helen? 1115 00:48:29,340 --> 00:48:31,876 WHY WERE YOU AGAINST ME TONIGHT? 1116 00:48:31,943 --> 00:48:33,578 YOU DON'T KNOW WHAT I HAVE IN ME. 1117 00:48:33,644 --> 00:48:35,580 YOU DON'T KNOW WHAT I CAN DO. 1118 00:48:35,646 --> 00:48:36,747 I CAN RUN THAT PAPER 1119 00:48:36,814 --> 00:48:39,117 AND BETTER THAN MOST IF I HAD A CHANCE. 1120 00:48:39,184 --> 00:48:41,019 I BELIEVE YOU COULD. 1121 00:48:41,086 --> 00:48:43,054 THEN WHY WERE YOU AGAINST ME? 1122 00:48:43,121 --> 00:48:45,123 BECAUSE FRED WAS. 1123 00:48:45,190 --> 00:48:48,293 AND YOU LOVE FRED DESPERATELY. 1124 00:48:48,359 --> 00:48:49,427 I LOVE FRED. 1125 00:48:50,728 --> 00:48:51,696 YOU LOVE FRED. 1126 00:48:53,131 --> 00:48:55,633 WHY THIS SUDDEN PASSION TO RUN THE PAPER? 1127 00:48:55,700 --> 00:48:58,003 I'D BE ON TOP. 1128 00:48:58,069 --> 00:49:00,105 I COULD MAKE PEOPLE OR BREAK THEM. 1129 00:49:00,171 --> 00:49:02,107 I COULD DO THAT. 1130 00:49:02,173 --> 00:49:03,608 DO YOU UNDERSTAND? 1131 00:49:03,674 --> 00:49:05,510 YES, I THINK I DO. 1132 00:49:05,576 --> 00:49:07,012 SURE YOU DO... 1133 00:49:08,946 --> 00:49:11,416 'CAUSE YOUR ROOTS ARE DOWN WHERE MINE ARE. 1134 00:49:11,482 --> 00:49:14,852 I KNEW THAT THE FIRST TIME I SAW YOU. 1135 00:49:14,919 --> 00:49:16,988 SOULMATES, HUH? 1136 00:49:17,055 --> 00:49:19,024 STOP LAUGHING. 1137 00:49:26,164 --> 00:49:27,665 WELL, FOR A MAN 1138 00:49:27,732 --> 00:49:29,400 WHO'S JUST RETURNED FROM HIS HONEYMOON 1139 00:49:29,467 --> 00:49:32,003 WITH AN ATTRACTIVE WIFE, YOU'RE VERY ARDENT. 1140 00:49:33,704 --> 00:49:34,905 WHAT'S THE MATTER WITH YOU? 1141 00:49:34,972 --> 00:49:35,940 YOU KNOW HOW I FEEL ABOUT GEORGIA. 1142 00:49:36,007 --> 00:49:37,142 DO I? 1143 00:49:37,208 --> 00:49:39,177 UNLESS YOU'RE A FOOL. 1144 00:49:39,244 --> 00:49:41,046 SHE MEANS NO MORE TO ME THAN FRED DOES TO YOU. 1145 00:49:41,112 --> 00:49:42,947 VERY INTERESTING. 1146 00:49:43,014 --> 00:49:44,749 NOW I MUST GET THIS MILK UP TO GEORGIA. 1147 00:49:44,815 --> 00:49:46,117 HE MEANS NOTHING TO YOU. SAY IT. 1148 00:49:46,184 --> 00:49:47,418 HE DOES, THOUGH. 1149 00:49:47,485 --> 00:49:49,420 WHAT? WHAT, HELEN? 1150 00:49:49,487 --> 00:49:51,856 FRED IS PEACE AND SECURITY. 1151 00:49:51,922 --> 00:49:53,091 IT'S HIS MONEY, THEN. 1152 00:49:53,158 --> 00:49:54,459 YES, PARTLY. 1153 00:49:54,525 --> 00:49:56,661 ALL MY LIFE I'VE LIVED ON OTHER PEOPLES' MONEY. 1154 00:49:56,727 --> 00:49:59,397 NOW I WANT SOME OF MY OWN. 1155 00:49:59,464 --> 00:50:01,232 BUT THERE'S ANOTHER KIND OF SECURITY 1156 00:50:01,299 --> 00:50:03,668 THAT FRED CAN GIVE ME. 1157 00:50:03,734 --> 00:50:04,769 WITHOUT HIM, 1158 00:50:04,835 --> 00:50:07,405 I'M AFRAID OF THE THINGS I'LL DO. 1159 00:50:07,472 --> 00:50:10,041 AFRAID OF WHAT I MIGHT BECOME. 1160 00:50:10,108 --> 00:50:13,744 FRED IS GOODNESS AND SAFETY. 1161 00:50:13,811 --> 00:50:15,913 THEN WHAT AM I? 1162 00:50:15,980 --> 00:50:17,715 YOU? 1163 00:50:17,782 --> 00:50:19,284 YOU'RE STRENGTH, 1164 00:50:19,350 --> 00:50:22,320 EXCITEMENT, AND DEPRAVITY. 1165 00:50:22,387 --> 00:50:24,021 THERE'S A KIND OF CORRUPTNESS 1166 00:50:24,089 --> 00:50:25,090 INSIDE OF YOU, SAM. 1167 00:50:25,156 --> 00:50:26,257 THAT WOULD DRIVE MOST WOMEN OFF 1168 00:50:26,324 --> 00:50:27,258 IF THEY UNDERSTOOD LIKE YOU DO. 1169 00:50:27,325 --> 00:50:29,394 YES. BUT NOT YOU. 1170 00:50:29,460 --> 00:50:30,695 YOU HAVE GUTS. 1171 00:50:30,761 --> 00:50:32,963 GEORGIA TOLD ME HOW YOU FOUND THOSE TWO IN RENO. 1172 00:50:33,030 --> 00:50:35,500 YOU HAD GUTS THEN. YOU DIDN'T YELL OR FAINT. 1173 00:50:35,566 --> 00:50:36,501 NO. 1174 00:50:36,567 --> 00:50:38,503 AND IT WASN'T ONLY FINDING THEM DEAD. 1175 00:50:38,569 --> 00:50:40,305 IT WAS THE WAY THEY WERE DEAD. 1176 00:50:40,371 --> 00:50:42,173 THE KID JAMMED IN THE DOORWAY, 1177 00:50:42,240 --> 00:50:43,741 THE PALMER DAME LYING THERE UNDER THE SINK. 1178 00:50:43,808 --> 00:50:45,143 BLOOD ON HER HAIR. 1179 00:50:45,210 --> 00:50:46,811 BLOOD ALL OVER THE PLACE, AND YOU DIDN'T YELL. 1180 00:50:46,877 --> 00:50:49,013 NO, I DIDN'T. 1181 00:50:49,080 --> 00:50:50,448 HELEN. 1182 00:51:00,125 --> 00:51:02,293 Mart: OH, THERE YOU ARE. 1183 00:51:02,360 --> 00:51:03,294 WHAT ARE YOU DOING HERE? 1184 00:51:03,361 --> 00:51:04,429 I BROUGHT MY STUFF OVER. 1185 00:51:04,495 --> 00:51:05,230 I'M MOVING IN. 1186 00:51:05,296 --> 00:51:06,997 WHOSE IDEA WAS THAT? 1187 00:51:07,064 --> 00:51:09,167 HELEN SUGGESTED IT. 1188 00:51:21,312 --> 00:51:22,813 GOOD NIGHT. 1189 00:51:25,183 --> 00:51:26,050 YOU SURE PICKED 1190 00:51:26,117 --> 00:51:27,718 A FINE TIME TO BUST IN. 1191 00:51:29,220 --> 00:51:30,821 I NEED A DRINK. 1192 00:52:52,237 --> 00:52:53,003 Woman: OPERATOR. 1193 00:52:53,070 --> 00:52:54,071 HELLO. I WANT TO SPEAK 1194 00:52:54,138 --> 00:52:56,874 TO ALBERT ARNETT IN RENO, PLEASE. 1195 00:52:56,941 --> 00:52:57,875 RENO, NEVADA? 1196 00:52:57,942 --> 00:52:58,876 YES. 1197 00:52:58,943 --> 00:52:59,944 WHAT'S HIS NUMBER? 1198 00:53:00,010 --> 00:53:01,979 22766. 1199 00:53:02,046 --> 00:53:02,980 WHO'S CALLING? 1200 00:53:03,047 --> 00:53:04,515 I'M MRS. BRENT. 1201 00:53:04,582 --> 00:53:05,850 [INDISTINCT] 1202 00:53:05,916 --> 00:53:07,585 THANK YOU. 1203 00:53:07,652 --> 00:53:09,620 LOOK, SAM, YOU GOT A GOOD-LOOKING WIFE 1204 00:53:09,687 --> 00:53:10,488 WITH ALL THE DOUGH 1205 00:53:10,555 --> 00:53:12,122 THAT'S NOT LOCKED UP IN THE MINT. 1206 00:53:12,189 --> 00:53:13,224 WHY DON'T YOU PLAY IT CLOSE TO YOUR VEST? 1207 00:53:13,291 --> 00:53:14,625 MEANING WHAT? 1208 00:53:14,692 --> 00:53:16,160 LEAVE HELEN ALONE. 1209 00:53:16,227 --> 00:53:17,328 WHY? 1210 00:53:17,395 --> 00:53:18,396 I JUST TOLD YOU. 1211 00:53:18,463 --> 00:53:20,298 NOT THAT I BLAME YOU, OF COURSE. 1212 00:53:20,365 --> 00:53:22,132 HELEN'S A CREAMY DISH, BUT SHE'S GOING TO GET-- 1213 00:53:22,199 --> 00:53:23,133 IF I EVER CATCH YOU 1214 00:53:23,200 --> 00:53:24,134 SO MUCH AS LOOKING AT HELEN, 1215 00:53:24,201 --> 00:53:25,135 I'LL TEAR YOUR THROAT OUT. 1216 00:53:25,202 --> 00:53:26,337 OH, SAM. 1217 00:53:26,404 --> 00:53:27,572 NEVER MIND THE "OH, SAM." 1218 00:53:27,638 --> 00:53:29,507 JUST REMEMBER WHAT I TOLD YOU. 1219 00:53:34,211 --> 00:53:36,213 [TELEPHONE RINGING] 1220 00:53:39,350 --> 00:53:43,421 [OPERATOR INDISTINCT] 1221 00:53:43,488 --> 00:53:46,357 NO. NO, I DON'T WANT TO TALK TO ANYONE ELSE IN RENO. 1222 00:53:46,424 --> 00:53:48,293 JUST FIND OUT WHERE MR. ARNETT CAN BE REACHED 1223 00:53:48,359 --> 00:53:49,927 IN SAN FRANCISCO, PLEASE. 1224 00:53:53,097 --> 00:53:55,366 [TELEPHONE HANGS UP] 1225 00:54:00,738 --> 00:54:02,440 WHAT'S WRONG? 1226 00:54:02,507 --> 00:54:04,909 HELEN. SHE JUST PHONED A GUY IN RENO. 1227 00:54:04,975 --> 00:54:05,643 RENO? 1228 00:54:05,710 --> 00:54:07,445 I DON'T GET HER. 1229 00:54:07,512 --> 00:54:09,680 I DON'T GET HER AT ALL. 1230 00:54:09,747 --> 00:54:11,516 MAYBE I WAS A FOOL, BUT I WOULD HAVE SWORN-- 1231 00:54:11,582 --> 00:54:12,317 WHAT? 1232 00:54:12,383 --> 00:54:13,984 MAYBE NOT. 1233 00:54:14,051 --> 00:54:15,886 MAYBE SHE IS AGAINST ME. 1234 00:54:15,953 --> 00:54:17,054 I DON'T KNOW. 1235 00:54:17,121 --> 00:54:19,890 SHE PUTS HERSELF IN MY ARMS AND TRIES TO TRAP ME. 1236 00:54:19,957 --> 00:54:22,092 AND SHE FEELS AND DIGS AND LOOKS INSIDE OF ME. 1237 00:54:22,159 --> 00:54:25,095 SAM. SAM, TAKE IT EASY. 1238 00:54:25,162 --> 00:54:27,298 WE'LL WORK IT OUT SOMEHOW. 1239 00:54:27,365 --> 00:54:29,300 JUST TAKE IT EASY. 1240 00:54:48,753 --> 00:54:50,921 "WHERE EVERY PROSPECT PLEASES 1241 00:54:50,988 --> 00:54:52,857 AND ONLY MAN IS VILE." 1242 00:54:53,958 --> 00:54:55,993 THAT QUOTATION OCCURS TO ME QUITE OFTEN 1243 00:54:56,060 --> 00:54:58,563 IN MY PROFESSION. 1244 00:54:58,629 --> 00:55:01,366 MR. ARNETT, I'VE BEEN VERY CURIOUS TO KNOW 1245 00:55:01,432 --> 00:55:04,435 WHAT PROGRESS YOU'VE MADE SINCE I LAST SAW YOU. 1246 00:55:04,502 --> 00:55:06,671 I'VE DONE RATHER WELL. 1247 00:55:06,737 --> 00:55:08,673 HOW WELL? 1248 00:55:08,739 --> 00:55:10,841 MY INVESTIGATION CONCERNING MR. WILD 1249 00:55:10,908 --> 00:55:13,744 IS ALMOST COMPLETE. 1250 00:55:13,811 --> 00:55:16,714 AND, UH, WHEN YOU FILL IN WHAT'S MISSING... 1251 00:55:16,781 --> 00:55:18,716 I SHALL TURN EVERYTHING OVER TO MY CLIENT, 1252 00:55:18,783 --> 00:55:22,520 WHO I BELIEVE WILL INFORM THE POLICE. 1253 00:55:22,587 --> 00:55:24,689 NATURALLY, I'M DEEPLY INTERESTED. 1254 00:55:24,755 --> 00:55:26,791 AFTER ALL, IT DOES CONCERN MY BROTHER-IN-LAW. 1255 00:55:26,857 --> 00:55:27,792 SO IT DOES. 1256 00:55:27,858 --> 00:55:30,260 AND IT WOULD BE VERY TRYING FOR ALL OF US 1257 00:55:30,327 --> 00:55:31,962 IF HE WERE LINKED UP WITH ANYTHING LIKE... 1258 00:55:32,029 --> 00:55:32,997 LIKE MURDER. 1259 00:55:35,232 --> 00:55:38,603 UNFORTUNATELY, MR. WILD IS ALREADY LINKED UP WITH IT. 1260 00:55:38,669 --> 00:55:40,938 IN FACT, I WOULD GO SO FAR AS TO SAY 1261 00:55:41,005 --> 00:55:43,541 THAT NOT ONLY IS HE LINKED UP WITH IT, 1262 00:55:43,608 --> 00:55:45,710 BUT HE'S THE CHIEF PERFORMER IN THIS CASE. 1263 00:55:45,776 --> 00:55:49,447 I PRESUME THAT SO FAR YOUR CLIENT KNOWS NOTHING. 1264 00:55:49,514 --> 00:55:51,716 YOUR PRESUMPTION IS CORRECT. 1265 00:55:54,719 --> 00:55:55,986 UH... 1266 00:55:56,587 --> 00:55:58,288 MR. ARNETT, I-- 1267 00:55:58,355 --> 00:56:00,558 IT'S QUITE ALL RIGHT, MRS. BRENT. 1268 00:56:00,625 --> 00:56:03,093 I AM A MAN OF INTEGRITY, 1269 00:56:03,160 --> 00:56:06,196 BUT I'M ALWAYS WILLING TO LISTEN TO AN INTERESTING OFFER. 1270 00:56:06,263 --> 00:56:08,899 WELL, I'M PREPARED TO PAY HANDSOMELY. 1271 00:56:08,966 --> 00:56:11,368 GOOD. OBSTRUCTING THE WHEELS OF JUSTICE 1272 00:56:11,436 --> 00:56:13,404 IS A COSTLY AFFAIR. 1273 00:56:13,471 --> 00:56:15,606 $5,000 SHOULD DO IT. 1274 00:56:15,673 --> 00:56:17,808 $15,000 SHOULD DO IT. 1275 00:56:17,875 --> 00:56:19,877 I THINK YOU'RE BASING YOUR DEMANDS 1276 00:56:19,944 --> 00:56:21,646 ON FALSE PREMISES, MR. ARNETT. 1277 00:56:21,712 --> 00:56:23,347 I AM NOT A RICH WOMAN. 1278 00:56:23,414 --> 00:56:24,582 I KNOW THAT. 1279 00:56:24,649 --> 00:56:27,084 BUT YOUR SISTER IS VERY RICH. 1280 00:56:27,151 --> 00:56:30,154 SO IS MR. GROVER, WHOM YOU'RE PLANNING TO MARRY. 1281 00:56:34,258 --> 00:56:35,926 7,000. 1282 00:56:37,261 --> 00:56:38,763 15. 1283 00:56:38,829 --> 00:56:42,132 I DOUBT VERY MUCH IF I CAN MANAGE TO GET IT. 1284 00:56:42,199 --> 00:56:45,636 IN THAT CASE, I SHALL HAVE TO FORGE AHEAD WITH MY INQUIRY. 1285 00:56:45,703 --> 00:56:47,004 AND MAY I REMIND YOU 1286 00:56:47,071 --> 00:56:50,841 THAT NEVADA COURTS HAVE RATHER PURITANICAL VIEWS. 1287 00:56:50,908 --> 00:56:54,011 WHY, SOME OF OUR MORE IMPASSIONED JURIES EVEN INSIST 1288 00:56:54,078 --> 00:56:57,081 THAT A MAN WHO COMMITS MURDER PAY WITH HIS LIFE. 1289 00:56:59,917 --> 00:57:04,522 YOU KNOW, MRS. BRENT, I'M A SIMPLE MAN, 1290 00:57:04,589 --> 00:57:06,390 AND I'M SOMEWHAT CONFUSED 1291 00:57:06,457 --> 00:57:09,426 ABOUT YOUR MOTIVE IN PROTECTING MR. WILD. 1292 00:57:09,494 --> 00:57:10,795 HE'S MY SISTER'S HUSBAND. 1293 00:57:10,861 --> 00:57:11,596 I SHOULD THINK 1294 00:57:11,662 --> 00:57:12,697 IT WOULD BE QUITE OBVIOUS. 1295 00:57:12,763 --> 00:57:14,431 BUT HE WAS YOUR SISTER'S HUSBAND 1296 00:57:14,499 --> 00:57:16,601 WHEN I CAME TO YOUR HOUSE THAT FIRST DAY, 1297 00:57:16,667 --> 00:57:19,804 AND YOU HAD NO INTENTION OF PROTECTING HIM THEN. 1298 00:57:19,870 --> 00:57:21,672 IN FACT, YOU WENT OUT OF YOUR WAY 1299 00:57:21,739 --> 00:57:25,476 TO SUPPLY ME WITH INFORMATION WHICH MIGHT ASSIST ME. 1300 00:57:25,543 --> 00:57:29,346 OF COURSE, MR. WILD IS A MOST ATTRACTIVE MAN. 1301 00:57:29,413 --> 00:57:32,617 AND I SUPPOSE EVEN A SISTER-IN-LAW 1302 00:57:32,683 --> 00:57:34,685 OF SUFFICIENT ACQUAINTANCE 1303 00:57:34,752 --> 00:57:37,087 MIGHT SUCCUMB TO HIS CHARMS. 1304 00:57:39,289 --> 00:57:40,925 GOOD NIGHT. 1305 00:57:40,991 --> 00:57:42,059 GOOD NIGHT. 1306 00:57:44,562 --> 00:57:46,631 HAS IT OCCURRED TO YOU 1307 00:57:46,697 --> 00:57:50,100 NEITHER OF US LOOKS LIKE A SCOUNDREL, DO WE? 1308 00:58:04,248 --> 00:58:05,215 Sam: WHERE HAVE YOU BEEN? 1309 00:58:05,282 --> 00:58:06,183 THAT'S MY AFFAIR. 1310 00:58:06,250 --> 00:58:07,718 WHERE HAVE YOU BEEN? 1311 00:58:07,785 --> 00:58:10,354 SEEING A MAN CALLED ALBERT ARNETT. 1312 00:58:10,420 --> 00:58:11,589 HE'S A DETECTIVE. 1313 00:58:14,458 --> 00:58:16,226 SEEING HIM ABOUT WHAT? 1314 00:58:16,293 --> 00:58:18,863 HE HAS A CLIENT WHO THINKS YOU COMMITTED A MURDER IN RENO. 1315 00:58:18,929 --> 00:58:21,566 I TOLD HIM THAT WAS FANTASTIC. 1316 00:58:21,632 --> 00:58:23,300 I KNEW YOU HADN'T COMMITTED ANY MURDER. 1317 00:58:23,367 --> 00:58:24,869 HOW DID YOU FIND OUT ABOUT HIM? 1318 00:58:24,935 --> 00:58:26,771 HE WAS HERE THE DAY OF YOUR WEDDING. 1319 00:58:26,837 --> 00:58:28,505 IT OCCURRED TO ME TONIGHT IT MIGHT BE RATHER AWKWARD 1320 00:58:28,573 --> 00:58:31,075 IF HE WENT AROUND SPYING AND ASKING QUESTIONS, 1321 00:58:31,141 --> 00:58:33,377 EVEN IF THE WHOLE THING IS RIDICULOUS, 1322 00:58:33,443 --> 00:58:35,145 SO I DECIDED TO PUT A STOP TO IT. 1323 00:58:35,212 --> 00:58:36,180 THAT ISN'T WHY YOU WENT. 1324 00:58:36,246 --> 00:58:36,881 I TELL YOU IT IS. 1325 00:58:36,947 --> 00:58:37,882 YOU'RE LYING. 1326 00:58:37,948 --> 00:58:39,917 TAKE IT EASY, SAM. I DON'T THINK SHE IS. 1327 00:58:39,984 --> 00:58:41,351 WHOSE SIDE ARE YOU ON ANYWAY? 1328 00:58:41,418 --> 00:58:42,720 OH, SAM. 1329 00:58:42,787 --> 00:58:44,622 YOU CERTAINLY MAKE IT TOUGH 1330 00:58:44,689 --> 00:58:46,657 FOR PEOPLE WHO ARE ON YOUR SIDE. 1331 00:58:50,561 --> 00:58:53,297 WHAT DID SHE SAY THAT DETECTIVE'S NAME WAS? 1332 00:58:53,363 --> 00:58:54,531 ARNETT. 1333 00:59:07,645 --> 00:59:09,146 MRS. KRAFT, PLEASE. 1334 00:59:11,481 --> 00:59:12,282 618. 1335 00:59:12,349 --> 00:59:13,317 THANK YOU. 1336 00:59:20,224 --> 00:59:20,791 Kraft: DEAL. 1337 00:59:20,858 --> 00:59:22,660 GOTTA ADD UP. WHY? 1338 00:59:22,727 --> 00:59:24,328 FIND OUT WHO WON. 1339 00:59:24,394 --> 00:59:26,631 I WON. WHO SAYS? 1340 00:59:26,697 --> 00:59:28,098 DON'T ARGUE! 1341 00:59:28,165 --> 00:59:29,700 YOU WON. 1342 00:59:30,467 --> 00:59:33,270 [HUMMING] 1343 00:59:33,337 --> 00:59:34,739 HOW'S THE SEARCH COMING ALONG? 1344 00:59:34,805 --> 00:59:35,973 THAT'S WHAT I'M GOING TO FIND OUT 1345 00:59:36,040 --> 00:59:36,707 FROM MR. ARNETT. 1346 00:59:36,774 --> 00:59:37,775 SHUT THAT, WILL YOU? 1347 00:59:37,842 --> 00:59:38,809 THE COLD'S EATING INTO MY BONES. 1348 00:59:38,876 --> 00:59:40,778 PLEASURE, PLEASURE, PLEASURE. 1349 00:59:44,414 --> 00:59:46,383 WELL, HA HA. YOU EVER GET AROUND 1350 00:59:46,450 --> 00:59:47,652 TO PLAYING CARDS WITH VIRGINIA? 1351 00:59:47,718 --> 00:59:49,987 VIRGINIA? I THOUGHT SO. 1352 00:59:50,054 --> 00:59:51,756 YOU'RE NO CASANOVA WITH WOMEN. 1353 00:59:51,822 --> 00:59:53,891 THOSE WERE ALL LIES YOU FED ME. 1354 00:59:53,958 --> 00:59:55,159 YOU'RE A POOR SUBSTITUTE FOR LAURY, 1355 00:59:55,225 --> 00:59:56,326 LET ME TELL YOU. 1356 00:59:56,393 --> 00:59:57,361 ARE YOU CALLING ME A LIAR? 1357 00:59:57,427 --> 00:59:59,764 YES. YOU'RE A LIAR, ALL RIGHT. 1358 00:59:59,830 --> 01:00:00,998 AND YOU ARE A CHEAT. 1359 01:00:01,065 --> 01:00:05,069 [NERVOUS LAUGH] WHAT MAKES YOU SAY THAT? 1360 01:00:05,135 --> 01:00:06,036 CAN I HELP YOU? 1361 01:00:06,103 --> 01:00:07,404 YES. 1362 01:00:07,471 --> 01:00:08,572 WELL, WELL. 1363 01:00:08,639 --> 01:00:09,807 THE 10 OF DIAMONDS WE WERE LOOKING FOR. 1364 01:00:09,874 --> 01:00:12,409 WHY, SURE ENOUGH. YES. 1365 01:00:12,476 --> 01:00:13,343 [KNOCKING ON DOOR] 1366 01:00:13,410 --> 01:00:14,511 SEE WHO IT IS. 1367 01:00:14,578 --> 01:00:15,780 YEAH. 1368 01:00:18,749 --> 01:00:20,718 OH, IT'S YOU. THAT'S ALL. 1369 01:00:20,785 --> 01:00:21,852 TAKE YOU ON AGAIN TOMORROW. 1370 01:00:21,919 --> 01:00:23,353 AND I'LL BEAT YOU AGAIN, TOO. HA HA. 1371 01:00:23,420 --> 01:00:25,089 YEAH, IN A PIG'S EYE. 1372 01:00:26,356 --> 01:00:27,424 QUITE A DELIGHTFUL SURPRISE 1373 01:00:27,491 --> 01:00:29,426 YOU COMING TO SAN FRANCISCO, 1374 01:00:29,493 --> 01:00:30,795 BUT A NEEDLESS TRIP, IF I MAY SAY SO. 1375 01:00:30,861 --> 01:00:32,529 MAY I HELP YOU? 1376 01:00:32,596 --> 01:00:34,531 I'VE GOT NOTHING TO KEEP ME IN RENO, 1377 01:00:34,598 --> 01:00:35,700 AND I WANTED TO BE ON THE SPOT 1378 01:00:35,766 --> 01:00:36,934 WHEN YOU CAUGHT THE SKUNK 1379 01:00:37,001 --> 01:00:38,202 THAT KILLED POOR LAURY. 1380 01:00:38,268 --> 01:00:40,437 NOW, MRS. KRAFT. I DIDN'T SAY HE WAS HERE. 1381 01:00:40,504 --> 01:00:42,139 WHAT MADE YOU COME HERE THEN? 1382 01:00:42,206 --> 01:00:44,541 LOOK, A CERTAIN YOUNG MAN CAME HERE. 1383 01:00:44,608 --> 01:00:46,777 AND THIS YOUNG MAN I REMEMBER SEEING 1384 01:00:46,844 --> 01:00:49,379 OUTSIDE MRS. PALMER'S HOUSE, AT POLICE HEADQUARTERS, 1385 01:00:49,446 --> 01:00:52,649 AT THE FUNERAL PARLOR WHERE POOR MRS. PALMER WAS LAID OUT. 1386 01:00:52,717 --> 01:00:55,720 POOR LAURY. I HOPE SHE'S IN HEAVEN HOW. 1387 01:00:55,786 --> 01:00:57,021 ALTHOUGH I DON'T KNOW 1388 01:00:57,087 --> 01:00:59,957 IF LAURY WOULD HAVE MUCH FUN UP THERE. 1389 01:01:01,892 --> 01:01:03,761 GO ON. THIS MAN YOU SAW AT THE FUNERAL PARLOR. 1390 01:01:03,828 --> 01:01:05,362 IS HE THE ONE? 1391 01:01:05,429 --> 01:01:07,397 NO. BUT HE GAVE ME A LEAD. 1392 01:01:07,464 --> 01:01:08,598 WHAT GOOD'S A LEAD? 1393 01:01:08,665 --> 01:01:11,601 IT'S HIGH TIME YOU FOUND OUT SOMETHING. 1394 01:01:11,668 --> 01:01:15,105 MRS. KRAFT, IN A FEW DAYS 1395 01:01:15,172 --> 01:01:17,474 EITHER MY SUSPICIONS WILL BE VERIFIED 1396 01:01:17,541 --> 01:01:21,746 AND WE WILL HAVE OUR QUARRY OR I WOULD HAVE FAILED YOU, 1397 01:01:21,812 --> 01:01:23,781 WHICH BELIEVE ME WOULD BE EXCEEDINGLY PAINFUL 1398 01:01:23,848 --> 01:01:25,049 TO A MAN OF MY INTEGRITY. 1399 01:01:25,115 --> 01:01:26,383 IT WON'T HURT HALF AS MUCH 1400 01:01:26,450 --> 01:01:28,753 AS ME TO LOSE MY $500. 1401 01:01:28,819 --> 01:01:31,221 SPEAKING OF MONEY, I HAVE A LITTLE EXPENSE ACCOUNT 1402 01:01:31,288 --> 01:01:32,790 WHICH I THOUGHT I'D LEAVE WITH YOU 1403 01:01:32,857 --> 01:01:36,060 FOR TRAVELING AND INCIDENTALS. 1404 01:01:36,126 --> 01:01:37,527 WHEW! 1405 01:01:37,594 --> 01:01:39,596 BOY, YOU REALLY BLOW YOURSELF 1406 01:01:39,663 --> 01:01:40,731 WITH THOSE INCIDENTALS, DON'T YOU? 1407 01:01:40,798 --> 01:01:43,433 HA HA HA. 1408 01:01:43,500 --> 01:01:44,434 [SIGHS] 1409 01:01:44,501 --> 01:01:46,436 ALL RIGHT, MRS. KRAFT. 1410 01:01:46,503 --> 01:01:47,471 THANK YOU. 1411 01:02:12,662 --> 01:02:13,831 YES? 1412 01:02:13,898 --> 01:02:15,532 HOW DO YOU DO, MRS. KRAFT? 1413 01:02:15,599 --> 01:02:16,666 WHO ARE YOU? 1414 01:02:16,733 --> 01:02:18,268 AND TAKE YOUR FOOT OUT OF MY DOOR. 1415 01:02:18,335 --> 01:02:21,305 WHAT I WANT TO TALK TO YOU ABOUT CONCERNS LAURY PALMER. 1416 01:02:21,371 --> 01:02:23,040 OH. 1417 01:02:23,107 --> 01:02:24,308 THANK YOU. 1418 01:02:27,744 --> 01:02:29,446 WELL? 1419 01:02:29,513 --> 01:02:30,948 NOW, NOW, YOU DON'T EXPECT ME 1420 01:02:31,015 --> 01:02:32,382 TO TELL YOU JUST LIKE THAT. 1421 01:02:32,449 --> 01:02:33,483 IT'S NOT FEASIBLE. 1422 01:02:33,550 --> 01:02:35,485 HOW MUCH IS IT GOING TO COST ME? 1423 01:02:35,552 --> 01:02:36,620 WELL, I'M NOT GOING TO DO MUCH 1424 01:02:36,686 --> 01:02:37,955 SO I WON'T NEED MUCH. 1425 01:02:38,022 --> 01:02:40,390 A C-NOTE SHOULD MAKE ME VERY HAPPY. 1426 01:02:40,457 --> 01:02:41,826 NOW, I SUPPOSE. 1427 01:02:41,892 --> 01:02:43,493 NO. I'LL PROVE TO YOU 1428 01:02:43,560 --> 01:02:45,029 I'M STRICTLY ON THE LEVEL. 1429 01:02:45,095 --> 01:02:46,363 TONIGHT WILL BE ALL RIGHT 1430 01:02:46,430 --> 01:02:47,431 AFTER I SHOW YOU 1431 01:02:47,497 --> 01:02:48,298 WHAT YOU'RE LOOKING FOR. 1432 01:02:48,365 --> 01:02:49,900 FAIR ENOUGH. 1433 01:02:49,967 --> 01:02:53,203 HOW COME YOU GOT AHOLD OF THIS INFORMATION? 1434 01:02:53,270 --> 01:02:55,705 THROUGH UNDERWORLD CONNECTIONS, 1435 01:02:55,772 --> 01:02:58,342 LIKE IT SAYS IN THE NEWSPAPERS. 1436 01:02:58,408 --> 01:03:00,077 I'M A BAD BOY. 1437 01:03:00,144 --> 01:03:03,547 YOU ARE, HUH? HA HA HA. HAVE SOME BEER. 1438 01:03:03,613 --> 01:03:05,382 NO, THANKS. BEER MAKES ME SLEEPY. 1439 01:03:05,449 --> 01:03:06,383 I DON'T LIKE IT. 1440 01:03:06,450 --> 01:03:07,784 ME, I LOVE IT. 1441 01:03:07,852 --> 01:03:10,554 I LOVE IT THE BEST IN THE WORLD. 1442 01:03:10,620 --> 01:03:13,924 I LOVE LAURY, TOO. 1443 01:03:13,991 --> 01:03:16,760 YEAH. I'M AT THE BARREN TAIL END OF MY LIFE, 1444 01:03:16,827 --> 01:03:18,528 AND LAURY WAS ALL I HAD, 1445 01:03:18,595 --> 01:03:21,298 LAURY AND THE BOTTLE. 1446 01:03:21,365 --> 01:03:23,868 WELL, THERE'S NOTHING I CAN DO FOR THE BOTTLE, 1447 01:03:23,934 --> 01:03:25,802 BUT I'M SURE NOT GOING TO LET LAURY DOWN. 1448 01:03:25,870 --> 01:03:29,073 THAT'S RIGHT. YOU AND LAURY STICK TOGETHER. 1449 01:03:29,139 --> 01:03:33,043 MRS. KRAFT, HERE'S A MAP OF SAN FRANCISCO AND VICINITY. 1450 01:03:33,110 --> 01:03:35,679 YOU SEE THIS CORNER I'VE MARKED HERE? 1451 01:03:35,745 --> 01:03:38,983 I'D BETTER WRITE IT DOWN FOR YOU. 1452 01:03:39,049 --> 01:03:42,219 YOU PICK UP A CAB TONIGHT AND DRIVE OUT THERE... 1453 01:03:42,286 --> 01:03:43,820 ALONE. 1454 01:03:45,856 --> 01:03:46,891 I'LL BE WAITING FOR YOU. 1455 01:03:46,957 --> 01:03:48,325 WHAT TIME? 1456 01:03:48,392 --> 01:03:49,927 11:00. MM-HMM. 1457 01:03:49,994 --> 01:03:51,261 AND REMEMBER, GLAMOUR GIRL, 1458 01:03:51,328 --> 01:03:52,696 I'LL DO THIS ON JUST ONE CONDITION. 1459 01:03:52,762 --> 01:03:53,830 WHAT'S THAT? 1460 01:03:53,898 --> 01:03:55,832 THAT YOU DON'T MAKE ANY PASSES AT ME 1461 01:03:55,900 --> 01:03:57,501 WHEN YOU GET ME OUT THERE. 1462 01:03:57,567 --> 01:03:59,469 I'M A VERY SHY KID. 1463 01:03:59,536 --> 01:04:02,072 OOH, HA HA HA. 1464 01:04:25,395 --> 01:04:27,031 YES? 1465 01:04:28,999 --> 01:04:31,535 OH. ARE YOU TURNING IN RIGHT AWAY? 1466 01:04:31,601 --> 01:04:33,337 NO. I WAS JUST GOING TO READ. 1467 01:04:33,403 --> 01:04:35,239 DID YOU WANT TO SEE ME ABOUT SOMETHING? 1468 01:04:35,305 --> 01:04:36,306 YES. 1469 01:04:38,442 --> 01:04:42,612 I, UH, I WANTED TO TALK TO YOU ABOUT SAM. 1470 01:04:42,679 --> 01:04:47,784 HE'S A GREAT GUY, SAM, BUT HE'S KIND OF IMPULSIVE. 1471 01:04:47,851 --> 01:04:49,119 WELL, HE'S THE SORT OF GUY 1472 01:04:49,186 --> 01:04:51,521 THAT PUNCHES FIRST AND ASKS QUESTIONS LATER. 1473 01:04:51,588 --> 01:04:53,790 NOW, YOU... 1474 01:04:53,857 --> 01:04:55,692 I THINK YOU'RE DIFFERENT. 1475 01:04:55,759 --> 01:04:57,727 I THINK YOU FIGURE THINGS CLOSE. 1476 01:04:57,794 --> 01:05:00,497 SO THAT'S WHY I TOOK A CHANCE ON HAVING MY HEAD BEAT OPEN 1477 01:05:00,564 --> 01:05:03,700 AND CAME IN HERE TONIGHT. 1478 01:05:03,767 --> 01:05:05,069 THE WAY I SEE IT, 1479 01:05:05,135 --> 01:05:09,940 IT'S NOT FEASIBLE FOR YOU AND SAM TO KEEP ON... 1480 01:05:10,007 --> 01:05:12,909 WELL, WHAT I MEAN IS 1481 01:05:12,977 --> 01:05:15,045 SAM'S MARRIED TO A LOVELY LITTLE WIFE, 1482 01:05:15,112 --> 01:05:16,913 AND YOU'RE ENGAGED TO THAT NICE MR. GROVER. 1483 01:05:16,981 --> 01:05:17,681 THAT'S RIGHT. I AM. 1484 01:05:17,747 --> 01:05:18,448 DON'T GET MAD. 1485 01:05:18,515 --> 01:05:19,449 I AM GETTING MAD. 1486 01:05:19,516 --> 01:05:21,118 I RESENT PEOPLE MARCHING INTO SOMETHING 1487 01:05:21,185 --> 01:05:22,852 THAT DOESN'T CONCERN THEM. 1488 01:05:22,919 --> 01:05:24,521 YOU THINK IT DOESN'T. 1489 01:05:24,588 --> 01:05:26,456 IT CONCERNS ME, ALL RIGHT, IF IT CONCERNS SAM. 1490 01:05:26,523 --> 01:05:29,059 SUPPOSE YOU DISCUSS IT WITH SAM THEN. 1491 01:05:29,126 --> 01:05:30,727 I TRIED TO TELL YOU ABOUT HIM. 1492 01:05:30,794 --> 01:05:33,097 THE WAY HE IS HE WON'T LISTEN TO WHAT I HAVE TO SAY. 1493 01:05:33,163 --> 01:05:36,366 AND I'M NOT INTERESTED. 1494 01:05:36,433 --> 01:05:40,170 WELL, I GOT IT OFF MY CHEST ANYHOW. 1495 01:05:40,237 --> 01:05:41,638 GOOD NIGHT. GOOD NIGHT. 1496 01:05:57,821 --> 01:05:58,788 Sam: WHO IS IT? 1497 01:05:58,855 --> 01:06:00,590 IT'S ME, SAM. CAN I COME IN? 1498 01:06:00,657 --> 01:06:01,625 YEAH. 1499 01:06:07,031 --> 01:06:09,166 WELL, I FOUND THE CLIENT. 1500 01:06:09,233 --> 01:06:10,500 SHE'S AT THE FELTON HOTEL. 1501 01:06:10,567 --> 01:06:12,836 HER NAME'S KRAFT. SHE WAS PALMER'S PAL. 1502 01:06:12,902 --> 01:06:13,803 YEAH? 1503 01:06:13,870 --> 01:06:15,005 I GOT EVERYTHING FIXED. 1504 01:06:15,072 --> 01:06:17,641 I'M GOING TO MEET HER IN A LITTLE WHILE. 1505 01:06:17,707 --> 01:06:20,810 WHAT A GLAMOUR GIRL. 1506 01:06:20,877 --> 01:06:21,911 SAM. 1507 01:06:21,978 --> 01:06:23,247 WHAT? 1508 01:06:23,313 --> 01:06:25,749 ARE YOU SURE THIS IS THE WAY YOU WANT IT HANDLED? 1509 01:06:25,815 --> 01:06:26,650 WHY? 1510 01:06:26,716 --> 01:06:27,884 JUST ASKED. 1511 01:06:27,951 --> 01:06:30,087 I DON'T MIND IF IT'S THE MOST FEASIBLE WAY. 1512 01:06:30,154 --> 01:06:32,389 I'M SURE THIS IS THE WAY I WANT IT HANDLED. 1513 01:06:32,456 --> 01:06:33,490 OK. 1514 01:06:34,658 --> 01:06:35,625 HAVE YOU FIGURED OUT 1515 01:06:35,692 --> 01:06:38,395 WHAT WE'RE GOING TO DO WITH THE DETECTIVE? 1516 01:06:38,462 --> 01:06:39,363 NO. 1517 01:06:39,429 --> 01:06:42,466 WELL, DON'T LET IT WORRY YOU. 1518 01:06:42,532 --> 01:06:45,369 WE'VE COME THROUGH EVERYTHING SO FAR, HAVEN'T WE? 1519 01:06:45,435 --> 01:06:46,870 YEAH. 1520 01:06:46,936 --> 01:06:48,772 SO LONG. SO LONG, MART. 1521 01:07:35,018 --> 01:07:35,852 HOW MUCH? 1522 01:07:35,919 --> 01:07:37,387 $2.70, PLEASE. 1523 01:07:40,023 --> 01:07:41,225 KEEP THE CHANGE. 1524 01:07:41,291 --> 01:07:43,627 THANK YOU. ARE YOU SURE THIS IS THE CORNER? 1525 01:07:43,693 --> 01:07:45,028 THERE ARE NO BUSES OR STREET CARS 1526 01:07:45,095 --> 01:07:47,197 AROUND HERE IF YOU GET STUCK. 1527 01:07:47,264 --> 01:07:48,398 THIS IS IT ALL RIGHT. 1528 01:07:48,465 --> 01:07:49,533 OK, LADY. 1529 01:08:10,220 --> 01:08:11,388 HI, GLAMOUR GIRL. 1530 01:08:11,455 --> 01:08:12,822 HELLO. 1531 01:08:12,889 --> 01:08:14,090 WELL, NOW THAT WE'RE BOTH HERE, 1532 01:08:14,158 --> 01:08:15,659 WE CAN BE ON OUR WAY. 1533 01:08:15,725 --> 01:08:16,893 ON OUR WAY? 1534 01:08:16,960 --> 01:08:18,395 WE'VE GOT A LITTLE BIT OF A WALK. 1535 01:08:18,462 --> 01:08:19,996 OUT THERE. 1536 01:08:20,063 --> 01:08:21,665 [WIND HOWLING] 1537 01:08:21,731 --> 01:08:23,500 YOU DON'T MIND, DO YOU? 1538 01:08:23,567 --> 01:08:25,302 I SURE DO MIND. I AIN'T BUILT 1539 01:08:25,369 --> 01:08:27,304 FOR GALLIVANTING AROUND IN THE SAND. 1540 01:08:27,371 --> 01:08:29,173 I'LL HELP YOU IF THE GOING GETS ROUGH. 1541 01:08:29,239 --> 01:08:31,375 YOU CAN DEPEND ON ME, GLAMOUR GIRL. 1542 01:08:43,420 --> 01:08:44,321 FEELS LIKE ONE OF MY LEGS 1543 01:08:44,388 --> 01:08:46,256 ARE OUT OF THEIR SOCKETS. 1544 01:08:46,323 --> 01:08:47,591 HOW MUCH FURTHER DO WE GO? 1545 01:08:47,657 --> 01:08:49,326 NO FURTHER. 1546 01:08:49,393 --> 01:08:50,594 BUT I DON'T SEE A THING HERE. 1547 01:08:50,660 --> 01:08:53,197 WHAT HAVE YOU GOT TO SHOW ME? 1548 01:08:56,466 --> 01:08:59,169 THE MORAL IS: DON'T HIRE DETECTIVES. 1549 01:09:27,096 --> 01:09:29,499 TAKE IT EASY, GLAMOUR GIRL. 1550 01:09:29,566 --> 01:09:32,236 IT SHOULDN'T FEEL SO BAD. 1551 01:09:32,302 --> 01:09:34,137 YOU'VE LIVED A LONG LIFE. 1552 01:09:34,204 --> 01:09:35,772 YOU'RE NO SPRING CHICKEN, YOU KNOW. 1553 01:09:35,839 --> 01:09:38,074 AW, GLAMOUR GIRL. 1554 01:09:38,141 --> 01:09:39,142 WHO IS IT? 1555 01:09:39,209 --> 01:09:41,311 IT'S ME, MART. YOUR OLD PAL SAM. 1556 01:09:41,378 --> 01:09:43,380 WHAT'S THE MATTER WITH YOU, SAM? 1557 01:09:49,486 --> 01:09:53,089 SAM, WHAT'S THIS ALL ABOUT? 1558 01:09:53,156 --> 01:09:54,858 SAM, TAKE THAT KNIFE AWAY. 1559 01:09:54,924 --> 01:09:56,826 WHAT DID I DO? I WAS OUT HERE TONIGHT FOR YOU. 1560 01:09:56,893 --> 01:09:58,662 YOU WERE IN HELEN'S ROOM FOR ME, TOO, I SUPPOSE. 1561 01:09:58,728 --> 01:10:01,097 I WAS, SAM. I WAS TRYING TO SAVE YOU TROUBLE, THAT'S ALL. 1562 01:10:01,164 --> 01:10:02,666 IN HER ROOM? 1563 01:10:02,732 --> 01:10:05,101 IT WASN'T LIKE IT LOOKED. IT WASN'T, I SWEAR, SAM. 1564 01:10:05,168 --> 01:10:06,436 WASN'T IT? 1565 01:10:06,503 --> 01:10:09,606 SAM, TAKE THAT KNIFE AWAY SO I CAN TALK TO YOU. 1566 01:10:13,710 --> 01:10:15,445 I KNEW YOU'D LISTEN TO ME, SAM. 1567 01:10:15,512 --> 01:10:17,547 HERE'S HOW IT WAS--SAM! 1568 01:10:20,850 --> 01:10:22,886 YOU'RE CRAZY, SAM. 1569 01:10:35,299 --> 01:10:37,301 [DOOR OPENING] 1570 01:10:40,270 --> 01:10:41,571 PSST, MRS. BRENT. 1571 01:10:41,638 --> 01:10:43,673 MRS. BRENT. 1572 01:10:43,740 --> 01:10:47,411 THE POLICE ARE DOWNSTAIRS, MRS. BRENT. 1573 01:10:47,477 --> 01:10:52,081 THEY SAY MR. WATERMAN WAS MURDERED LAST NIGHT. 1574 01:10:52,148 --> 01:10:54,518 I'LL--I'LL BE RIGHT DOWN. 1575 01:10:54,584 --> 01:10:56,453 OH, GRACE. YES, MA'AM. 1576 01:10:56,520 --> 01:10:58,221 HAVE YOU TOLD MR. AND MRS. WILD YET? 1577 01:10:58,288 --> 01:11:00,256 YES, MRS. BRENT. 1578 01:11:04,160 --> 01:11:05,261 HOW LONG HAD MR. WATERMAN 1579 01:11:05,329 --> 01:11:07,364 BEEN LIVING IN YOUR HOUSE, MRS. WILD? 1580 01:11:07,431 --> 01:11:09,333 ABOUT A WEEK. 1581 01:11:09,399 --> 01:11:10,467 DID ANYONE TELEPHONE HIM 1582 01:11:10,534 --> 01:11:12,135 OR COME TO SEE HIM DURING THAT TIME? 1583 01:11:12,201 --> 01:11:15,038 NO, SIR. NO ONE THAT I KNOW OF. 1584 01:11:15,104 --> 01:11:16,673 MR. WILD? 1585 01:11:16,740 --> 01:11:17,741 WHAT EXACTLY WAS YOUR RELATIONSHIP 1586 01:11:17,807 --> 01:11:19,142 TO MR. WATERMAN? 1587 01:11:19,208 --> 01:11:20,510 HE WAS A FRIEND OF MINE. 1588 01:11:20,577 --> 01:11:22,211 A GOOD FRIEND. DOWN ON HIS LUCK. 1589 01:11:22,278 --> 01:11:23,480 HAVE YOU ANY IDEA WHY HE WAS 1590 01:11:23,547 --> 01:11:25,315 OUT ON THE DUNES LAST NIGHT? 1591 01:11:25,382 --> 01:11:26,316 NO, I HAVEN'T. 1592 01:11:26,383 --> 01:11:29,018 WHEN DID YOU SEE HIM LAST? 1593 01:11:29,085 --> 01:11:31,588 HE CAME INTO MY ROOM FOR A FEW MINUTES ABOUT 9:30. 1594 01:11:31,655 --> 01:11:33,723 WE TALKED CASUALLY. THEN HE SAID 1595 01:11:33,790 --> 01:11:35,825 HE THOUGHT HE'D GO OUT FOR A WHILE AND LEFT. 1596 01:11:35,892 --> 01:11:37,794 HE DIDN'T MENTION WHERE HE WAS GOING? 1597 01:11:37,861 --> 01:11:39,529 NO. I SEE. 1598 01:11:39,596 --> 01:11:41,230 WHAT TIME WAS THAT DID YOU SAY? 1599 01:11:41,297 --> 01:11:43,933 ABOUT 9:30. I'M FAIRLY SURE OF THAT 1600 01:11:44,000 --> 01:11:46,836 BECAUSE I FELT RESTLESS AFTER HE LEFT AND I... 1601 01:11:46,903 --> 01:11:49,906 I ASKED MRS. BRENT TO PLAY CARDS WITH ME FOR A WHILE. 1602 01:11:49,973 --> 01:11:51,741 MY WIFE HAD HAD A HEADACHE ALL AFTERNOON 1603 01:11:51,808 --> 01:11:54,277 AND HAD GONE TO BED RIGHT AFTER DINNER. 1604 01:11:54,344 --> 01:11:56,112 AND HOW LONG DID YOU AND MR. WILD 1605 01:11:56,179 --> 01:11:59,749 PLAY CARDS, MRS. BRENT? 1606 01:11:59,816 --> 01:12:03,687 OH, I SHOULD SAY TO ABOUT MIDNIGHT. 1607 01:12:03,753 --> 01:12:05,522 WELL, I THINK THAT'S ALL FOR NOW, FOLKS. 1608 01:12:05,589 --> 01:12:07,023 WE MAY HAVE TO DROP IN 1609 01:12:07,090 --> 01:12:08,257 ON YOU AGAIN, THOUGH. 1610 01:12:08,324 --> 01:12:09,258 OF COURSE. 1611 01:12:09,325 --> 01:12:10,494 ANYTIME YOU WISH. 1612 01:12:10,560 --> 01:12:11,961 THANKS. GOOD-BYE. 1613 01:12:12,028 --> 01:12:12,996 GOOD-BYE. 1614 01:12:15,665 --> 01:12:16,833 WELL, I'M GOING TO GET 1615 01:12:16,900 --> 01:12:17,901 INTO SOME CLOTHES. 1616 01:12:17,967 --> 01:12:19,603 HOW ABOUT YOU, HELEN? 1617 01:12:19,669 --> 01:12:22,406 NO. I THINK I'LL HAVE SOME COFFEE FIRST. 1618 01:12:24,808 --> 01:12:26,309 DARLING, I-- 1619 01:12:26,376 --> 01:12:28,712 I KNOW HOW DREADFUL THIS IS FOR YOU. 1620 01:12:37,787 --> 01:12:41,357 YOU FOOL! YOU STUPID, CRAZY FOOL! 1621 01:12:45,895 --> 01:12:47,497 DO YOU THINK THE WORLD IS YOURS 1622 01:12:47,564 --> 01:12:48,565 AND THAT YOU CAN CRASH AROUND 1623 01:12:48,632 --> 01:12:49,566 TEARING IT TO PIECES? 1624 01:12:49,633 --> 01:12:50,834 WHY DON'T YOU USE 1625 01:12:50,900 --> 01:12:52,201 THAT THICK HEAD OF YOURS OCCASIONALLY 1626 01:12:52,268 --> 01:12:53,937 BEFORE YOU WRECK EVERYONE'S LIFE? 1627 01:12:54,003 --> 01:12:55,405 WHY DIDN'T YOU THINK OF WHAT YOU'RE DOING? 1628 01:12:55,472 --> 01:12:57,306 I KNEW WHAT I WAS DOING. 1629 01:12:57,373 --> 01:12:58,542 AND I'LL DO IT AGAIN ANYTIME 1630 01:12:58,608 --> 01:13:00,276 I CATCH ANYBODY MAKING A MONKEY OUT OF ME. 1631 01:13:00,343 --> 01:13:01,745 WHAT DO YOU MEAN? 1632 01:13:01,811 --> 01:13:05,214 I SAW MART COMING OUT OF YOUR ROOM. 1633 01:13:05,281 --> 01:13:08,452 YOU MEAN YOU MURDERED HIM FOR THAT? 1634 01:13:08,518 --> 01:13:09,753 AND YOU WERE THE ONE WHO SAID 1635 01:13:09,819 --> 01:13:11,154 YOU'VE GOT TO KNOW WHAT YOU WANT OUT OF LIFE 1636 01:13:11,220 --> 01:13:13,056 AND GO AFTER IT TOOTH AND NAIL. 1637 01:13:13,122 --> 01:13:14,791 YOU WHO LET EVERY MAD WHIM 1638 01:13:14,858 --> 01:13:17,060 THAT ENTERS YOUR BRAIN WHIP YOU AROUND. 1639 01:13:17,126 --> 01:13:19,563 I'D BET YOU'D EVEN KILL ME IF I MADE A MOVE 1640 01:13:19,629 --> 01:13:22,331 THAT DIDN'T MEET WITH YOUR APPROVAL. 1641 01:13:22,398 --> 01:13:23,600 I MIGHT. 1642 01:13:24,968 --> 01:13:27,236 WHY WAS MART OUT THERE ON THE SAND DUNES? 1643 01:13:27,303 --> 01:13:28,538 WHAT'S THE DIFFERENCE? HE'S DEAD NOW. 1644 01:13:28,605 --> 01:13:30,674 YOU'RE FORGETTING I'M IN THIS, TOO, 1645 01:13:30,740 --> 01:13:31,808 AND DON'T THINK I DIDN'T LOATHE 1646 01:13:31,875 --> 01:13:34,077 PERJURING MYSELF TO THE POLICE. 1647 01:13:34,143 --> 01:13:35,244 WHY WAS HE OUT THERE? 1648 01:13:35,311 --> 01:13:37,714 TO MEET OLD LADY KRAFT, PALMER'S PAL. 1649 01:13:37,781 --> 01:13:38,748 HE WAS GOING TO GET RID OF HER. 1650 01:13:38,815 --> 01:13:40,116 I SUPPOSE THAT WAS YOUR IDEA. 1651 01:13:40,183 --> 01:13:41,284 WHY NOT? 1652 01:13:41,350 --> 01:13:42,452 SHE PUT A DETECTIVE ON ME, DIDN'T SHE? 1653 01:13:42,519 --> 01:13:44,253 AND IF YOU'D SUCCEEDED IN KILLING HER, 1654 01:13:44,320 --> 01:13:45,288 WHAT ABOUT THE DETECTIVE? 1655 01:13:45,354 --> 01:13:46,756 I'D HAVE FIGURED SOMETHING OUT. 1656 01:13:46,823 --> 01:13:48,458 OH, YES. YOU AND YOUR GREAT BRAIN. 1657 01:13:48,525 --> 01:13:50,026 YOU'D HAVE FIGURED OUT SOMETHING FINE, 1658 01:13:50,093 --> 01:13:51,628 SOMETHING THAT WOULD HAVE MESSED THINGS UP GOOD, 1659 01:13:51,695 --> 01:13:53,497 I'M SURE OF THAT. 1660 01:13:53,563 --> 01:13:55,164 WHERE CAN I FIND MRS. KRAFT, DO YOU KNOW? 1661 01:13:55,231 --> 01:13:55,965 WHY? 1662 01:13:56,032 --> 01:13:56,866 WHY DO YOU SUPPOSE? 1663 01:13:56,933 --> 01:13:58,968 TO TRY AND PATCH UP YOUR BUNGLING. 1664 01:13:59,035 --> 01:14:01,337 I'M SO GRATEFUL TO HAVE SUCH A CLEVER FRIEND. 1665 01:14:01,404 --> 01:14:02,739 I CAN DO BETTER THAN YOU DID. 1666 01:14:02,806 --> 01:14:04,674 AND I WON'T NEED ANY KNIVES 1667 01:14:04,741 --> 01:14:06,175 OR BLUNT INSTRUMENTS EITHER. 1668 01:14:09,779 --> 01:14:11,481 [KNOCKING ON DOOR] 1669 01:14:23,793 --> 01:14:24,894 YES? 1670 01:14:24,961 --> 01:14:26,262 I'M HELEN BRENT. 1671 01:14:26,329 --> 01:14:28,932 WHEN I CALLED FROM DOWNSTAIRS, YOU SAID YOU REMEMBERED ME. 1672 01:14:28,998 --> 01:14:30,500 OH, YES. 1673 01:14:35,204 --> 01:14:36,472 Helen: YOU LOOK ILL. 1674 01:14:36,540 --> 01:14:39,408 I DIDN'T SLEEP SO GOOD LAST NIGHT. 1675 01:14:39,475 --> 01:14:40,944 THEY'RE PALS OF YOURS. 1676 01:14:41,010 --> 01:14:41,978 WHO? 1677 01:14:42,045 --> 01:14:44,347 THOSE TWO BUTCHERS THAT TRIED TO MURDER ME. 1678 01:14:44,413 --> 01:14:45,481 IT SAYS THAT ONE OF THEM 1679 01:14:45,549 --> 01:14:47,483 IS MARRIED TO YOUR SISTER. 1680 01:14:49,085 --> 01:14:50,554 NOW, MRS. KRAFT, 1681 01:14:50,620 --> 01:14:52,856 MR. WILD DIDN'T TRY TO MURDER YOU. 1682 01:14:52,922 --> 01:14:54,691 MAYBE NOT, BUT THE OTHER ONE DID. 1683 01:14:54,758 --> 01:14:56,259 AND HE THOUGHT HE HAD ME, TOO, 1684 01:14:56,325 --> 01:14:57,326 BUT HE WAS WRONG. 1685 01:14:57,393 --> 01:14:58,494 HE SAID I'D LIVED LONG ENOUGH, 1686 01:14:58,562 --> 01:15:00,429 BUT THE JOKE'S ON HIM. 1687 01:15:00,496 --> 01:15:01,531 HE'S THE ONE THAT'S DEAD, 1688 01:15:01,598 --> 01:15:03,667 AND ME, I'M ALIVE AND HOLLERING. 1689 01:15:06,269 --> 01:15:08,504 HAND ME THAT BEER, WILL YOU? 1690 01:15:12,742 --> 01:15:14,343 IT WAS MR. WILD WHO SAVED YOUR LIFE. 1691 01:15:14,410 --> 01:15:15,478 NOW, WASN'T IT? 1692 01:15:15,545 --> 01:15:17,446 BUT HE KILLED LAURY. 1693 01:15:17,513 --> 01:15:18,381 WHAT MAKES YOU THINK THAT? 1694 01:15:18,447 --> 01:15:19,649 HE'S THE ONE, ALL RIGHT. 1695 01:15:19,716 --> 01:15:21,484 I KNOW, AND AS SOON 1696 01:15:21,551 --> 01:15:22,418 AS I GET MY CLOTHES ON, 1697 01:15:22,485 --> 01:15:23,720 I'M GOING TO THE POLICE. 1698 01:15:23,787 --> 01:15:25,755 IF YOU GO TO THE POLICE, 1699 01:15:25,822 --> 01:15:29,726 YOU'LL SEE LAURY SOONER THAN YOU THINK. 1700 01:15:29,793 --> 01:15:31,160 ARE YOU TRYING TO SCARE ME? 1701 01:15:31,227 --> 01:15:32,528 I'M JUST WARNING YOU. 1702 01:15:32,596 --> 01:15:34,363 PERHAPS YOU DON'T REALIZE. 1703 01:15:34,430 --> 01:15:36,465 IT'S PAINFUL BEING KILLED. 1704 01:15:36,532 --> 01:15:38,534 A PIECE OF METAL SLIDING INTO YOUR BODY, 1705 01:15:38,602 --> 01:15:39,936 FINDING ITS WAY INTO YOUR HEART. 1706 01:15:40,003 --> 01:15:42,071 OR A BULLET TEARING THROUGH YOUR SKIN, 1707 01:15:42,138 --> 01:15:43,439 CRASHING INTO A BONE. 1708 01:15:43,506 --> 01:15:46,142 IT TAKES A WHILE TO DIE, TOO. 1709 01:15:46,209 --> 01:15:48,077 SOMETIMES A LONG WHILE. 1710 01:15:48,144 --> 01:15:49,212 I WON'T DIE. 1711 01:15:49,278 --> 01:15:50,814 I TELL YOU YOU WILL. 1712 01:15:56,219 --> 01:15:57,486 I'M SO TIRED. 1713 01:15:57,553 --> 01:15:59,756 CAN'T YOU LEAVE ME ALONE? 1714 01:16:03,159 --> 01:16:07,597 DOES IT MATTER VERY MUCH IF THIS MAN ISN'T CAUGHT? 1715 01:16:07,664 --> 01:16:09,733 YOU'RE THE COLDEST ICEBERG OF A WOMAN 1716 01:16:09,799 --> 01:16:13,469 I EVER SAW, AND THE ROTTENEST INSIDE. 1717 01:16:13,536 --> 01:16:15,839 I'VE SEEN PLENTY, TOO. 1718 01:16:15,905 --> 01:16:17,841 I WOULDN'T TRADE PLACES WITH YOU 1719 01:16:17,907 --> 01:16:19,976 IF THEY SLICED ME INTO LITTLE PIECES. 1720 01:16:22,612 --> 01:16:24,113 DO YOU WANT TO LIVE OR DIE? 1721 01:16:29,919 --> 01:16:33,189 OH, LAURY, LAURY. I FAILED YOU. 1722 01:16:39,462 --> 01:16:40,664 YOU UNDERSTAND THAT IF SAM WILD 1723 01:16:40,730 --> 01:16:42,699 IS TURNED OVER TO THE POLICE 1724 01:16:42,766 --> 01:16:47,170 FOR ANY REASON, YOUR LIFE IS OVER. 1725 01:16:47,236 --> 01:16:48,404 YES. 1726 01:16:48,471 --> 01:16:49,739 GOOD-BYE. WAIT. 1727 01:16:52,208 --> 01:16:53,376 I'D BE A BAD HOSTESS 1728 01:16:53,442 --> 01:16:55,745 IF I DIDN'T SEE YOU OUT. 1729 01:17:02,752 --> 01:17:03,987 BAD CESS TO ME? 1730 01:17:04,053 --> 01:17:06,823 NO NEED FOR ME TO SAY IT. 1731 01:17:06,890 --> 01:17:09,358 YOU CARRY YOUR OWN CURSE INSIDE OF YOU. 1732 01:17:28,712 --> 01:17:31,014 SAM. SAM, WHERE ARE YOU GOING? 1733 01:17:31,080 --> 01:17:31,781 OUT. 1734 01:17:31,848 --> 01:17:32,782 I'VE BEEN WAITING ALL DAY 1735 01:17:32,849 --> 01:17:34,250 FOR A CHANCE TO TALK TO YOU. 1736 01:17:34,317 --> 01:17:36,886 I SAW MRS. KRAFT. 1737 01:17:36,953 --> 01:17:38,788 IT WAS PRETTY AWFUL. 1738 01:17:38,855 --> 01:17:39,823 ANYWAY, YOU NEEDN'T WORRY 1739 01:17:39,889 --> 01:17:40,957 ABOUT HER ANYMORE. 1740 01:17:41,024 --> 01:17:42,625 FRED WILL BE HERE IN A LITTLE WHILE, 1741 01:17:42,692 --> 01:17:43,459 AND I'M GOING TO GET THE MONEY FROM HIM 1742 01:17:43,526 --> 01:17:44,928 TO KEEP ARNETT QUIET. 1743 01:17:44,994 --> 01:17:46,963 WHAT ARE YOU KNOCKING YOURSELF OUT FOR? 1744 01:17:47,030 --> 01:17:48,965 LYING TO THE POLICE, SHUTTING UP KRAFT, 1745 01:17:49,032 --> 01:17:51,000 HITTING GROVER FOR DOUGH. 1746 01:17:51,067 --> 01:17:53,036 THOSE AREN'T THINGS HELEN BRENT WOULD EVER STOOP TO. 1747 01:17:53,102 --> 01:17:55,705 WELL, NONE OF THEM IS VERY PLEASANT, NATURALLY. 1748 01:17:55,772 --> 01:17:58,041 THEN WHAT ARE YOU DOING THEM FOR? 1749 01:17:58,107 --> 01:17:58,975 OH, SAM. 1750 01:17:59,042 --> 01:18:01,577 WELL, WHY ARE YOU? I'D LIKE TO KNOW. 1751 01:18:01,644 --> 01:18:03,212 FOR GEORGIA'S SAKE. 1752 01:18:05,982 --> 01:18:07,851 ALL RIGHT, THEN. FOR MY SAKE. 1753 01:18:07,917 --> 01:18:09,886 FOR OURS. NOW ARE YOU SATISFIED? 1754 01:18:09,953 --> 01:18:11,220 OF COURSE I DIDN'T LIKE DOING THEM. 1755 01:18:11,287 --> 01:18:12,555 I HATED DOING THEM. 1756 01:18:12,621 --> 01:18:13,656 AND I HATE YOU 1757 01:18:13,723 --> 01:18:16,726 FOR FORCING ME TO DO THEM. 1758 01:18:16,793 --> 01:18:19,128 I'M NOT FORCING YOU TO DO A THING. 1759 01:18:21,530 --> 01:18:22,732 I KNOW. 1760 01:18:25,001 --> 01:18:26,069 SAM. 1761 01:18:28,471 --> 01:18:29,906 COME BACK BY MIDNIGHT. 1762 01:18:29,973 --> 01:18:32,708 I'LL BE WAITING FOR YOU. 1763 01:18:32,776 --> 01:18:34,043 YOU WANT ME TO COME BACK 1764 01:18:34,110 --> 01:18:36,846 KNOWING WHAT YOU KNOW, DON'T YOU? 1765 01:18:49,158 --> 01:18:50,860 ALL RIGHT. 1766 01:18:50,927 --> 01:18:53,629 SEE YOU AT MIDNIGHT. 1767 01:18:53,696 --> 01:18:56,032 SAM, YOU'RE CARRYING A GUN. 1768 01:18:56,099 --> 01:19:00,136 SURE. YOU CAN'T TELL WHEN I MIGHT NEED ONE. 1769 01:19:00,203 --> 01:19:03,873 CAN'T TELL WHEN I MIGHT SUDDENLY TURN INTO A SUSPECT. 1770 01:19:09,712 --> 01:19:12,882 [ENGINE STARTS] 1771 01:19:12,949 --> 01:19:14,951 [CAR DRIVES AWAY] 1772 01:19:18,454 --> 01:19:20,423 JUST A MOMENT, PLEASE. 1773 01:19:28,297 --> 01:19:29,065 THERE'S A MR. ARNETT 1774 01:19:29,132 --> 01:19:30,867 ON THE TELEPHONE, MRS. BRENT, 1775 01:19:30,934 --> 01:19:33,069 AND MR. GROVER'S HERE. 1776 01:19:33,136 --> 01:19:35,738 OH, UM, TELL MR. ARNETT I'M NOT IN, 1777 01:19:35,805 --> 01:19:36,572 TO CALL BACK LATER. 1778 01:19:36,639 --> 01:19:37,807 YES. 1779 01:19:41,710 --> 01:19:43,712 YOU KNOW, THEY WERE SUCH GOOD FRIENDS. 1780 01:19:43,779 --> 01:19:45,448 SAM'S REALLY TAKING IT VERY WELL, THOUGH. 1781 01:19:45,514 --> 01:19:47,216 HELLO, DARLING. GEORGIE. 1782 01:19:47,283 --> 01:19:49,152 HELLO. 1783 01:19:49,218 --> 01:19:51,520 WELL, I'VE GOT SOME THINGS TO TAKE CARE OF. 1784 01:19:51,587 --> 01:19:52,555 SEE YOU LATER, CHILDREN. 1785 01:19:52,621 --> 01:19:53,857 RIGHT. 1786 01:19:53,923 --> 01:19:55,825 PRETTY AWFUL THAT MART BUSINESS. 1787 01:19:55,892 --> 01:19:56,993 YES, WASN'T IT? 1788 01:19:57,060 --> 01:19:58,027 HELEN, I ASKED YOU 1789 01:19:58,094 --> 01:19:59,462 NOT TO HAVE HIM IN THIS HOUSE. 1790 01:19:59,528 --> 01:20:02,198 I KNOW YOU DID, DARLING, AND YOU WERE PERFECTLY RIGHT. 1791 01:20:02,265 --> 01:20:04,267 I'M SO SORRY I DIDN'T LISTEN TO YOU. 1792 01:20:04,333 --> 01:20:07,670 WELL, THAT'S WATER UNDER THE BRIDGE NOW. 1793 01:20:07,736 --> 01:20:08,671 HELEN, I WANT SOMETHING-- 1794 01:20:08,737 --> 01:20:10,874 DARLING, I WANT TO-- 1795 01:20:10,940 --> 01:20:11,841 GO AHEAD. 1796 01:20:11,908 --> 01:20:13,176 NO. MINE CAN WAIT. 1797 01:20:13,242 --> 01:20:15,311 WHAT WERE YOU GOING TO SAY? 1798 01:20:18,447 --> 01:20:20,583 JUST THAT I'VE BEEN THINKING ABOUT THINGS. 1799 01:20:20,649 --> 01:20:23,519 I FEEL THAT OUR GETTING MARRIED WOULD BE A MISTAKE. 1800 01:20:25,588 --> 01:20:28,925 YOU MEAN YOU'RE NO LONGER IN LOVE WITH ME? 1801 01:20:28,992 --> 01:20:30,193 I WISH I WEREN'T. 1802 01:20:31,694 --> 01:20:33,029 FRED, WHAT'S THIS ALL ABOUT? 1803 01:20:33,096 --> 01:20:35,364 THE POINT IS, HELEN, YOU DON'T LOVE ME. 1804 01:20:35,431 --> 01:20:37,100 I SUSPECT I'VE KNOWN THAT FOR A LONG TIME, 1805 01:20:37,166 --> 01:20:39,035 BUT I'VE SHIED AWAY FROM IT. 1806 01:20:39,102 --> 01:20:40,669 WHAT I SAY DOESN'T MATTER? 1807 01:20:40,736 --> 01:20:42,005 WHAT YOU SAY AND WHAT YOU FEEL 1808 01:20:42,071 --> 01:20:43,973 ARE COMPLETELY DIFFERENT THINGS, I'VE FOUND. 1809 01:20:44,040 --> 01:20:45,541 IT SEEMS TO ME THAT SINCE I'VE KNOWN YOU, 1810 01:20:45,608 --> 01:20:48,644 YOU'VE BECOME LOVELIER, MORE MENTALLY ASSURED. 1811 01:20:48,711 --> 01:20:49,913 BUT IT ALSO SEEMS TO ME 1812 01:20:49,979 --> 01:20:52,281 THAT WHEN I FIRST KNEW YOU, YOU HAD A HEART. 1813 01:20:52,348 --> 01:20:56,252 I DON'T THINK YOU HAVE ANYMORE. 1814 01:20:56,319 --> 01:21:00,789 I'M JUST AN ICEBERG OF A WOMAN, IS THAT IT? 1815 01:21:00,856 --> 01:21:01,891 WELL, YOU'LL BE PLEASED TO KNOW 1816 01:21:01,958 --> 01:21:02,858 THAT YOU'RE NOT THE FIRST PERSON 1817 01:21:02,926 --> 01:21:04,060 TO TELL ME THAT. 1818 01:21:04,127 --> 01:21:05,261 I DIDN'T KNOW THAT ANYONE ELSE COULD SEE 1819 01:21:05,328 --> 01:21:09,132 UNDER THAT SHINING SURFACE OF YOURS. 1820 01:21:09,198 --> 01:21:11,734 WHY CAN'T YOU, HELEN, BEFORE IT'S TOO LATE? 1821 01:21:11,800 --> 01:21:13,169 "TOO LATE?" 1822 01:21:13,236 --> 01:21:15,704 WHAT AN OMINOUS CHOICE OF WORDS. 1823 01:21:15,771 --> 01:21:17,040 TOO LATE FOR WHAT, PRAY? 1824 01:21:17,106 --> 01:21:18,707 YOU TOLD ME ONCE A LONG TIME AGO 1825 01:21:18,774 --> 01:21:20,043 THAT YOU'LL ALWAYS LAND ON YOUR FEET 1826 01:21:20,109 --> 01:21:21,044 NO MATTER WHAT HAPPENED. 1827 01:21:21,110 --> 01:21:22,445 YOU WON'T ALWAYS, HELEN. 1828 01:21:22,511 --> 01:21:24,880 HOW DARE YOU SAY THESE THINGS TO ME. 1829 01:21:24,948 --> 01:21:26,149 WHO ARE YOU 1830 01:21:26,215 --> 01:21:28,084 TO BE SO SMUG AND HOLIER-THAN-THOU? 1831 01:21:28,151 --> 01:21:29,485 I DIDN'T MEAN IT TO SOUND THAT WAY. 1832 01:21:29,552 --> 01:21:33,189 ARE YOU SO PERFECT THAT YOU CAN SNEER AT ME? 1833 01:21:36,159 --> 01:21:38,261 I'M SORRY WE HAD TO END THIS WAY. 1834 01:21:42,665 --> 01:21:43,666 FRED! 1835 01:21:46,202 --> 01:21:49,138 FRED, DON'T GO! DON'T! 1836 01:21:49,205 --> 01:21:50,773 IF YOU LEAVE ME, I HAVEN'T A CHANCE. 1837 01:21:50,839 --> 01:21:52,175 STAY AND HELP ME. 1838 01:21:52,241 --> 01:21:54,743 THE PERSON WHO SAID I WAS COLD ALSO SAID 1839 01:21:54,810 --> 01:21:56,812 I WAS ROTTEN INSIDE. 1840 01:21:56,879 --> 01:22:00,016 OH, PART OF ME IS, BUT I'M NOT-- 1841 01:22:00,083 --> 01:22:03,019 I'M NOT CLEAR THROUGH, NOT YET, FRED. 1842 01:22:03,086 --> 01:22:04,120 I'LL FIGHT IT. 1843 01:22:04,187 --> 01:22:05,421 I'LL FIGHT IT OFF, 1844 01:22:05,488 --> 01:22:06,355 AND I'LL BE ALL RIGHT. 1845 01:22:06,422 --> 01:22:07,556 IF YOU'LL HELP ME. 1846 01:22:09,258 --> 01:22:10,893 I'M AFRAID I CAN'T HELP YOU. 1847 01:22:10,960 --> 01:22:11,894 OH, FRED, PLEASE. 1848 01:22:11,961 --> 01:22:13,129 IF I THOUGHT I COULD BUT-- 1849 01:22:13,196 --> 01:22:14,097 I NEED YOU, FRED. 1850 01:22:14,163 --> 01:22:16,132 I NEED YOU TERRIBLY. 1851 01:22:17,733 --> 01:22:18,867 YOU SAW ENOUGH GOOD IN ME 1852 01:22:18,934 --> 01:22:20,903 TO FALL IN LOVE WITH ME. 1853 01:22:20,970 --> 01:22:22,005 IT'S STILL THERE. 1854 01:22:22,071 --> 01:22:24,840 I DOUBT IT, HELEN. 1855 01:22:24,907 --> 01:22:26,909 YOU'VE CHANGED SO, 1856 01:22:26,976 --> 01:22:29,678 PARTICULARLY SINCE SAM CAME INTO THIS HOUSE. 1857 01:22:33,416 --> 01:22:36,552 WHY WOULD SAM HAVE ANY EFFECT ON ME? 1858 01:22:36,619 --> 01:22:37,953 I DON'T KNOW. 1859 01:22:38,021 --> 01:22:40,056 WHY WOULD HE? 1860 01:22:40,123 --> 01:22:42,158 I SEE NOW. 1861 01:22:42,225 --> 01:22:45,061 SAM'S THE REASON YOU FEEL AS YOU DO. 1862 01:22:45,128 --> 01:22:46,195 YOU NEVER SEE A THING 1863 01:22:46,262 --> 01:22:49,965 EXCEPT WHAT YOU WANT TO SEE, DO YOU? 1864 01:22:56,805 --> 01:22:58,274 [DOOR CLOSES] 1865 01:22:58,341 --> 01:23:00,476 SAM! SAM! 1866 01:23:02,078 --> 01:23:03,079 [FOOTSTEPS] 1867 01:23:03,146 --> 01:23:04,447 Grace: MRS. BRENT, 1868 01:23:04,513 --> 01:23:06,282 MR. ARNETT'S ON THE PHONE AGAIN. 1869 01:23:06,349 --> 01:23:08,717 DO YOU WANT TO TALK TO HIM NOW? 1870 01:23:10,786 --> 01:23:12,721 YES, I DO. 1871 01:23:25,334 --> 01:23:26,001 HELLO. 1872 01:23:26,069 --> 01:23:27,970 HELLO, MRS. BRENT. 1873 01:23:28,037 --> 01:23:29,638 THROUGH SOME STRANGE CIRCUMSTANCE, 1874 01:23:29,705 --> 01:23:33,376 MY CLIENT HAS DECIDED TO ABANDON HER SEARCH. 1875 01:23:33,442 --> 01:23:34,777 NOW, I HAVE A GLIMMERING 1876 01:23:34,843 --> 01:23:36,712 AS TO WHAT MAY HAVE CAUSED 1877 01:23:36,779 --> 01:23:39,082 THIS ABRUPT CHANGE OF HEART. 1878 01:23:39,148 --> 01:23:40,549 BUT DON'T MAKE THE MISTAKE OF THINKING 1879 01:23:40,616 --> 01:23:43,086 THAT I CAN BE THAT EASILY SWAYED. 1880 01:23:43,152 --> 01:23:45,821 NOTHING IS GOING TO SAVE YOUR MR. WILD 1881 01:23:45,888 --> 01:23:47,823 EXCEPT THE SUM I QUOTED YOU-- 1882 01:23:47,890 --> 01:23:49,625 $15,000 AND AT ONCE. 1883 01:23:49,692 --> 01:23:52,428 YOU'RE NOT GOING TO GET IT FROM ME, MR. ARNETT. 1884 01:23:52,495 --> 01:23:56,332 THE GENTLEMAN IN QUESTION HAS COST ME MUCH TOO MUCH ALREADY. 1885 01:23:58,167 --> 01:24:01,437 I HOPE YOU REALIZE THAT I'M NOT BLUFFING. 1886 01:24:01,504 --> 01:24:02,705 THE POLICE WILL BE THERE ONE HOUR 1887 01:24:02,771 --> 01:24:04,407 AFTER WE CONCLUDE THIS CONVERSATION. 1888 01:24:04,473 --> 01:24:07,576 IT CAN'T BE TOO SOON TO GET HIM OUT OF MY LIFE. 1889 01:24:07,643 --> 01:24:10,045 HE'LL BE BACK IN THE HOUSE ABOUT MIDNIGHT. 1890 01:24:10,113 --> 01:24:12,047 AND I MIGHT WARN YOU, HE'S ARMED. 1891 01:24:13,216 --> 01:24:14,150 YOU REMEMBER THE VERSE 1892 01:24:14,217 --> 01:24:17,486 FROM THE BIBLE, MRS. BRENT? 1893 01:24:17,553 --> 01:24:20,055 "I FIND MORE BITTER THAN DEATH 1894 01:24:20,123 --> 01:24:22,691 "THE WOMAN WHOSE HEART IS SNARES AND NETS. 1895 01:24:22,758 --> 01:24:25,428 "AND HE WHO FALLS BENEATH HER SPELL 1896 01:24:25,494 --> 01:24:28,097 HAS NEED OF GOD'S MERCY." 1897 01:25:02,531 --> 01:25:03,732 WHERE'S FRED? 1898 01:25:05,634 --> 01:25:08,404 HE'S GONE, FOR GOOD. 1899 01:25:11,106 --> 01:25:13,309 FOR GOOD? 1900 01:25:13,376 --> 01:25:15,178 OH, HELEN, I'M SO SORRY. 1901 01:25:19,215 --> 01:25:21,517 WOULD YOU LIKE TO TELL ME ABOUT IT? 1902 01:25:21,584 --> 01:25:23,719 NO. 1903 01:25:23,786 --> 01:25:26,522 PERHAPS GOING AWAY FOR A BIT WOULD BE GOOD. 1904 01:25:26,589 --> 01:25:28,557 WE COULD TAKE A TRIP TO FLORIDA, 1905 01:25:28,624 --> 01:25:30,092 JUST YOU AND SAM AND I, AND WE COULD HAVE A-- 1906 01:25:30,159 --> 01:25:34,363 GEORGIA, I HAVE TO TALK TO YOU ABOUT SAM. 1907 01:25:34,430 --> 01:25:35,998 HE DOESN'T REALLY MEAN 1908 01:25:36,064 --> 01:25:37,533 TOO MUCH TO YOU, DOES HE? 1909 01:25:37,600 --> 01:25:40,736 OH, WHY, HELEN, WHAT IN THE WORLD? 1910 01:25:40,803 --> 01:25:43,172 GEORGIA... 1911 01:25:43,239 --> 01:25:45,040 SAM'S GOING TO BE ARRESTED. 1912 01:25:45,107 --> 01:25:46,275 WHAT? 1913 01:25:46,342 --> 01:25:48,311 HE KILLED MART. 1914 01:25:48,377 --> 01:25:51,347 HE KILLED THOSE PEOPLE I FOUND IN RENO. 1915 01:25:51,414 --> 01:25:54,283 OH, REALLY, HELEN. SAM KILLED MART, 1916 01:25:54,350 --> 01:25:55,951 SAM KILLED SOME PEOPLE IN RENO. 1917 01:25:56,018 --> 01:25:57,420 I TELL YOU IT'S SO, GEORGIA. 1918 01:25:57,486 --> 01:25:58,921 HELEN, IF THIS IS SOME KIND OF A JOKE, I-- 1919 01:25:58,987 --> 01:26:00,989 LOOK, WE HAVEN'T MUCH TIME. 1920 01:26:01,056 --> 01:26:02,558 THE POLICE WILL BE HERE AT MIDNIGHT. 1921 01:26:02,625 --> 01:26:06,229 I--I WANT YOU TO BE PREPARED. 1922 01:26:06,295 --> 01:26:08,531 I DON'T BELIEVE IT. 1923 01:26:08,597 --> 01:26:10,533 THERE'S PROOF, GEORGIA. 1924 01:26:10,599 --> 01:26:12,868 THERE ARE FINGERPRINTS IN RENO. 1925 01:26:12,935 --> 01:26:15,438 DARLING, WE'LL GET THE BEST LAWYER IN TOWN FOR HIM. 1926 01:26:15,504 --> 01:26:16,372 THEN NO MATTER HOW IT COMES OUT, 1927 01:26:16,439 --> 01:26:18,341 WE'LL GO AWAY, YOU AND I. 1928 01:26:18,407 --> 01:26:20,108 I'LL BE WITH YOU, AND YOU'LL BE ALL RIGHT. 1929 01:26:20,175 --> 01:26:21,210 WHERE ARE YOU GOING? 1930 01:26:21,277 --> 01:26:22,211 TO PUT SOME OF HIS THINGS TOGETHER. 1931 01:26:22,278 --> 01:26:23,579 HE'S GOT TO GET OUT OF HERE. 1932 01:26:23,646 --> 01:26:25,948 NO. IT'D BE WORSE FOR HIM IF HE TRIED TO GET AWAY. 1933 01:26:26,014 --> 01:26:28,116 THE POLICE MAY HAVE MEN AROUND THE HOUSE ANY MINUTE. 1934 01:26:28,183 --> 01:26:30,286 YES. 1935 01:26:30,353 --> 01:26:31,920 BUT HELEN, WE'VE GOT TO DO SOMETHING. 1936 01:26:31,987 --> 01:26:33,188 WHEN SAM GETS HERE-- 1937 01:26:33,256 --> 01:26:34,857 WHEN SAM GETS HERE, YOU GO UP TO YOUR ROOM. 1938 01:26:34,923 --> 01:26:36,892 YOU'RE SO UPSET, HE'LL KNOW SOMETHING'S WRONG. 1939 01:26:36,959 --> 01:26:38,261 DO YOU THINK I'M GOING TO LET MY OWN HUSBAND 1940 01:26:38,327 --> 01:26:39,762 WALK INTO A TRAP? 1941 01:26:39,828 --> 01:26:43,232 GEORGIA, SAM'S A MURDERER, A MANIAC. 1942 01:26:43,299 --> 01:26:44,333 HOW CAN YOU STAND THE THOUGHT 1943 01:26:44,400 --> 01:26:45,968 OF EVEN LOOKING AT HIM AGAIN? 1944 01:26:48,571 --> 01:26:50,306 I DON'T KNOW HOW, BUT I... 1945 01:26:50,373 --> 01:26:52,174 [SOBBING] 1946 01:26:52,241 --> 01:26:53,276 OH, HELEN, 1947 01:26:53,342 --> 01:26:55,311 I STILL CAN'T BELIEVE HE DID THIS. 1948 01:26:55,378 --> 01:26:57,212 OF COURSE YOU CAN'T. 1949 01:26:57,280 --> 01:26:59,682 I REALIZE IT'S BEEN A TERRIFIC JOLT. 1950 01:26:59,748 --> 01:27:01,484 AND YOU'VE NEVER HAD TO TAKE ANY JOLTS. 1951 01:27:01,550 --> 01:27:05,087 YOUR MONEY HAS ALWAYS PROTECTED YOU. 1952 01:27:05,153 --> 01:27:07,923 WHAT'S MY MONEY GOT TO DO WITH THIS? 1953 01:27:07,990 --> 01:27:09,258 NOTHING, OF COURSE. 1954 01:27:11,427 --> 01:27:12,961 YOU CALLED THE POLICE. 1955 01:27:13,028 --> 01:27:14,062 OH, GEORGIA, I HAD TO-- 1956 01:27:14,129 --> 01:27:15,364 HOW LONG HAVE YOU KNOWN ABOUT SAM? 1957 01:27:15,431 --> 01:27:16,765 A FEW DAYS, I GUESS. 1958 01:27:16,832 --> 01:27:18,401 AND YOU'VE JUST MADE UP YOUR MIND TONIGHT 1959 01:27:18,467 --> 01:27:20,035 TO CALL THE POLICE-- 1960 01:27:20,102 --> 01:27:20,769 IN THE MIDDLE OF THE NIGHT. 1961 01:27:20,836 --> 01:27:21,804 WHAT ARE YOU-- 1962 01:27:21,870 --> 01:27:22,871 FRED WAS THROUGH WITH YOU TONIGHT, 1963 01:27:22,938 --> 01:27:23,539 WASN'T HE, HELEN? 1964 01:27:23,606 --> 01:27:24,773 GEORGIA, WHAT ARE YOU-- 1965 01:27:24,840 --> 01:27:25,774 YOU WERE WILLING TO LET MY MONEY GO 1966 01:27:25,841 --> 01:27:26,842 WHEN YOU HAD FRED'S, 1967 01:27:26,909 --> 01:27:27,776 BUT NOT WHEN FRED WALKED OUT ON YOU. 1968 01:27:27,843 --> 01:27:28,677 HOW RIDICULOUS. 1969 01:27:28,744 --> 01:27:29,912 THEN YOU SUDDENLY REALIZED 1970 01:27:29,978 --> 01:27:32,014 YOU WEREN'T GOING TO GET HIS MONEY OR MINE. 1971 01:27:32,080 --> 01:27:33,416 WELL, YOU WERE RIGHT. YOU'RE NOT. 1972 01:27:33,482 --> 01:27:35,284 GEORGIA, LISTEN. 1973 01:27:35,351 --> 01:27:36,352 WHATEVER ELSE I'VE DONE, 1974 01:27:36,419 --> 01:27:38,454 I'VE LOVED YOU. 1975 01:27:38,521 --> 01:27:39,855 ALL YOU'VE EVER LOVED IS MY MONEY. 1976 01:27:39,922 --> 01:27:41,223 THAT'S ALL YOU'VE EVER HUNG AROUND ME FOR. 1977 01:27:41,290 --> 01:27:42,391 BE QUIET. 1978 01:27:42,458 --> 01:27:43,992 WELL, I'LL TELL YOU THIS MUCH. 1979 01:27:44,059 --> 01:27:46,295 YOU WON'T GET ANOTHER NICKEL FROM ME AS LONG AS I LIVE. 1980 01:27:46,362 --> 01:27:48,397 AND WHEN I DIE, YOU STILL WON'T! 1981 01:27:48,464 --> 01:27:49,698 I'LL SEE TO THAT FIRST THING IN THE MORNING. 1982 01:27:49,765 --> 01:27:50,866 YOU'D BETTER STOP. 1983 01:27:50,933 --> 01:27:53,035 YOU'RE THROUGH, WASHED UP, AS FAR AS I'M CONCERNED. 1984 01:27:53,101 --> 01:27:54,637 YOU LITTLE FOOL. YOU'RE CRAZY. 1985 01:27:54,703 --> 01:27:57,340 IF I AM, AT LEAST I'M CRAZY WITH LOVE FOR A MAN. 1986 01:27:57,406 --> 01:27:59,408 ALL YOU'RE CRAZY ABOUT IS MONEY AND YOURSELF. 1987 01:27:59,475 --> 01:28:00,609 MAD ABOUT A MAN 1988 01:28:00,676 --> 01:28:02,678 WHO DOESN'T GIVE A TINKER'S DAM FOR YOU. 1989 01:28:02,745 --> 01:28:04,279 YOU THINK YOU CAN GET BACK AT ME LIKE THAT 1990 01:28:04,347 --> 01:28:06,181 BY TELLING ME SAM DOESN'T LOVE ME? 1991 01:28:06,248 --> 01:28:09,251 [DOOR OPENS] 1992 01:28:09,318 --> 01:28:12,087 I'LL SHOW YOU HOW MUCH HE LOVES YOU. 1993 01:28:12,154 --> 01:28:13,356 STAY THERE AND LISTEN. 1994 01:28:15,858 --> 01:28:17,059 SAM. 1995 01:28:20,262 --> 01:28:21,630 SAM. 1996 01:28:26,635 --> 01:28:28,236 THINGS ARE PILING UP ON US, SAM. 1997 01:28:28,303 --> 01:28:29,037 WHY? WHAT HAPPENED? 1998 01:28:29,104 --> 01:28:30,339 I'M AFRAID FOR YOU. 1999 01:28:30,406 --> 01:28:32,341 LET'S GO AWAY TOGETHER, YOU AND I. 2000 01:28:32,408 --> 01:28:34,377 YES. TONIGHT. 2001 01:28:34,443 --> 01:28:36,379 RIGHT NOW. YEAH. 2002 01:28:39,247 --> 01:28:40,416 GET OUT OF HERE. 2003 01:28:42,250 --> 01:28:43,318 BOTH OF YOU GET OUT. 2004 01:28:43,386 --> 01:28:44,987 SAM, SHE'LL NEVER LET US BE HAPPY, 2005 01:28:45,053 --> 01:28:46,054 NEVER WHILE SHE'S ALIVE. 2006 01:28:46,121 --> 01:28:47,089 GET OUT, I SAID. 2007 01:28:47,155 --> 01:28:48,190 YOU HEAR ME, SAM. 2008 01:28:48,256 --> 01:28:49,558 SHE DOESN'T WANT US TO GO AWAY. 2009 01:28:49,625 --> 01:28:51,594 WE CAN NEVER BE TOGETHER, NEVER, TILL SHE'S DEAD. 2010 01:28:51,660 --> 01:28:53,596 YES, I THINK YOU'RE RIGHT. 2011 01:28:53,662 --> 01:28:55,431 [POUNDING ON DOOR] 2012 01:28:55,498 --> 01:28:56,699 I LOVE YOU SO, SAM, 2013 01:28:56,765 --> 01:28:59,368 THAT I WOULD HAVE SAVED YOU NO MATTER WHAT. 2014 01:28:59,435 --> 01:29:01,470 MAYBE HELEN WAS RIGHT IN CALLING THE POLICE. 2015 01:29:01,537 --> 01:29:02,638 I DON'T KNOW. 2016 01:29:02,705 --> 01:29:03,372 I DON'T KNOW ANYTHING ANYMORE. 2017 01:29:03,439 --> 01:29:04,573 Man: OPEN UP! 2018 01:29:04,640 --> 01:29:06,341 THIS IS THE POLICE. 2019 01:29:06,409 --> 01:29:08,176 YOU CALLED THE POLICE? 2020 01:29:08,243 --> 01:29:09,445 YOU? 2021 01:29:09,512 --> 01:29:12,280 WHY WOULD I CALL THE POLICE, SAM? 2022 01:29:12,347 --> 01:29:14,149 I DON'T KNOW WHY, BUT YOU DID. 2023 01:29:14,216 --> 01:29:16,184 YOU DON'T BELIEVE GEORGIA ABOUT A THING LIKE THAT. 2024 01:29:16,251 --> 01:29:17,620 YES, I THINK I DO. 2025 01:29:17,686 --> 01:29:19,287 Man: OPEN UP! OPEN UP IN THERE. 2026 01:29:19,354 --> 01:29:21,323 YOU HAVE TO LET THEM IN. 2027 01:29:21,390 --> 01:29:23,626 DON'T GO NEAR THAT DOOR. 2028 01:29:23,692 --> 01:29:25,428 NO, SAM! 2029 01:29:37,172 --> 01:29:40,342 [DOOR BREAKS OPEN] 2030 01:29:40,409 --> 01:29:41,610 COME ON OUT OF THERE. 2031 01:29:41,677 --> 01:29:44,580 IT'S ME, SAM, REMEMBER? TONIGHT'S OUR NIGHT. 2032 01:29:44,647 --> 01:29:46,181 WE STILL HAVE TIME FOR A FEW KISSES 2033 01:29:46,248 --> 01:29:47,282 BEFORE THE POLICE GET ME. 2034 01:29:47,349 --> 01:29:48,651 YOU'D LOVE THAT, WOULDN'T YOU? 2035 01:29:48,717 --> 01:29:51,353 YOU'RE CRAZY ABOUT ME, DON'T YOU REMEMBER? 2036 01:29:51,420 --> 01:29:53,221 SAM, YOU'RE OUT OF YOUR HEAD. 2037 01:29:53,288 --> 01:29:55,424 I SHOULD HAVE KNOWN THAT LONG AGO. 2038 01:29:55,491 --> 01:29:57,125 PLEASE BE REASONABLE! 2039 01:29:57,192 --> 01:29:59,127 COME ON OUT, MY DARLING. 2040 01:30:18,346 --> 01:30:19,515 MRS. BRENT. 2041 01:30:21,249 --> 01:30:22,017 IN THERE. 2042 01:30:22,084 --> 01:30:23,118 SURE. 2043 01:30:25,120 --> 01:30:26,154 SEND FOR AN AMBULANCE. 2044 01:30:26,221 --> 01:30:29,658 OK. WON'T DO THIS GUY ANY GOOD THOUGH. 2045 01:30:29,725 --> 01:30:30,759 YOU SHOULD NEVER HAVE STAYED 2046 01:30:30,826 --> 01:30:32,427 IN THE HOUSE WITH HIM, MRS. BRENT. 2047 01:30:32,495 --> 01:30:34,362 IT WAS TAKING TOO BIG A CHANGE. 2048 01:30:34,429 --> 01:30:38,467 YES. I DID TAKE TOO BIG A CHANCE. 2049 01:30:38,534 --> 01:30:40,368 WELL, I WOULDN'T WORRY. 2050 01:30:40,435 --> 01:30:41,937 EVERYTHING WILL BE ALL RIGHT. 2051 01:30:42,004 --> 01:30:43,906 NO. 2052 01:30:43,972 --> 01:30:45,508 NO, IT WON'T. 2053 01:30:48,243 --> 01:30:49,211 FRED WAS RIGHT. 2054 01:30:51,547 --> 01:30:54,550 THIS TIME I DIDN'T LAND ON MY FEET. 2055 01:31:14,136 --> 01:31:17,873 "THE WAY OF THE TRANSGRESSOR IS HARD." 2056 01:31:17,940 --> 01:31:19,875 MORE'S THE PITY. 2057 01:31:19,942 --> 01:31:21,544 MORE'S THE PITY.